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Feel the passion of Harry Clarke in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Harry Clarke
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

Harry Clarke

Irish artist Harry Clarke, who would become a leader in the Arts and Crafts movement during his lifetime, came into contact with art at an early age through the work of his father. Clarke's father decorated church buildings and also made ornate window panes. In this way Clarke became acquainted with many art movements, but especially with Art Nouveau. His mother died when he was only 14 years old, which weighed heavily on him. At the age of 21, he won his first award for his own glass art. At art school in Dublin, he met and fell in love with Margaret Crilley, a painter a few years his senior. The two married when Clarke was 25 and eventually had three children. Margaret created several paintings depicting her husband at work.

Clarke's work as a book illustrator in London was not initially crowned with success: his first two commissions - illustrations for works by Samuel Taylor Coleridge and Alexander Pope - were never completed, and parts of these works were ultimately irretrievably destroyed during the 1916 Easter Rising. Clarke was finally more fortunate with his illustrations of Hans Christian Andersen's fairy tales, whose publication brought him further commissions. The production of numerous pictures for eerie stories by Edgar Allan Poe, such as "The Pit and the Pendulum," gave him further opportunity to establish himself as an artist with an inimitable style. These pictures, mostly in black and white and rich in detail, gave Clarke his final breakthrough as a book illustrator. He went on to illustrate fairy tales by Charles Perrault and even Goethe's "Faust". The 80 or so illustrations Clarke produced to illustrate the Faust tale are among his best-known works and are particularly impressive for their psychedelic atmosphere. But Clarke also remained devoted to stained glass. Together with his brother Walter, he took over his father's business in 1921 after his father died. In all, Clarke created more than 130 magnificently designed window paintings. His stained glass often features the same strong lines found in his black-and-white book illustrations.

Unfortunately, Harry Clarke's life was not to have a happy ending. Both he and his brother Walter often struggled with health problems. When he was 40 years old, Clarke was diagnosed with tuberculosis, after which he went to a sanatorium in Davos, Switzerland. However, not wanting to die far from home, he eventually made the journey back to Dublin. But when death came to him, he had not yet left Switzerland. He died in Chur, where he was also buried. Clarke's family was not aware that the continued existence of the grave was only assured for a period of 15 years due to local regulations. Therefore, Clarke's remains were exhumed in 1946 and buried in a communal grave.

Harry Clarke

Irish artist Harry Clarke, who would become a leader in the Arts and Crafts movement during his lifetime, came into contact with art at an early age through the work of his father. Clarke's father decorated church buildings and also made ornate window panes. In this way Clarke became acquainted with many art movements, but especially with Art Nouveau. His mother died when he was only 14 years old, which weighed heavily on him. At the age of 21, he won his first award for his own glass art. At art school in Dublin, he met and fell in love with Margaret Crilley, a painter a few years his senior. The two married when Clarke was 25 and eventually had three children. Margaret created several paintings depicting her husband at work.

Clarke's work as a book illustrator in London was not initially crowned with success: his first two commissions - illustrations for works by Samuel Taylor Coleridge and Alexander Pope - were never completed, and parts of these works were ultimately irretrievably destroyed during the 1916 Easter Rising. Clarke was finally more fortunate with his illustrations of Hans Christian Andersen's fairy tales, whose publication brought him further commissions. The production of numerous pictures for eerie stories by Edgar Allan Poe, such as "The Pit and the Pendulum," gave him further opportunity to establish himself as an artist with an inimitable style. These pictures, mostly in black and white and rich in detail, gave Clarke his final breakthrough as a book illustrator. He went on to illustrate fairy tales by Charles Perrault and even Goethe's "Faust". The 80 or so illustrations Clarke produced to illustrate the Faust tale are among his best-known works and are particularly impressive for their psychedelic atmosphere. But Clarke also remained devoted to stained glass. Together with his brother Walter, he took over his father's business in 1921 after his father died. In all, Clarke created more than 130 magnificently designed window paintings. His stained glass often features the same strong lines found in his black-and-white book illustrations.

Unfortunately, Harry Clarke's life was not to have a happy ending. Both he and his brother Walter often struggled with health problems. When he was 40 years old, Clarke was diagnosed with tuberculosis, after which he went to a sanatorium in Davos, Switzerland. However, not wanting to die far from home, he eventually made the journey back to Dublin. But when death came to him, he had not yet left Switzerland. He died in Chur, where he was also buried. Clarke's family was not aware that the continued existence of the grave was only assured for a period of 15 years due to local regulations. Therefore, Clarke's remains were exhumed in 1946 and buried in a communal grave.





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Harry Clarke
Illustration from 'Selected Poem...
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Harry Clarke
Elf hill, fairy tale by Hans Chr...
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Harry Clarke
Riquet with the Tuft. From Charl...
1923 | watercolour

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Harry Clarke
Morella, c1920
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Harry Clarke
Detail from the Geneva Window sh...
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Harry Clarke
'I know what you want' said the ...
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Harry Clarke
Lady Ligeia. "Ligeia" is a short...
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Harry Clarke
Illustration to Goethes Faust, 1...
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Harry Clarke
The wild swans, fairy tale by Ha...
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Harry Clarke
The Shepherdess and the Chimney ...
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Harry Clarke
But, for many minutes, the heart...
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Harry Clarke
Black and White. 'Midst of all w...
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Harry Clarke
The Garden of Paradise. "Now we ...
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Harry Clarke
Illustration from The Little Mer...
1914 | watercolour, pen and ink

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Harry Clarke
Emperor's new clothes, fairy tal...
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Harry Clarke
The Marsh King's Daughter. She w...
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Harry Clarke
"it was the Marchesa Aphrodite-t...
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Harry Clarke
"I would call aloud upon her nam...
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Harry Clarke
"It was a fearful page in the re...
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Harry Clarke
The Emperor and the Nightingale,...
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Harry Clarke
The travelling companion: “” Let...
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Harry Clarke
The Marsh King's Daughter. He kn...
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Harry Clarke
Faust Illustration, 1925
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Harry Clarke
"The boat appeared to be hanging...
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Harry Clarke
Illustration for the story, 'don...
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Harry Clarke
A lady looking down at a peasant...
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Harry Clarke
Detail from the Geneva Window de...
1929 | stained glass

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Harry Clarke
An illustration for the story 'C...
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Harry Clarke
The New One is the Most Beautifu...
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Harry Clarke
A man and woman dancing.
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Harry Clarke
Edgar Allan Poe: The Black Cat (...
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Harry Clarke
Columbine, c 1900-1930, 1925
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Harry Clarke
The Pit and the Pendulum, c.1923...
1923 | pen and ink on paper

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Harry Clarke
Angel, by Harry Clarke (1889-193...
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Harry Clarke
"The earth grew dark, and its fi...
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Harry Clarke
Cinderella and her prince'.
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Harry Clarke
Thumbelina She should be Queen o...
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Harry Clarke
The Fall of the House of Usher, ...
1923 | Pencil and watercolour on paper

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Harry Clarke
Avast there a bit, I say, and te...
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Harry Clarke
The Meeting, c1918
1918 | glass

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Harry Clarke
The Little Match Girl.In the bri...
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Harry Clarke
"Methinks, a Million Fools in Ch...
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Harry Clarke
The man of the crowd
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Harry Clarke
The Elf Hill. They danced with s...
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Harry Clarke
The Wild Swans. The whole day th...
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Harry Clarke
Baron Frederick Von Metzengerstein.
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Harry Clarke
Fairies:”” They danced with shaw...
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Harry Clarke
Illustration for the story, 'the...
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Harry Clarke
"He asked her whither she was go...
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Harry Clarke
The Elf Hill. "Don't give yourse...
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Harry Clarke
Illustration for the story 'Land...
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Harry Clarke
The stork, fairy tale by Hans Ch...
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Harry Clarke
The fall of the house of Usher.
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Harry Clarke
The Nightingale. "Music! Music!"...
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Harry Clarke
The Marsh King's Daughter. They ...
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Harry Clarke
The Meeting of St. Brendan with ...
1911 | stained glass

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Harry Clarke
Half-Title of Goethes Faust, 1925
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Harry Clarke
"Curiosity made him put his eye ...
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Harry Clarke
The Playboy of the Western World...
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Harry Clarke
Midst of all was a cold white face
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Harry Clarke
The Snow Queen. Those who visite...
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Harry Clarke
On the grave of the princess's f...
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Harry Clarke
Edgar Allan Poe: Morella (litho)
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Harry Clarke
The Hardy Tin Soldier."Tin Soldi...
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Harry Clarke
The Dead. "Honour has come back,...
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Harry Clarke
"He thought the princess was his...
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Harry Clarke
Illustration for the story, 'The...
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Harry Clarke
"Little thumb was as good as his...
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Harry Clarke
Edgar Allan Poe: Silence (litho)
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Harry Clarke
"Another gown the colour of the ...
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Harry Clarke
"I saw them fashion the syllable...
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Harry Clarke
Edgar Allan Poe: Ligeia (colour ...
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Harry Clarke
The Galoshes of Fortune. Yes, pe...
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Harry Clarke
We Named Lucrezia Crivelli and T...
1910 | glass

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Harry Clarke
Edgar Allan Poe: King Pest (litho)
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Harry Clarke
"She walks- the lady of my delig...
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Harry Clarke
There flashed upward a glow and ...
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Harry Clarke
Star-Talk. "How is your trade, A...
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Harry Clarke
Illustration for the story, 'the...
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Harry Clarke
"Am I come hither to serve you w...
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Harry Clarke
Edgar Allan Poe: The Assignation...
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Harry Clarke
The Snow Queen. He was so clever...
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Harry Clarke
The Butterfly. They bloomed to-d...
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Harry Clarke
"If I had a broomstick". Illustr...
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Harry Clarke
The Donkey. "With monstrous head...
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Harry Clarke
Edgar Allan Poe: The Gold Bug (l...
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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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