Let's look back to the late 19th century and embark on a journey of discovery through the multi-faceted life and work of Swedish painter Jonas Helmer Osslund, born Åslund, on September 22, 1866 in Tuna Parish, Medelpad. Known for his exquisite depiction of subjects from Lapland, often painted on parchment paper, Osslund's works are of captivating beauty and detail. Our exquisite art prints honor his legacy and bring his art to your home. Osslund was born into a family with a rich artistic tradition. His father, Daniel, was a painter of local note, his brother Elis followed the same artistic paths, and even his half-sister Frida made a name for herself as an author. To make himself more easily understood while traveling in America, Osslund changed his name from Åslund to Osslund.
After a solid basic education, Osslund was drawn to the United States to study engineering. But at the age of twenty, he discovered his true calling - painting. He took his first steps at the Gustavsberg porcelain factory, which allowed him to go on a study trip to Paris in 1890. Instead of returning to his job, he left the company and began studying at the prestigious Académie Colarossi in 1894. There he expanded his style to include elements of Symbolism, learned from Paul Gauguin, and collaborated with Jens Ferdinand Willumsen. But with dwindling finances, he was forced to return to his homeland in 1897. Back in Sweden, he found employment at Höganäs AB through his friend, Georg Karlin. Despite his short service of only six months, he left behind more than seventy designs, though most of these were never realized. During this time, Osslund developed his distinctive style of landscape painting, which made him famous beyond the borders. His choice often fell on grease-free paper, which was both cheaper and more manageable than canvas - a technique he had adopted from Gauguin. His works later influenced the young painter Leander Engstrom.
Osslund was always drawn to the Nordic wilderness, a passion he first discovered in 1898. His art was widely recognized, such as in 1906 when he held a large exhibition at Gävle City Hall. Three of his paintings were purchased by the leather manufacturer and later consul Emil Matton. Matton even ordered a series of paintings to represent the four seasons. One of these works, "Autumn," was acquired by the National Museum and is now one of Osslund's best-known works. The other three are in private collections. Osslund led a rich and full life as an artist. During the summer months he lived and worked in Granvåg, near Sollefteå, and from 1923 he took up regular residence in Sundsvall. In his last years he suffered from an unspecified nervous disease that made his painting difficult. Nevertheless, he left us an impressive artistic legacy, which can be admired in the form of art prints all over the world. Today, his works are exhibited in renowned museums such as the National Museum, Gothenburgs Konstmuseum and Gothenburg City Museum. His works were even part of the art competitions of the 1932 Summer Olympics. A true pioneer of his time, his influence and art continue to this day.
Let's look back to the late 19th century and embark on a journey of discovery through the multi-faceted life and work of Swedish painter Jonas Helmer Osslund, born Åslund, on September 22, 1866 in Tuna Parish, Medelpad. Known for his exquisite depiction of subjects from Lapland, often painted on parchment paper, Osslund's works are of captivating beauty and detail. Our exquisite art prints honor his legacy and bring his art to your home. Osslund was born into a family with a rich artistic tradition. His father, Daniel, was a painter of local note, his brother Elis followed the same artistic paths, and even his half-sister Frida made a name for herself as an author. To make himself more easily understood while traveling in America, Osslund changed his name from Åslund to Osslund.
After a solid basic education, Osslund was drawn to the United States to study engineering. But at the age of twenty, he discovered his true calling - painting. He took his first steps at the Gustavsberg porcelain factory, which allowed him to go on a study trip to Paris in 1890. Instead of returning to his job, he left the company and began studying at the prestigious Académie Colarossi in 1894. There he expanded his style to include elements of Symbolism, learned from Paul Gauguin, and collaborated with Jens Ferdinand Willumsen. But with dwindling finances, he was forced to return to his homeland in 1897. Back in Sweden, he found employment at Höganäs AB through his friend, Georg Karlin. Despite his short service of only six months, he left behind more than seventy designs, though most of these were never realized. During this time, Osslund developed his distinctive style of landscape painting, which made him famous beyond the borders. His choice often fell on grease-free paper, which was both cheaper and more manageable than canvas - a technique he had adopted from Gauguin. His works later influenced the young painter Leander Engstrom.
Osslund was always drawn to the Nordic wilderness, a passion he first discovered in 1898. His art was widely recognized, such as in 1906 when he held a large exhibition at Gävle City Hall. Three of his paintings were purchased by the leather manufacturer and later consul Emil Matton. Matton even ordered a series of paintings to represent the four seasons. One of these works, "Autumn," was acquired by the National Museum and is now one of Osslund's best-known works. The other three are in private collections. Osslund led a rich and full life as an artist. During the summer months he lived and worked in Granvåg, near Sollefteå, and from 1923 he took up regular residence in Sundsvall. In his last years he suffered from an unspecified nervous disease that made his painting difficult. Nevertheless, he left us an impressive artistic legacy, which can be admired in the form of art prints all over the world. Today, his works are exhibited in renowned museums such as the National Museum, Gothenburgs Konstmuseum and Gothenburg City Museum. His works were even part of the art competitions of the 1932 Summer Olympics. A true pioneer of his time, his influence and art continue to this day.
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