Feel the passion of William Bell Scott in our art prints.

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Feel the passion of William Bell Scott in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
William Bell Scott
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
William Bell Scott

William Bell Scott

    September 12, 1811   -   November 22, 1890
Nonclassified artists   •   Wikipedia: William Bell Scott

When the industrial age began, art changed. This requirement of change also determined the artistic expression of William Bell Scott. He was inspired by his father's work as a draftsman, steel and copper engraver, trained at the Trustees Academy School of Art in Edinburgh. He was still fully committed to the tradition of academic art education with its strict rules, such as the tracing of ancient statues. Therefore, in 1831 he stayed in London to study them. A further stay in London in 1837 was used for intensive artistic work, he painted and drew and worked as an art critic and poet.

In 1847 Scott Dante met Gabriel Rossetti, who like him painted and wrote poems. Rossetti and other artists founded the Brotherhood of the Pre-Raphaelites the following year. Contrary to the ideas of academic painting, the Pre-Raphaelites advocated the study of nature, free choice of subjects and a detailed but lively mode of representation. Their models were medieval artists before the time of Raphael. The variety of themes ranged from mythological and religious content to social criticism. William Bell Scott also found expression as a painter in these motifs in a departure from the academic mode of representation, without having a close relationship to the pictorial art of the Pre-Raphaelites. It was rather his inclination towards poetry that connected him with them. But richness of detail and precise drawing are also the hallmarks of Scott's paintings.

Despite his artistic talent and education Scott was neither a passionate nor very successful painter. His designs for the decoration of the Houses of Parliament in London, 1843, were rejected. Instead, he was often offered the position of head of the Government School Design in Newcastle upon Tyne. He stayed there until 1864, during which time he produced his most important work, the picturesque wall decoration of Wallington Hall near Newcastle. The paintings, executed between 1857 and 1861, show the history of Northumberland in eight parts, including the scene "Iron and Coal", an impression of an industrial process - and thus a current new theme. Scott's real artistic talent, however, is more apparent in his landscape depictions and portraits. He saw himself above all as a poet. He was not one of the most famous painters and draughtsmen of the Victorian era, but he was one of the most versatile.

William Bell Scott

    September 12, 1811   -   November 22, 1890
Nonclassified artists   •   Wikipedia: William Bell Scott William Bell Scott

When the industrial age began, art changed. This requirement of change also determined the artistic expression of William Bell Scott. He was inspired by his father's work as a draftsman, steel and copper engraver, trained at the Trustees Academy School of Art in Edinburgh. He was still fully committed to the tradition of academic art education with its strict rules, such as the tracing of ancient statues. Therefore, in 1831 he stayed in London to study them. A further stay in London in 1837 was used for intensive artistic work, he painted and drew and worked as an art critic and poet.

In 1847 Scott Dante met Gabriel Rossetti, who like him painted and wrote poems. Rossetti and other artists founded the Brotherhood of the Pre-Raphaelites the following year. Contrary to the ideas of academic painting, the Pre-Raphaelites advocated the study of nature, free choice of subjects and a detailed but lively mode of representation. Their models were medieval artists before the time of Raphael. The variety of themes ranged from mythological and religious content to social criticism. William Bell Scott also found expression as a painter in these motifs in a departure from the academic mode of representation, without having a close relationship to the pictorial art of the Pre-Raphaelites. It was rather his inclination towards poetry that connected him with them. But richness of detail and precise drawing are also the hallmarks of Scott's paintings.

Despite his artistic talent and education Scott was neither a passionate nor very successful painter. His designs for the decoration of the Houses of Parliament in London, 1843, were rejected. Instead, he was often offered the position of head of the Government School Design in Newcastle upon Tyne. He stayed there until 1864, during which time he produced his most important work, the picturesque wall decoration of Wallington Hall near Newcastle. The paintings, executed between 1857 and 1861, show the history of Northumberland in eight parts, including the scene "Iron and Coal", an impression of an industrial process - and thus a current new theme. Scott's real artistic talent, however, is more apparent in his landscape depictions and portraits. He saw himself above all as a poet. He was not one of the most famous painters and draughtsmen of the Victorian era, but he was one of the most versatile.

Artworks by William Bell Scott

Artworks by William Bell Scott

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William Bell Scott
A four leaf screen with portrait...
Undated | painted wood

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William Bell Scott
Industry on the Tyne: Iron and C...
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William Bell Scott
The Emperor Charlemagne in his T...
Undated | proof etching

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William Bell Scott
Josephine Butler, Early Feminist...
1856 | pencil on paper

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William Bell Scott
Shelley's Grave in the New Prote...
1873 |

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William Bell Scott
Return from the Long Crusade, 1861
1861 | watercolour on paper

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William Bell Scott
Salisbury Crags, Edinburgh
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William Bell Scott
Lake Nemi, 1862 (bc, pencil und ...
1862 | bodycolour, pencil and watercolour on paper

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William Bell Scott
Grace Darling and her father sav...
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William Bell Scott
Fair Rosamund in her Bower
Undated | oil on canvas

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William Bell Scott
'Grace Darling and her Father Sa...
1942 |

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William Bell Scott
Portrait of Algernon Charles Swi...
Undated | oil on canvas

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William Bell Scott
Comin' Through the Rye, 1870 (pe...
1870 | pen and ink on paper

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William Bell Scott
Grace Darling and her father sav...
Undated | watercolour on paper

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William Bell Scott
The Rending of the Veil, 1869
1869 | watercolour heightened with bodycolour on paper

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William Bell Scott
 
1865 | oil on canvas

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William Bell Scott
Study for 'Building the Roman Wa...
Undated | Watercolor on paper

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William Bell Scott
Rage or Anger (charcoal on paper)
Undated | charcoal on paper

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William Bell Scott
Keats' Grave in the Old Protesta...
1873 |

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William Bell Scott
'The trial of Sir William Wallac...
1831 | oil painting

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William Bell Scott
Albrecht Durer in Nuremburgh (wa...
Undated | watercolour on paper

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William Bell Scott
Egfrith offering the bishopric o...
Undated | colour lithograph

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William Bell Scott
Hexham Market Place (watercolour...
Undated | watercolour on paper

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William Bell Scott
Keats's Grave, 1873
1873 | oil painting

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William Bell Scott
The Last March of Edward I
Undated | colour lithograph

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William Bell Scott
The Basin of San Marco from the ...
1862 | watercolour heightened with white on paper

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William Bell Scott
Study of Flowers and Fruit, 1860
1860 | oil on canvas

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William Bell Scott
The Bigg Market, Newcastle upon ...
Undated | oil on canvas

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William Bell Scott
Storming the Castle (pen and ink...
Undated | pen and ink with bodycolour

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William Bell Scott
The Spire of St Nicholas, Newcas...
Undated | bodycolour

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William Bell Scott
 
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William Bell Scott
The Bigg Market, Newcastle upon ...
Undated | bodycolour on paper

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William Bell Scott
Egfrith offering the Bishopric o...
Undated | colour lithograph

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William Bell Scott
Egfrith offering the Bishopric o...
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William Bell Scott
Shelley's Grave, 1873
1873 | oil painting

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William Bell Scott
Upper portion of the facade of S...
1862 | watercolour on paper

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William Bell Scott
Ecstatic Admiration (charcoal on...
Undated | charcoal on paper

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William Bell Scott
Entrance to the Black Gate, Newc...
Undated | bodycolour

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William Bell Scott
Fair Rosamond Alone in her Bower...
Undated | oil on canvas

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William Bell Scott
 
Undated | graphite on paper

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William Bell Scott
Egfrith offering the Bishopric o...
Undated | colour lithograph

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William Bell Scott
Sketch for Mural at Wallington H...
Undated | bodycolour

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William Bell Scott
Sketch for Mural at Wallington H...
Undated | bodycolour

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William Bell Scott
Bell-Ringers and Cavaliers Celeb...
Undated | oil on canvas

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William Bell Scott
Dawn over the Sea (pair of 93690)
Undated | oil on canvas

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William Bell Scott
Acute Pain (charcoal on paper)
Undated | charcoal on paper

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William Bell Scott
 
Undated | oil on canvas

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William Bell Scott
Penkill Castle, Dusk, 1863
1863 | watercolour on paper

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William Bell Scott
Sketch for Mural at Wallington H...
Undated | bodycolour

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William Bell Scott
Bruce's Address at Bannockburn (...
Undated | proof etching

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William Bell Scott
Chinese potters at work, design ...
1881 | engraving/etching

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William Bell Scott
Sketch for Mural at Wallington H...
Undated | bodycolour

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William Bell Scott
Sunset over the Sea (pair of 46...
Undated | oil on canvas

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William Bell Scott
Sketch for Mural at Wallington H...
Undated | ink and pencil on paper (pasted on card)

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William Bell Scott
Study for 'To Mary in Heaven', c...
Undated | graphite, pen and black ink (recto),

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William Bell Scott
Sketch for Mural at Wallington H...
Undated | ink and pencil on paper (pasted on card)

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William Bell Scott
The Building of the New Castle (...
Undated | bodycolour, pencil and watercolour on paper

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William Bell Scott
Study of a Girl's Head (pencil o...
Undated | pencil on paper

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William Bell Scott
 
Undated | oil on canvas

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William Bell Scott
Sketch for Mural at Wallington H...
Undated | ink and pencil on paper (pasted on card)

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William Bell Scott
Sketch for Mural at Wallington H...
Undated | ink and pencil on paper (pasted on card)

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William Bell Scott
Sketch for Mural at Wallington H...
Undated | bodycolour

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William Bell Scott
Portrait of a Girl in Blue (oil ...
Undated | oil on canvas

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William Bell Scott
 
Undated | watercolour on paper

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William Bell Scott
 
Undated | oil on canvas

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William Bell Scott
Tenth Day of Rain, proof for an ...
Undated | proof etching

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William Bell Scott
 
1817 | oil on canvas

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William Bell Scott
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William Bell Scott
 
1860 | oil on canvas

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William Bell Scott
Sketch for Mural at Wallington H...
Undated | bodycolour

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William Bell Scott
 
Undated | Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper

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William Bell Scott
 
Undated | etching

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William Bell Scott
 
Undated | brown and black ink on paper

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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
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        support@meisterdrucke.com
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