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Feel the passion of Robert Anning Bell in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Robert Anning Bell
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Robert Anning Bell

Robert Anning Bell

    April 14, 1863   -   1933
Nonclassified artists   •   Wikipedia: Robert Anning Bell

As the son of a cheese merchant, Robert Robert Anning Bell was not exactly predestined to become an artist. He was born in London in 1862. It was probably his uncle, the architect Samuel Knight, who introduced him to art. He worked in his office at a young age and studied at the progressive University College School and the renowned Royal Academy. He shared his interest in new trends such as Symbolism and Art Nouveau with the sculptor George Frampton, with whom he also ran a studio. After he came into contact with the avant-garde of his time in Paris, he became an important representative of the Arts and Crafts movement in England.

One of his first highly regarded works was created in collaboration with Frampton: a high altar consisting of paintings and sculptures, which was exhibited at the Arts and Crafts Exhibition Society and is now in the Church of St. Clare in Liverpool. This work already reveals Bell's interest in medieval and Renaissance art. In cooperation with glass workshops, brightly coloured stained glass windows were created, which on the one hand refer to the old models, but on the other hand also combine modern elements. His works carry a secret within them, they exude a great magic and show the mastery and craftsmanship of a great artist and designer. At the height of his career, Robert Anning Bell was commissioned to execute the central mosaic for the tympanum of the main portal of Westminster Cathedral, based on sketches by the late master builder John Francis Bentley. This work is based on the mosaics of Byzantium, yet is very modern in its stylisation and composition. It was completed in 1916 and fits wonderfully into the overall composition of this neo-Byzantine church. In the 1920s he also created several mosaics for Westminster Palace.

Bell's paintings are atmospherically dense, enigmatic and radiate an extraordinary aesthetic. One might think, for example, of an Arcadian bathing scene with nymph-like beauties or of red-haired young women whom he portrayed very vividly, yet enraptured. When we look at his painting "Mary with Elisabeth", the great masters of the early Renaissance come to mind. He has undoubtedly orientated himself by them, without flatly imitating them. Book illustrations occupy a special place in his oeuvre. These include a wonderful gouache of a flight of elves, but also masterpieces in black and white in the manner of Art Nouveau. Consider, for example, the atmospheric illustrations to the dramas of William Shakespeare: King Lear, Hamlet or Romeo and Juliet. Robert Anning Bell portrayed himself in front of one of his colourful stained glass windows; he died in 1933. Seen from today, his works, most of which were created in the 20th century, seem to be out of time. But this is precisely what makes them so magical.

Robert Anning Bell

    April 14, 1863   -   1933
Nonclassified artists   •   Wikipedia: Robert Anning Bell Robert Anning Bell

As the son of a cheese merchant, Robert Robert Anning Bell was not exactly predestined to become an artist. He was born in London in 1862. It was probably his uncle, the architect Samuel Knight, who introduced him to art. He worked in his office at a young age and studied at the progressive University College School and the renowned Royal Academy. He shared his interest in new trends such as Symbolism and Art Nouveau with the sculptor George Frampton, with whom he also ran a studio. After he came into contact with the avant-garde of his time in Paris, he became an important representative of the Arts and Crafts movement in England.

One of his first highly regarded works was created in collaboration with Frampton: a high altar consisting of paintings and sculptures, which was exhibited at the Arts and Crafts Exhibition Society and is now in the Church of St. Clare in Liverpool. This work already reveals Bell's interest in medieval and Renaissance art. In cooperation with glass workshops, brightly coloured stained glass windows were created, which on the one hand refer to the old models, but on the other hand also combine modern elements. His works carry a secret within them, they exude a great magic and show the mastery and craftsmanship of a great artist and designer. At the height of his career, Robert Anning Bell was commissioned to execute the central mosaic for the tympanum of the main portal of Westminster Cathedral, based on sketches by the late master builder John Francis Bentley. This work is based on the mosaics of Byzantium, yet is very modern in its stylisation and composition. It was completed in 1916 and fits wonderfully into the overall composition of this neo-Byzantine church. In the 1920s he also created several mosaics for Westminster Palace.

Bell's paintings are atmospherically dense, enigmatic and radiate an extraordinary aesthetic. One might think, for example, of an Arcadian bathing scene with nymph-like beauties or of red-haired young women whom he portrayed very vividly, yet enraptured. When we look at his painting "Mary with Elisabeth", the great masters of the early Renaissance come to mind. He has undoubtedly orientated himself by them, without flatly imitating them. Book illustrations occupy a special place in his oeuvre. These include a wonderful gouache of a flight of elves, but also masterpieces in black and white in the manner of Art Nouveau. Consider, for example, the atmospheric illustrations to the dramas of William Shakespeare: King Lear, Hamlet or Romeo and Juliet. Robert Anning Bell portrayed himself in front of one of his colourful stained glass windows; he died in 1933. Seen from today, his works, most of which were created in the 20th century, seem to be out of time. But this is precisely what makes them so magical.

Artworks by Robert Anning Bell

Artworks by Robert Anning Bell

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Robert Anning Bell
To A Skylark by Percy Bysshe She...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Shelley: Ode To The West Wind (l...
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Robert Anning Bell
La Belle Dame Sans Merci by John...
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Robert Anning Bell
Ode to the West Wind
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
The Lost Love by William Wordswo...
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Robert Anning Bell
Self Portrait, 1925
1925 | oil on canvas

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Robert Anning Bell
Mary in the House of Elizabeth, ...
1917 | oil on canvas

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Robert Anning Bell
Ode to Winter by Thomas Campbell
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Robert Anning Bell
 
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Robert Anning Bell
Come pensive Nun, devout and pur...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Melancholy by John Fletcher
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Robert Anning Bell
 
1906 | watercolour

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Robert Anning Bell
Rose Petals, 1900
19th century | oil on panel

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Robert Anning Bell
Lycidas by John Milton
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Robert Anning Bell
Queen Hippolyta's Guard, 1908
1908 | watercolour on paper

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Robert Anning Bell
L'oracle: trois jeunes femmes da...
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Robert Anning Bell
Shelley: Hymn of Pan (litho)
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
The Crystal Ball
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
On The Extinction Of The Venetia...
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Robert Anning Bell
Sign no more, ladies, sigh no mo...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Ariadne (polychrome plaster reli...
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Robert Anning Bell
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Robert Anning Bell
 
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Robert Anning Bell
Music, when soft voices die, Vib...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Mother and Children, c1900
19th century | plaster

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Robert Anning Bell
Love's Farewell by Michael Drayton
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Robert Anning Bell
A Bookplate, 1894, 1894
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Robert Anning Bell
Crown ye God Bacchus with a coro...
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Robert Anning Bell
Beatrice, Much Ado about Nothing
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Robert Anning Bell
The Golden Goose from Grimms Hou...
1901 | engraving

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Robert Anning Bell
 
1916 | oil on canvas

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Robert Anning Bell
Ariadne,
Undated | paster relief painted and gilt

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Robert Anning Bell
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Robert Anning Bell
 
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Robert Anning Bell
The Toilet, 1905 (wc on board)
1905 | watercolour on board

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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
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Robert Anning Bell
Now fades the glimmering landsca...
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Robert Anning Bell
An Angel Adoring`, a coloured pl...
1901 | plaster

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Robert Anning Bell
The Adoration of the Magi, late ...
1880 |

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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for English Lyrics ...
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Robert Anning Bell
 
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Robert Anning Bell
Full fathom five thy father lies...
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Robert Anning Bell
Prothalamion by Edmund Spenser
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Robert Anning Bell
Where the rude axe, with heaved ...
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Robert Anning Bell
 
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Robert Anning Bell
Over hill, over dale, thorough b...
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Robert Anning Bell
And beauty making beautiful old ...
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Robert Anning Bell
 
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
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Robert Anning Bell
Diaphenia like the daffadowndill...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
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Robert Anning Bell
How sweet the answer Echo makes
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Robert Anning Bell
Cupid and my Campaspe play'd at ...
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Robert Anning Bell
Little Pierre, 1922
1922 | watercolour on paper

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Robert Anning Bell
In the Doorway (oil on canvas)
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Robert Anning Bell
 
1926 | glass

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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Epithalamion, Edmund Spenser (li...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
 
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
Go, Lovely Rose!, from Palgrave'...
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Robert Anning Bell
Pan did after Syrinx speed
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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
A Sea Dirge by William Shakespeare
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Robert Anning Bell
 
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Robert Anning Bell
 
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Robert Anning Bell
Sing lullaby, my little boy, sin...
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Robert Anning Bell
Stained Glass design of Putto pl...
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Robert Anning Bell
 
Undated | crayon on paper

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Robert Anning Bell
Illustration for Poems by John K...
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Robert Anning Bell
But see! The Virgin blest hath l...
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Robert Anning Bell
You've heard them sweetly sing a...
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Robert Anning Bell
 
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Robert Anning Bell
Sleep on, and dream of Heaven aw...
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Robert Anning Bell
The Prisoners, c1900
19th century |

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Robert Anning Bell
 
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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
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Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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