Irish artist Harry Clarke, who would become a leader in the Arts and Crafts movement during his lifetime, came into contact with art at an early age through the work of his father. Clarke's father decorated church buildings and also made ornate window panes. In this way Clarke became acquainted with many art movements, but especially with Art Nouveau. His mother died when he was only 14 years old, which weighed heavily on him. At the age of 21, he won his first award for his own glass art. At art school in Dublin, he met and fell in love with Margaret Crilley, a painter a few years his senior. The two married when Clarke was 25 and eventually had three children. Margaret created several paintings depicting her husband at work.
Clarke's work as a book illustrator in London was not initially crowned with success: his first two commissions - illustrations for works by Samuel Taylor Coleridge and Alexander Pope - were never completed, and parts of these works were ultimately irretrievably destroyed during the 1916 Easter Rising. Clarke was finally more fortunate with his illustrations of Hans Christian Andersen's fairy tales, whose publication brought him further commissions. The production of numerous pictures for eerie stories by Edgar Allan Poe, such as "The Pit and the Pendulum," gave him further opportunity to establish himself as an artist with an inimitable style. These pictures, mostly in black and white and rich in detail, gave Clarke his final breakthrough as a book illustrator. He went on to illustrate fairy tales by Charles Perrault and even Goethe's "Faust". The 80 or so illustrations Clarke produced to illustrate the Faust tale are among his best-known works and are particularly impressive for their psychedelic atmosphere. But Clarke also remained devoted to stained glass. Together with his brother Walter, he took over his father's business in 1921 after his father died. In all, Clarke created more than 130 magnificently designed window paintings. His stained glass often features the same strong lines found in his black-and-white book illustrations.
Unfortunately, Harry Clarke's life was not to have a happy ending. Both he and his brother Walter often struggled with health problems. When he was 40 years old, Clarke was diagnosed with tuberculosis, after which he went to a sanatorium in Davos, Switzerland. However, not wanting to die far from home, he eventually made the journey back to Dublin. But when death came to him, he had not yet left Switzerland. He died in Chur, where he was also buried. Clarke's family was not aware that the continued existence of the grave was only assured for a period of 15 years due to local regulations. Therefore, Clarke's remains were exhumed in 1946 and buried in a communal grave.
Irish artist Harry Clarke, who would become a leader in the Arts and Crafts movement during his lifetime, came into contact with art at an early age through the work of his father. Clarke's father decorated church buildings and also made ornate window panes. In this way Clarke became acquainted with many art movements, but especially with Art Nouveau. His mother died when he was only 14 years old, which weighed heavily on him. At the age of 21, he won his first award for his own glass art. At art school in Dublin, he met and fell in love with Margaret Crilley, a painter a few years his senior. The two married when Clarke was 25 and eventually had three children. Margaret created several paintings depicting her husband at work.
Clarke's work as a book illustrator in London was not initially crowned with success: his first two commissions - illustrations for works by Samuel Taylor Coleridge and Alexander Pope - were never completed, and parts of these works were ultimately irretrievably destroyed during the 1916 Easter Rising. Clarke was finally more fortunate with his illustrations of Hans Christian Andersen's fairy tales, whose publication brought him further commissions. The production of numerous pictures for eerie stories by Edgar Allan Poe, such as "The Pit and the Pendulum," gave him further opportunity to establish himself as an artist with an inimitable style. These pictures, mostly in black and white and rich in detail, gave Clarke his final breakthrough as a book illustrator. He went on to illustrate fairy tales by Charles Perrault and even Goethe's "Faust". The 80 or so illustrations Clarke produced to illustrate the Faust tale are among his best-known works and are particularly impressive for their psychedelic atmosphere. But Clarke also remained devoted to stained glass. Together with his brother Walter, he took over his father's business in 1921 after his father died. In all, Clarke created more than 130 magnificently designed window paintings. His stained glass often features the same strong lines found in his black-and-white book illustrations.
Unfortunately, Harry Clarke's life was not to have a happy ending. Both he and his brother Walter often struggled with health problems. When he was 40 years old, Clarke was diagnosed with tuberculosis, after which he went to a sanatorium in Davos, Switzerland. However, not wanting to die far from home, he eventually made the journey back to Dublin. But when death came to him, he had not yet left Switzerland. He died in Chur, where he was also buried. Clarke's family was not aware that the continued existence of the grave was only assured for a period of 15 years due to local regulations. Therefore, Clarke's remains were exhumed in 1946 and buried in a communal grave.
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