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Feel the passion of James Duffield Harding in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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James Duffield Harding
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Museum Quality Art Prints
Customization Options Available
James Duffield Harding

James Duffield Harding

  1798
  4th December 1863
   •   Landscape painting   •   Wikipedia: James Duffield Harding

James Duffield Harding was one of the most famous British landscape painters of his time. His real talent, however, lay in lithography and the creation of drawing manuals. As the son of a master draughtsman he was born with this talent. His destiny, however, lay in teaching and inventing. His use of dyed paper and opaque paint influenced many painters of his time. At the age of 13 he already exhibited two of his drawings at the Royal Academy. This was a very high distinction at that time. After one year of apprenticeship with the engraver Charles Pye, he decided to stay with watercolour painting. At 18, he was awarded the silver medal for his work by the Society of Arts. Afterwards he exhibited at the Society of Watercolour Painters.

Duffield Harding's talent lay in inventing, even his own. He was always reinventing himself. So he switched to oil painting and exhibited again at the Royal Academy. He was particularly convincing in teaching. Duffield Harding was one of the most popular teachers of his time. Duffield Harding developed his own teaching material for his students. His manuals of painting are nowadays sought-after auction items. When lithography became known in Great Britain, he was one of the first to use it. Fascinated by this technique, he developed it further and celebrated great success with it. He used it mainly to print trees between two stones. His series of fifty plates, for which he used this method, were published in 1836 with great success. Instead of a pencil, he used a brush and thus invented his own way of lithography, which he called "lithotint". Winsor and Newton published many of his works on his inventions. Duffield Harding's teaching material was very popular not only with amateurs but also with professional painters. Winsor and Newton even sold pencils under Duffield Harding's name. The Winsor manuals became world-famous and explained in a vivid way how to draw with chalk or pencil. His drawing models and their use became the epitome of teaching material for drawing. He was also a brilliant businessman.

Duffield Hardings was a master of invention and one of the best teachers of his time. His success lay in the fact that he always turned to new areas and was open to new things. He was happy to pass on his knowledge. One of his strengths was that he always worked on improvements. Although he tried again and again to be admitted to the Royal Academy and exhibited, he never succeeded. One of his special gifts was to recognize when it was time to "move on". Therefore he gave up this venture after some time and became a member of the Society of Watercolour Painters again. He is the typical example of how when one door closes, another one opens.

James Duffield Harding

James Duffield Harding
  1798
  4th December 1863
   •   Landscape painting   •   Wikipedia: James Duffield Harding

James Duffield Harding was one of the most famous British landscape painters of his time. His real talent, however, lay in lithography and the creation of drawing manuals. As the son of a master draughtsman he was born with this talent. His destiny, however, lay in teaching and inventing. His use of dyed paper and opaque paint influenced many painters of his time. At the age of 13 he already exhibited two of his drawings at the Royal Academy. This was a very high distinction at that time. After one year of apprenticeship with the engraver Charles Pye, he decided to stay with watercolour painting. At 18, he was awarded the silver medal for his work by the Society of Arts. Afterwards he exhibited at the Society of Watercolour Painters.

Duffield Harding's talent lay in inventing, even his own. He was always reinventing himself. So he switched to oil painting and exhibited again at the Royal Academy. He was particularly convincing in teaching. Duffield Harding was one of the most popular teachers of his time. Duffield Harding developed his own teaching material for his students. His manuals of painting are nowadays sought-after auction items. When lithography became known in Great Britain, he was one of the first to use it. Fascinated by this technique, he developed it further and celebrated great success with it. He used it mainly to print trees between two stones. His series of fifty plates, for which he used this method, were published in 1836 with great success. Instead of a pencil, he used a brush and thus invented his own way of lithography, which he called "lithotint". Winsor and Newton published many of his works on his inventions. Duffield Harding's teaching material was very popular not only with amateurs but also with professional painters. Winsor and Newton even sold pencils under Duffield Harding's name. The Winsor manuals became world-famous and explained in a vivid way how to draw with chalk or pencil. His drawing models and their use became the epitome of teaching material for drawing. He was also a brilliant businessman.

Duffield Hardings was a master of invention and one of the best teachers of his time. His success lay in the fact that he always turned to new areas and was open to new things. He was happy to pass on his knowledge. One of his strengths was that he always worked on improvements. Although he tried again and again to be admitted to the Royal Academy and exhibited, he never succeeded. One of his special gifts was to recognize when it was time to "move on". Therefore he gave up this venture after some time and became a member of the Society of Watercolour Painters again. He is the typical example of how when one door closes, another one opens.





The most popular works of James Duffield Harding

These artworks are particularly popular with our customers.

Napoleon Bonapartes tomb, island...
1824 | engraving

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Lake Lucerne (oil on paper)
Undated | oil on paper

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Procession on the Feast of Corpu...
Undated | watercolour on paper

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Fraga, Spain, 1823.
1823 | engraving

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The most popular works of James Duffield Harding

These artworks are particularly popular with our customers.


Discover more artworks by James Duffield Harding

Discover more artworks by James Duffield Harding

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James Duffield Harding
Raja Lal Singh who led Sikh forc...
1845 | Unknown

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James Duffield Harding
Lake Lucerne (oil on paper laid ...
Undated | oil on paper laid on canvas

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James Duffield Harding
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James Duffield Harding
 
Undated | Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
'Allington Castle, near Maidston...
1818 | watercolour/watercolour

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James Duffield Harding
Almanza. Field of Battle, 1823.
1823 |

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James Duffield Harding
Ivrea, Val dAosta
Undated |

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James Duffield Harding
Pine Trees and Bridge, 1841.
Undated |

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James Duffield Harding
Cobham Church (lithotint)
Undated | lithotint

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James Duffield Harding
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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
Panjab: Sikh Soldiers receiving ...
Undated | lithograph

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James Duffield Harding
Penshurst, Kent
Undated | engraving

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James Duffield Harding
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James Duffield Harding
The Grand Canal, Venice
Undated | watercolour on paper

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James Duffield Harding
Ponte Santa Trinità, Florence, b...
Undated | watercolour

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James Duffield Harding
 
Undated | pencil and watercolour heightened with white on paper

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James Duffield Harding
 
Undated | lithograph with tint stone

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James Duffield Harding
Bologna
Undated | engraving

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James Duffield Harding
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James Duffield Harding
The House of Caius Sallust, 1828
1828 | engraving

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James Duffield Harding
 
Undated | Pencil, Chalk

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James Duffield Harding
 
Undated | Watercolor with pen and brown ink, over graphite, with gouache on moderately thick, moderately textured, cream, wove paper

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
Venice, from the Entrance of the...
Undated | engraving

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James Duffield Harding
The Corsair's Isle (watercolor o...
Undated |

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James Duffield Harding
Plain and bay of Sorrento, Italy
Undated | engraving

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James Duffield Harding
View from the Summit of Goatfell...
Undated | chromolithograph

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James Duffield Harding
Roslin Castle (chromolitho)
Undated | chromolithograph

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James Duffield Harding
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James Duffield Harding
'View at Dorking, Surrey', 19th ...
1818 | watercolour

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James Duffield Harding
The Grand Canal, Venice, 1835 (w...
1835 | watercolour, bodycolour, pen, ink and pencil on paper on panel

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James Duffield Harding
Convent of Il Santo Cosimato, Ti...
Undated | engraving

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James Duffield Harding
 
Undated |

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James Duffield Harding
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James Duffield Harding
Tivoli
Undated | engraving

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James Duffield Harding
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James Duffield Harding
The Port of London, 1834
1834 | colour lithograph

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James Duffield Harding
Warwick Castle, Warwickshire (aq...
Undated | aquatint

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James Duffield Harding
Penshurst, from the Park
Undated | engraving

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
Sketches at Home and Abroad: Lyo...
Undated |

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James Duffield Harding
Sky study with horizon (recto)
Undated | pale green

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James Duffield Harding
Beilstein, on the Moselle
Undated | engraving

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James Duffield Harding
Sketches at Home and Abroad: Gen...
Undated |

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James Duffield Harding
Ampitheatre at Nismes
Undated | engraving

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James Duffield Harding
View of Temple of Clitumnus alon...
Undated |

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James Duffield Harding
 
Undated | Lithograph on moderately thick, slightly textured, cream wove paper with beige chine collé

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James Duffield Harding
Spoleto
Undated | engraving

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James Duffield Harding
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James Duffield Harding
Berwick upon Tweed (wc on wove p...
Undated | watercolour on wove paper

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James Duffield Harding
 
Undated | Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
'Aylesford, near Maidstone, Kent...
1818 | watercolour/watercolour

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James Duffield Harding
Shottesbrooke Church, Berkshire
Undated | engraving

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James Duffield Harding
Sketches at Home and Abroad: Fal...
Undated |

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James Duffield Harding
Helmingham Hall, Suffolk (aquatint)
Undated | aquatint

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James Duffield Harding
Grand Canal, Venice, 1845 (penci...
1845 | pencil and watercolour on wove paper

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James Duffield Harding
Voyages pittoresques et romantiq...
Undated | lithograph

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James Duffield Harding
National Monument, Calton Hill (...
Undated | chromolithograph

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James Duffield Harding
 
Undated | Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
 
Undated | Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
Helmingham Hall, Suffolk
Undated | engraving

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James Duffield Harding
Mont Ferrier, 19th century, 1935
1818 | watercolour

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James Duffield Harding
 
Undated | Graphite on thick, moderately textured, beige, wove paper

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James Duffield Harding
 
Undated | Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
'Cottages at Chadwell, Essex', 1...
1818 | watercolour/watercolour

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James Duffield Harding
Blickling Hall, Norfolk
Undated | engraving

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
 
Undated |

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James Duffield Harding
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James Duffield Harding
 
Undated | lithograph with tint stone

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
 
Undated | Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
Ilam Hall: lithograph
Undated | lithograph

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James Duffield Harding
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James Duffield Harding
Church of Polignac, Auvergne
Undated | engraving

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James Duffield Harding
 
Undated | Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
 
Undated | Graphite, watercolor, and gouache on thick, slightly textured, gray wove paper

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
'Allington Castle, near Maidston...
1818 | watercolour

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James Duffield Harding
 
Undated | Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
 
Undated | Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
View of Arno River in Pisa, Tusc...
Undated |

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James Duffield Harding
Sketches at Home and Abroad: Rui...
Undated |

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James Duffield Harding
 
Undated | Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
Voyages pittoresques et romantiq...
Undated | lithograph

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
Voyages pittoresques et romantiq...
Undated | lithograph

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James Duffield Harding
'The Ost House at Hastings, Suss...
1818 | watercolour/watercolour

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James Duffield Harding
The Acropolis, Athens
Undated | engraving

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James Duffield Harding
Licenza, from the spot where for...
Undated | engraving

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James Duffield Harding
 
Undated | Lithograph in black, with brown tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
The Great Chamber, Montacute
Undated | engraving

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
Warwick Castle, Warwickshire
Undated | engraving

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
Convent of the Vallombrosa
Undated | engraving

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James Duffield Harding
'Entrance into Keswick, Cumberla...
1818 | watercolour/watercolour

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James Duffield Harding
 
Undated | Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé)

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James Duffield Harding
 
Undated | lithograph with tint stone

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James Duffield Harding
Fall of the Tummel (chromolitho)
Undated | chromolithograph

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James Duffield Harding
 
Undated | lithograph on paper

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James Duffield Harding
Voyages pittoresques et romantiq...
Undated | lithograph

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James Duffield Harding
 
Undated | lithograph on paper

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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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9586 Finkenstein am Faaker See · Austria
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