Like a strong brushstroke on the canvas of art history, John Dickson Batten, who saw the light of day in Plymouth, Devon on October 8, 1860, left his mark on the cultural panorama of England until his last breath on August 5, 1932. This versatile artist, equally at home in oil, tempera and fresco, was equally an avid book illustrator and printmaker. Hand in hand with his wife Mary Batten, a talented gilder, he contributed to the Society of Painters in Tempera and left an indelible mark on the art world.
Under the auspices of the Slade School of Fine Arts and sponsored by Alphonse Legros, Batten explored the world of art and first appeared to the public in 1887 at the Grosvenor Gallery alongside Sir Edward Burne Jones. Immersed in the diversity of mythological and allegorical themes, Batten formed a unique artistic language that was expressed in works such as "The Garden of Adonis: Amoretta and Time", "The Family", "Mother and Child", and "Sleeping Beauty: The Princess Pricks Her Finger" found expression. His masterful compositions can be admired today in many fine art prints that capture his artistic brilliance and make it accessible to a wider audience. Batten, who illustrated a whole series of fairy tale collections in the 1890s, artfully combined words and pictures. His collaboration with Joseph Jacobs, a prominent member of the Folklore Society, led to the creation of such treasures as "English Fairy Tales," "Celtic Fairy Tales," and "Indian Fairy Tales." Each of these collections includes exquisite illustrations by Batten that add a visual dimension to the tales. His talent also extended to literary works, resulting in stunning illustrations of "Tales from the Arabian Nights" and Dante's "Inferno."
In the latter half of his career, Batten turned to the painting technique of egg tempera and played a crucial role in its revival, along with Birmingham artists such as Arthur Gaskin. His works in this technique, such as "Pandora," exhibited at the Royal Academy in 1913 and later donated to Reading University, are an impressive testament to his masterful skills. Also on art prints, these artworks are a tribute to Batten's extraordinary talent and contribution to the art world. John Dickson Batten lived and worked for art, his work being a fascinating blend of painting, illustration and literature. His contributions are recognized far beyond the borders of England and continue to be admired in art prints that reproduce his works in excellent quality and bring them to a worldwide audience.
Like a strong brushstroke on the canvas of art history, John Dickson Batten, who saw the light of day in Plymouth, Devon on October 8, 1860, left his mark on the cultural panorama of England until his last breath on August 5, 1932. This versatile artist, equally at home in oil, tempera and fresco, was equally an avid book illustrator and printmaker. Hand in hand with his wife Mary Batten, a talented gilder, he contributed to the Society of Painters in Tempera and left an indelible mark on the art world.
Under the auspices of the Slade School of Fine Arts and sponsored by Alphonse Legros, Batten explored the world of art and first appeared to the public in 1887 at the Grosvenor Gallery alongside Sir Edward Burne Jones. Immersed in the diversity of mythological and allegorical themes, Batten formed a unique artistic language that was expressed in works such as "The Garden of Adonis: Amoretta and Time", "The Family", "Mother and Child", and "Sleeping Beauty: The Princess Pricks Her Finger" found expression. His masterful compositions can be admired today in many fine art prints that capture his artistic brilliance and make it accessible to a wider audience. Batten, who illustrated a whole series of fairy tale collections in the 1890s, artfully combined words and pictures. His collaboration with Joseph Jacobs, a prominent member of the Folklore Society, led to the creation of such treasures as "English Fairy Tales," "Celtic Fairy Tales," and "Indian Fairy Tales." Each of these collections includes exquisite illustrations by Batten that add a visual dimension to the tales. His talent also extended to literary works, resulting in stunning illustrations of "Tales from the Arabian Nights" and Dante's "Inferno."
In the latter half of his career, Batten turned to the painting technique of egg tempera and played a crucial role in its revival, along with Birmingham artists such as Arthur Gaskin. His works in this technique, such as "Pandora," exhibited at the Royal Academy in 1913 and later donated to Reading University, are an impressive testament to his masterful skills. Also on art prints, these artworks are a tribute to Batten's extraordinary talent and contribution to the art world. John Dickson Batten lived and worked for art, his work being a fascinating blend of painting, illustration and literature. His contributions are recognized far beyond the borders of England and continue to be admired in art prints that reproduce his works in excellent quality and bring them to a worldwide audience.
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