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Feel the passion of John Crome in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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John Crome
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
John Crome

John Crome

  December 22, 1768
  April 22, 1821
   •   Landscape painting   •   Wikipedia: John Crome

When John Crome was buried in St. George's Church in Norwich in the spring of 1821 at the age of only 53, his friends and students were mourning the death of one of the most important landscape painters in English art history. As a talented and imaginative young man, Chrome had come to painting rather casually. At the age of twelve, he had first worked as a messenger for a doctor before he trained as a sign painter. His first "works of art" were inscriptions for cottages, pubs and colourful decorative panels for horse-drawn carriages. He made friends with Robert Landbrooke, an apprentice printer, who later became a recognized landscape painter. A common hobby soon developed. The two young men roamed the idyllic landscape of the surrounding county of Norfolk, sketching grasses, flowers and trees. Some of the works were so successful that Robert Landbrooke's boss bought the paintings to print them in larger editions.

John Chrome was a real autodidact, instead of studying art, he taught himself all the techniques. A great help was a colleague of Robert Landbrooke, who owned a large collection of prints of well-known paintings. John Chrome copied paintings by Thomas Gainsborough, the Dutchman Meindert Hobbema and other great painters. It was during this period of groping and trial and error that he met the London portrait painter William Beechey, who gave him important assistance. The talent of the up-and-coming painter Chrome was so great that he earned his living by teaching drawing to private pupils. At the age of 24 he was so successful with it that he could start a family. He married his wife Phoebe and in the course of time eight children grew up. Two of them, John Berney and William Henry, were later to become famous painters.

Crome and Ladbrooke were not only talented, but also had a vision. In the early 19th century, they jointly founded the Norwich Society of Artists. Their first exhibition in 1805 is considered an important date in English art history. It was the birth of the Norwich School of Painters, the first strong art movement to establish itself outside the metropolis of London. The Norwich School of Painters oriented itself towards the "Golden Age of the Netherlands". It took up the painting style of such great Dutch painters as Esaias van de Velde, Jacob van Ruisdael, or Aelbert Cuyp and interpreted this style in a new way.

Despite these European influences John Chrome remained a very down-to-earth contemporary. He travelled only occasionally to London, 120 miles away, and exhibited once at the Royal Academy there. Only once in his life did he travel to Paris. It was an impressive journey with numerous artistic inspirations. In the months after his return, he produced a series of paintings with Parisian scenes and views of the port cities of Boulogne and Ostend. Today, 200 years after his early death, his works have become immortal. His paintings fill the halls of major museums, they hang in the Tate Gallery and the Royal Academy in London, among others. A large part of his work can be admired in his home town, in the Norwich Castle Museum.

John Crome

John Crome
  December 22, 1768
  April 22, 1821
   •   Landscape painting   •   Wikipedia: John Crome

When John Crome was buried in St. George's Church in Norwich in the spring of 1821 at the age of only 53, his friends and students were mourning the death of one of the most important landscape painters in English art history. As a talented and imaginative young man, Chrome had come to painting rather casually. At the age of twelve, he had first worked as a messenger for a doctor before he trained as a sign painter. His first "works of art" were inscriptions for cottages, pubs and colourful decorative panels for horse-drawn carriages. He made friends with Robert Landbrooke, an apprentice printer, who later became a recognized landscape painter. A common hobby soon developed. The two young men roamed the idyllic landscape of the surrounding county of Norfolk, sketching grasses, flowers and trees. Some of the works were so successful that Robert Landbrooke's boss bought the paintings to print them in larger editions.

John Chrome was a real autodidact, instead of studying art, he taught himself all the techniques. A great help was a colleague of Robert Landbrooke, who owned a large collection of prints of well-known paintings. John Chrome copied paintings by Thomas Gainsborough, the Dutchman Meindert Hobbema and other great painters. It was during this period of groping and trial and error that he met the London portrait painter William Beechey, who gave him important assistance. The talent of the up-and-coming painter Chrome was so great that he earned his living by teaching drawing to private pupils. At the age of 24 he was so successful with it that he could start a family. He married his wife Phoebe and in the course of time eight children grew up. Two of them, John Berney and William Henry, were later to become famous painters.

Crome and Ladbrooke were not only talented, but also had a vision. In the early 19th century, they jointly founded the Norwich Society of Artists. Their first exhibition in 1805 is considered an important date in English art history. It was the birth of the Norwich School of Painters, the first strong art movement to establish itself outside the metropolis of London. The Norwich School of Painters oriented itself towards the "Golden Age of the Netherlands". It took up the painting style of such great Dutch painters as Esaias van de Velde, Jacob van Ruisdael, or Aelbert Cuyp and interpreted this style in a new way.

Despite these European influences John Chrome remained a very down-to-earth contemporary. He travelled only occasionally to London, 120 miles away, and exhibited once at the Royal Academy there. Only once in his life did he travel to Paris. It was an impressive journey with numerous artistic inspirations. In the months after his return, he produced a series of paintings with Parisian scenes and views of the port cities of Boulogne and Ostend. Today, 200 years after his early death, his works have become immortal. His paintings fill the halls of major museums, they hang in the Tate Gallery and the Royal Academy in London, among others. A large part of his work can be admired in his home town, in the Norwich Castle Museum.





The most popular works of John Crome

These artworks are particularly popular with our customers.

Yarmouth Beach, looking North - ...
Undated | oil on canvas

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The Edge of the Forest
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Landscape, 1805-21
1805 | oil on canvas

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Landscape, c1798
1798 | oil painting

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The most popular works of John Crome

These artworks are particularly popular with our customers.


Discover more artworks by John Crome

Discover more artworks by John Crome

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John Crome
Norwich River, Afternoon, c.1812...
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John Crome
Landscape with Cottage
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John Crome
A Wooded Lane, c1790
1790 | oil painting

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John Crome
 
Undated | oil on panel

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John Crome
Watering Place, Heigham (oil on ...
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John Crome
 
Undated | etching

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John Crome
View of Mousehold Heath, near No...
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John Crome
Trees by a Brook (The Willow Tre...
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John Crome
Landscape - Edge of a Wood, c.18...
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John Crome
The Poringland Oak, c1818-1820, ...
1818 | oil painting

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John Crome
The edge of a common, c.1815
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John Crome
A River Scene with Boys Bathing,...
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John Crome
High Tor, Matlock, 1811
1811 | oil on canvas

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John Crome
 
Undated | Watercolor and graphite on thick, moderately textured, cream wove paper

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John Crome
The Mill
Undated | oil on wood

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John Crome
 
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John Crome
Moonlight on the Yare, c. 181618...
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John Crome
Back of the New Mills, c.1814-17
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John Crome
Hautbois Common, Norfolk, probab...
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John Crome
Study of a Burdock
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John Crome
At Bawburgh, 1813.
Undated | etching/etching/etching

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John Crome
The Edge of the Forest, with Far...
1811 | oil painting

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John Crome
The Poringland Oak, c1818-1820
1818 | oil painting

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John Crome
Old Orford Church and Mill, Suff...
1782 | oil painting

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John Crome
On the Skirts of the Forest, c17...
1912 |

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John Crome
View At Blofield, Near Norwich, ...
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John Crome
'The Yarmouth Water Frolic', c1821
1821 | oil painting

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John Crome
 
1814 | Oil on panel

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John Crome
 
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John Crome
Mousehold Heath, c. 1810-13.
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John Crome
Tree Trunks and Lane, 1811-13.
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John Crome
The Lime Kiln, c1805/06 (oil on ...
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John Crome
 
Undated | etching on china applique

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John Crome
Yarmouth Jetty, c.1810
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John Crome
A Barge with a Wounded Soldier (...
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John Crome
Mousehold Heath, Norwich, c.1810...
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John Crome
View near Norwich
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John Crome
Entrance to Earlham Park, near N...
Undated | Brown wash and watercolor over graphite on medium, moderately textured, beige laid paper

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John Crome
 
1810 | oil on canvas

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John Crome
 
Undated | oil on board

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John Crome
View at Blofield, near Norwich, ...
1810 | oil painting

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John Crome
At Trowse, pub. by J. & W. Freeman
Undated | etching

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John Crome
View of Mousehold Heath, near No...
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John Crome
View at Hellesdon (oil on canvas)
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John Crome
View on Mousehold Heath, Near No...
1812 | oil painting

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John Crome
 
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John Crome
 
Undated | oil on canvas

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John Crome
Front of the New Mills, 1813.
Undated | etching/etching/etching

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John Crome
View on the Maas, c1799
1799 | oil painting

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John Crome
A River Scene, possibly at Norwi...
Undated | oil on panel

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John Crome
Cartwheels near a tree, pub. by ...
Undated | etching

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John Crome
Wherries on the Yare (oil on can...
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John Crome
 
Undated | etching on china applique

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John Crome
 
Undated | oil on canvas

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John Crome
Back of the Mills, c. 1812-1813.
Undated | etching/etching/etching

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John Crome
Road Scene, Trowse Hall, 1813
1813 | etching

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John Crome
 
Undated | Oil on canvas (transferred from panel)

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John Crome
 
Undated | oil on canvas

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John Crome
 
Undated | Watercolor and graphite on medium, slightly textured, beige laid paper

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John Crome
At Colney.
Undated | etching/etching/etching

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John Crome
 
Undated | Etching on ivory wove paper

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John Crome
 
Undated | etching

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John Crome
Riverscene, pub. by J. & W. Free...
1821 | etching

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John Crome
 
Undated | etching

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John Crome
 
Undated | soft-ground etching and drypoint on chine applique

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John Crome
 
1812 | Oil on cardboard

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John Crome
 
Undated | Graphite on medium, slightly textured, cream wove paper

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John Crome
 
Undated | Etching on moderately thick, slightly textured, beige wove paper

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John Crome
Near Horsham, pub. by J. & W. Fr...
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John Crome
 
Undated | etching

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John Crome
 
undatiert | oil on canvas

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John Crome
At Marlingford, pub. by J. & W. ...
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John Crome
 
1810 | painting

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John Crome
 
Undated | oil on canvas

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John Crome
 
1810 | oil on canvas

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John Crome
 
Undated | oil on canvas

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John Crome
 
Undated | Etching on China paper, laid down on ivory wove paper

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John Crome
 
Undated | oil on canvas

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John Crome
Study of Trees, Nature in Britai...
Undated | color lithograph

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John Crome
Boys Bathing on the River Wensum...
1817 |

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John Crome
A Thistle 
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John Crome
 
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John Crome
The River Wensum, Norwich 
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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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