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Frederick William Newton Whitehead
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Museum Quality Art Prints
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Frederick William Newton Whitehead

    1853   -   February 12, 1938
Landscape painting , Illustration   •   Wikipedia: Frederick William Newton Whitehead

Frederick William Newton Whitehead was a lover of the English countryside. He lived in close connection with nature and as an observer and painter tried to record the uniqueness of the landscape for posterity. The love of art developed late in the English artist's life. Frederick began his professional career with an apprenticeship as a restorer, art dealer and gilder. His workshop as well as the business premises were housed in the family home. Whitehead sold the works of regional artists through his studio. Thomas Baker was among the painters who relied on the art dealer's sales skills. It was probably the artistic influence of Thomas Baker that grew the desire in Frederick to try his hand at painting himself. Whitehead took private lessons from renowned painters who were based in his home town. The painter's early work is characterized by the stylistic devices used by Thomas Baker. It was only as his artistic development matured that Whitehead took his cue from the landscapes of John Constable and later developed his own vision.

Whitehead had a close bond with his family. In particular, his relationship with his sister Elizabeth was close. Elizabeth had similar artistic ambitions to her brother. The Victorian era was an inauspicious time for women painters. Private tuition was unthinkable for young women. Art schools did not have mixed classes and separate courses for women were rarely offered. Fred and Elizabeth Whitehead went abroad together to study art. The French academies provided the Englishwoman with an artistic education. The brother and sister returned to England and embarked on an intensive creative journey to Dorset. In a caravan called "The Rambler" they travelled through the countryside. Together with two dogs and a small portable studio called "The Baby Elephant" they lived in the countryside and painted. Frederick loved painting under the open sky with its changing light and atmospheres.

It was in Dorset that Whitehead met the writer Thomas Hardy and a deep friendship developed which lasted until the end of the artist's life. Hardy's writings greatly influenced the painter and changed his perception of nature. The painter began to look at landscapes through the eyes of the writer. Whitehead took this step deliberately. More and more often his paintings were accompanied by quotations from Thomas Hardy's works. Art critics called Whitehead the first Impressionist to exhibit art that specifically referenced Hardy's Wessex. Whitehead's close association with Hardy went so far that he would read his friend's description of the landscape in the evening and create a landscape painting the next day. The published works were released to the public by close agreement between the two friends. The friendly symbiosis of art and literature was commercially successful. Such a close connection between real places, Hardy's words and Whitehead's paintings is probably unique in the history of English art.

Frederick William Newton Whitehead

    1853   -   February 12, 1938
Landscape painting , Illustration   •   Wikipedia: Frederick William Newton Whitehead

Frederick William Newton Whitehead was a lover of the English countryside. He lived in close connection with nature and as an observer and painter tried to record the uniqueness of the landscape for posterity. The love of art developed late in the English artist's life. Frederick began his professional career with an apprenticeship as a restorer, art dealer and gilder. His workshop as well as the business premises were housed in the family home. Whitehead sold the works of regional artists through his studio. Thomas Baker was among the painters who relied on the art dealer's sales skills. It was probably the artistic influence of Thomas Baker that grew the desire in Frederick to try his hand at painting himself. Whitehead took private lessons from renowned painters who were based in his home town. The painter's early work is characterized by the stylistic devices used by Thomas Baker. It was only as his artistic development matured that Whitehead took his cue from the landscapes of John Constable and later developed his own vision.

Whitehead had a close bond with his family. In particular, his relationship with his sister Elizabeth was close. Elizabeth had similar artistic ambitions to her brother. The Victorian era was an inauspicious time for women painters. Private tuition was unthinkable for young women. Art schools did not have mixed classes and separate courses for women were rarely offered. Fred and Elizabeth Whitehead went abroad together to study art. The French academies provided the Englishwoman with an artistic education. The brother and sister returned to England and embarked on an intensive creative journey to Dorset. In a caravan called "The Rambler" they travelled through the countryside. Together with two dogs and a small portable studio called "The Baby Elephant" they lived in the countryside and painted. Frederick loved painting under the open sky with its changing light and atmospheres.

It was in Dorset that Whitehead met the writer Thomas Hardy and a deep friendship developed which lasted until the end of the artist's life. Hardy's writings greatly influenced the painter and changed his perception of nature. The painter began to look at landscapes through the eyes of the writer. Whitehead took this step deliberately. More and more often his paintings were accompanied by quotations from Thomas Hardy's works. Art critics called Whitehead the first Impressionist to exhibit art that specifically referenced Hardy's Wessex. Whitehead's close association with Hardy went so far that he would read his friend's description of the landscape in the evening and create a landscape painting the next day. The published works were released to the public by close agreement between the two friends. The friendly symbiosis of art and literature was commercially successful. Such a close connection between real places, Hardy's words and Whitehead's paintings is probably unique in the history of English art.

Artworks by Frederick William Newton Whitehead

Artworks by Frederick William Newton Whitehead

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Frederick William Newton Whitehead
Peeping Tom, Coventry
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Five-Gabled House, Long Itchington
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Frederick William Newton Whitehead
Stratford-on-Avon, The Grammar S...
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Frederick William Newton Whitehead
Mary Ardens Cottage, Wilmcote
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Hampton-in-Arden, Packhorse Bridge
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Frederick William Newton Whitehead
Beauchamp Chapel, Warwick
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
St Martins Church, Birmingham
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
The Parish Church and Pump-Room,...
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Frederick William Newton Whitehead
The Avon, below Stratford-on-Avon
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Ann Hathaways Cottage, Exterior
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
The River Frome, Morton nr Dorch...
1901 | oil on canvas

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Frederick William Newton Whitehead
The Parade, Leamington
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Frederick William Newton Whitehead
On The Heath Lytchett Minster, c...
1904 | watercolour

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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Beggarly Broom
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Little Wolford Manor-House
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Palace Yard, Coventry
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
 
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Arbury, Birthplace of George Eliot
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Frederick William Newton Whitehead
The Abbey Fields, Kenilworth
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
 
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Packington Old Hall
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
The Dole, St Marys Church, Warwick
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Frederick William Newton Whitehead
Ann Hathaways Cottage, Interior
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Rugby School
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
St Philips Church, Birmingham
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Leicesters Hospital, Warwick
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Weston Mill
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Aston Cantlow
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Fords Hospital, Coventry
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Hungry Grafton
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Barton
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Henley-in-Arden
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Hayfield, Warwick
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Southam
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Anne Isabella Noel Byron
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Wormleighton Manor-House
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Leamington and Warwick from the ...
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Frederick William Newton Whitehead
Maxstoke Castle
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Astley Castle
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
 
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Frederick William Newton Whitehead
Guys Cliffe Mill
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Drunken Bidford
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Berkswell
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Marton Bridge
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Winderton
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Courtyard, St Marys Hall, Coventry
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Frederick William Newton Whitehead
The Old Gateway, Stoneleigh Abbey
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Salford Priors
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Frederick William Newton Whitehead
Stratford-on-Avon
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Radway
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Compton Wynyates
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Stoneleigh Abbey
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Baddesley Clinton Hall
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
The late Countess of Essex
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Abbots Salford
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Shakespeares Birthplace
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Frederick William Newton Whitehead
Long Compton
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Frederick William Newton Whitehead
Chesterton Mill
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Frederick William Newton Whitehead
Stratford-on-Avon
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Haunted Hillborough
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Newnham Paddox
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Warwick Castle from the Bridge
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Coughton Court
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Frederick William Newton Whitehead
Bidford Bridge
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Compton Wynyates
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Burton Dassett Church
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Baddesley Clinton Hall
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Papist Wixford
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Maxstoke Priory
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Guys Cliffe
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Kenilworth Castle
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Compton Wynyates
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
 
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Dodging Exhall
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Kenilworth Castle
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Charlecote
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Astley Church
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Charlecote
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Frederick William Newton Whitehead
Dunchurch
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Packington Park
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Frederick William Newton Whitehead
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Frederick William Newton Whitehead
Lapworth
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Frederick William Newton Whitehead
Ufton
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Frederick William Newton Whitehead
Warwick Castle
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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