Feel the passion of John White Abbott in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of John White Abbott in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
John White Abbott
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

John White Abbott

  May 13, 1763
  1851
   •   Landscape painting   •   Wikipedia: John White Abbott

John White Abbott was actually an amateur painter who used painting more as a leisure activity. His main profession was surgeon and pharmacist. He had a practice in his hometown of Exeter, which he is said to have hardly left during his lifetime. White Abbott was a friend and patron of the watercolor painter Francis Towne. Towne brought him closer to art and taught him. White Abbott studied his mentor's style so closely that in some works it was hardly possible to distinguish which of the two artists was the creator. He was a very talented artist and despite his amateur status, he was allowed to exhibit almost annually at the Royal Academy between 1795 and 1805. He even received the title of an honorary exhibitor from the Royal Academy. During his lifetime Abbott even received more recognition than his mentor Francis Towne.

John White Abbott came from a wealthy family who owned many estates in the Devonian region. Around 1825 Abbott inherited one of these properties in Exeter and retired there. Apart from a few classical and mythological motifs, as well as a few copies of the Italian landscape scenes of his mentor town, Abbott's works showed almost exclusively landscapes around his home region. For as a landscape artist, he rarely traveled beyond the borders of his native Devon. His only longer journeys took him to Scotland, Lancashire and the Lake District, among other places. Towne had also travelled to the Lake District to paint some years earlier. The fact that he hardly ever left his homeland offered him little scope for varied motifs. Nevertheless, Abbott always managed to lend his paintings freshness and strength. Abbott received most recognition for his oil paintings, although he preferred to paint in watercolor, similar to his teacher Towne.

Although White Abbott was highly regarded as an artist and gained access to the highest art circles with his works, he refused to become a professional artist. He did not want to give up his practice and work as a medical doctor and continued to pursue the profession until the end. For him, art was primarily a means of recreation and balance to his profession, which seemed to become more and more important to him as his professional recognition grew. During his lifetime, Abbott is said not to have sold a single one of his paintings, so that most of his works remained in the private possession of his family well into the 20th century. His descendants eventually handed over part of the collection to several British museums, where they are exhibited today. In addition to painting and drawing, White Abbott was also very skilled in the art of etching.

John White Abbott

  May 13, 1763
  1851
   •   Landscape painting   •   Wikipedia: John White Abbott

John White Abbott was actually an amateur painter who used painting more as a leisure activity. His main profession was surgeon and pharmacist. He had a practice in his hometown of Exeter, which he is said to have hardly left during his lifetime. White Abbott was a friend and patron of the watercolor painter Francis Towne. Towne brought him closer to art and taught him. White Abbott studied his mentor's style so closely that in some works it was hardly possible to distinguish which of the two artists was the creator. He was a very talented artist and despite his amateur status, he was allowed to exhibit almost annually at the Royal Academy between 1795 and 1805. He even received the title of an honorary exhibitor from the Royal Academy. During his lifetime Abbott even received more recognition than his mentor Francis Towne.

John White Abbott came from a wealthy family who owned many estates in the Devonian region. Around 1825 Abbott inherited one of these properties in Exeter and retired there. Apart from a few classical and mythological motifs, as well as a few copies of the Italian landscape scenes of his mentor town, Abbott's works showed almost exclusively landscapes around his home region. For as a landscape artist, he rarely traveled beyond the borders of his native Devon. His only longer journeys took him to Scotland, Lancashire and the Lake District, among other places. Towne had also travelled to the Lake District to paint some years earlier. The fact that he hardly ever left his homeland offered him little scope for varied motifs. Nevertheless, Abbott always managed to lend his paintings freshness and strength. Abbott received most recognition for his oil paintings, although he preferred to paint in watercolor, similar to his teacher Towne.

Although White Abbott was highly regarded as an artist and gained access to the highest art circles with his works, he refused to become a professional artist. He did not want to give up his practice and work as a medical doctor and continued to pursue the profession until the end. For him, art was primarily a means of recreation and balance to his profession, which seemed to become more and more important to him as his professional recognition grew. During his lifetime, Abbott is said not to have sold a single one of his paintings, so that most of his works remained in the private possession of his family well into the 20th century. His descendants eventually handed over part of the collection to several British museums, where they are exhibited today. In addition to painting and drawing, White Abbott was also very skilled in the art of etching.





The most popular works of John White Abbott

These artworks are particularly popular with our customers.

Leith, with Kirkaldy on the coas...
Undated | watercolour

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Canonteign, Devon, 1804 (pen und...
1804 | pen and ink and watercolour on paper

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Meavy (pencil, pen, grey ink and...
Undated | pencil, pen, grey ink and watercolour

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The most popular works of John White Abbott

These artworks are particularly popular with our customers.

1804 | pen and ink and watercolour on paper

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Undated | pencil, pen, grey ink and watercolour

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Discover more artworks by John White Abbott

Discover more artworks by John White Abbott

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John White Abbott
Rebecca at the Well, 1807
1807 | oil on canvas

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John White Abbott
 
Undated | Gray wash and pen and gray ink on moderately thick, slightly textured, cream wove paper

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John White Abbott
 
Undated |

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John White Abbott
Chudleigh, Devon (pen & grey ink...
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John White Abbott
A Hilly landscape with two figur...
Undated | pen, ink and watercolour

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John White Abbott
 
Undated | Gray wash, pen, gray ink, and black ink on moderately thick, slightly textured, cream wove paper

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John White Abbott
 
Undated |

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John White Abbott
Dulverton, Somerset, 1800
18th century | watercolour on paper

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John White Abbott
Mendris, near Como
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John White Abbott
 
Undated | wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artists original mount

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John White Abbott
The Alps near the source of the ...
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John White Abbott
The East End of the Serpentine, ...
1794 | Watercolor on paper

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John White Abbott
 
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John White Abbott
 
18th century | pen, ink and watercolour on paper

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John White Abbott
View near Fordlands, Exeter
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John White Abbott
 
Undated | Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount

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John White Abbott
An Italianate Landscape (oil on ...
Undated | oil on canvas

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John White Abbott
 
Undated | Pen, black ink, and gray wash on medium, slightly textured, cream wove paper

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John White Abbott
On the Dart in Holne Chase (wc o...
Undated | watercolour on paper

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John White Abbott
 
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John White Abbott
Morwell Rocks
Undated | watercolour on paper

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John White Abbott
 
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John White Abbott
 
Undated | Watercolor, gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper

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John White Abbott
View near Canonteign, Devon
Undated |

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John White Abbott
Cascade of the Aray at Inveraray...
Undated | watercolour

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John White Abbott
A subterranean passage to the qu...
Undated | watercolour

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John White Abbott
 
Undated | Watercolor, pen and black ink, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper

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John White Abbott
 
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John White Abbott
 
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John White Abbott
Loch Tay near Kenmore
Undated | watercolour on paper

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John White Abbott
Dock Plants by a shaded Stream (...
Undated | pen and ink and watercolour on paper

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John White Abbott
On Ullswater, Cumberland, 1791
1791 | watercolour on paper

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John White Abbott
 
18th century | oil on canvas

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John White Abbott
 
Undated | Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper

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John White Abbott
 
Undated | pen and ink with wash on paper

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John White Abbott
Landscape, with uprooted tree
Undated | watercolour

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John White Abbott
The Dart at Holne Chase, Devon (...
Undated | watercolour over pen and ink on paper

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John White Abbott
 
Undated | Pen and brown ink and gray wash on medium, slightly textured, cream wove paper

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John White Abbott
 
Undated | pen and ink and watercolour on paper

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John White Abbott
 
Undated |

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John White Abbott
 
Undated | Gray wash and pen and black ink on moderately thick, slightly textured, cream wove paper

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John White Abbott
 
Undated | Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper

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John White Abbott
Dunsford Bridge (wc on paper)
Undated | watercolour on paper

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John White Abbott
The Langdale Pikes from Low-wood
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John White Abbott
A View at Bridewell (pen & ink a...
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John White Abbott
 
Undated | oil on canvas

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John White Abbott
 
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John White Abbott
 
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John White Abbott
 
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John White Abbott
 
Undated | pen and black ink with gray wash on wove paper

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John White Abbott
 
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John White Abbott
 
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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