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The work of Alexander Nasmyth is characterized by the personal experience of two revolutionary developments. On the one hand, Nasmyth had to assert himself as a bourgeois upstart in a society still dominated by the aristocracy, on the other hand the close observer of his environment perceived changes that later defined an epochal threshold as the industrial revolution. Art and religion were two areas in which the class barriers of the 18th century were more permeable than usual. For the talented boy from poor circumstances, there was initially nothing to suggest that he would get a chance. Alexander Nasmyth started an apprenticeship as a carriage maker after attending compulsory primary school. There he was assigned the task of decorating the carriages made for the aristocratic and middle-class elite with heraldic paintings. At the age of 16 he and his painting works caught the attention of the Scottish painter Allan Ramsey during a journey. Ramsey was so enthusiastic that he took the boy to his studio in London and offered him the opportunity for an artistic education. After completing his training, Nasmyth worked in a field of painting which, with the right talent, opened up the prospect of a sufficient regular income. Nasmyth specialized in portrait painting, in which he soon made a name for himself and won renowned patrons from the Scottish elite. This eventually enabled Nasmyth to embark on what was for an artist a classic journey to Italy to study the sites of antiquity and the masters of the Renaissance.
With the opening of his own painting school, Nasmyth established himself in Scottish society. As a teacher he influenced a generation of 19th century Scottish painters, such as William Leighton Leitch and David Roberts. The income of the flourishing painting school, guaranteed a middle-class lifestyle. However, his openly communicated liberal attitude became his undoing. His career as a portrait painter ended abruptly after some unpopular political statements. His noble patrons withdrew and Nasmyth no longer received portrait commissions. What was existentially a catastrophe turned out to be a stroke of luck for the artist Nasmyth. He devoted himself to his second great artistic passion, landscape painting. Here he became the founder of Scottish landscape painting and the admired model of a generation of artists. For material reasons, Nasmyth was forced to open up new fields of activity and found another challenge in theatre work.
As a keen observer, Nasmyth took a keen interest in the emerging natural sciences and technology. While his landscape paintings celebrated nature, his scientific and technical interest in the field of architecture touched his artistic world. Thus Nasmyth also designed technical buildings, such as the pump house of St. Bernard's Fountain in Edinburgh. Nasmyth's interest in the latest developments in science and technology was also passed on to his children. His son, James Nasmyth, an engineer and entrepreneur, became famous through the development of steam hammers.
The work of Alexander Nasmyth is characterized by the personal experience of two revolutionary developments. On the one hand, Nasmyth had to assert himself as a bourgeois upstart in a society still dominated by the aristocracy, on the other hand the close observer of his environment perceived changes that later defined an epochal threshold as the industrial revolution. Art and religion were two areas in which the class barriers of the 18th century were more permeable than usual. For the talented boy from poor circumstances, there was initially nothing to suggest that he would get a chance. Alexander Nasmyth started an apprenticeship as a carriage maker after attending compulsory primary school. There he was assigned the task of decorating the carriages made for the aristocratic and middle-class elite with heraldic paintings. At the age of 16 he and his painting works caught the attention of the Scottish painter Allan Ramsey during a journey. Ramsey was so enthusiastic that he took the boy to his studio in London and offered him the opportunity for an artistic education. After completing his training, Nasmyth worked in a field of painting which, with the right talent, opened up the prospect of a sufficient regular income. Nasmyth specialized in portrait painting, in which he soon made a name for himself and won renowned patrons from the Scottish elite. This eventually enabled Nasmyth to embark on what was for an artist a classic journey to Italy to study the sites of antiquity and the masters of the Renaissance.
With the opening of his own painting school, Nasmyth established himself in Scottish society. As a teacher he influenced a generation of 19th century Scottish painters, such as William Leighton Leitch and David Roberts. The income of the flourishing painting school, guaranteed a middle-class lifestyle. However, his openly communicated liberal attitude became his undoing. His career as a portrait painter ended abruptly after some unpopular political statements. His noble patrons withdrew and Nasmyth no longer received portrait commissions. What was existentially a catastrophe turned out to be a stroke of luck for the artist Nasmyth. He devoted himself to his second great artistic passion, landscape painting. Here he became the founder of Scottish landscape painting and the admired model of a generation of artists. For material reasons, Nasmyth was forced to open up new fields of activity and found another challenge in theatre work.
As a keen observer, Nasmyth took a keen interest in the emerging natural sciences and technology. While his landscape paintings celebrated nature, his scientific and technical interest in the field of architecture touched his artistic world. Thus Nasmyth also designed technical buildings, such as the pump house of St. Bernard's Fountain in Edinburgh. Nasmyth's interest in the latest developments in science and technology was also passed on to his children. His son, James Nasmyth, an engineer and entrepreneur, became famous through the development of steam hammers.
.jpg "Classical Landscape by Alexander Nasmyth")
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.jpg "Hawthornden Castle, near Edinburgh by Alexander Nasmyth")
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.jpg "Robert Burns, 1759 by Alexander Nasmyth")
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.jpg "Highland Landscape with Figures by Alexander Nasmyth")
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_-_(MeisterDrucke-901182).jpg "Dundee from Princes Street by Alexander Nasmyth")
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.jpg "View of the City of Edinburgh by Alexander Nasmyth")
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.jpg "Culzean Castle from the North with Ailsa Craig, c.1816 by Alexander Nasmyth")
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_-_(MeisterDrucke-1210024).jpg "A Ruined Bridge Over a River, Italy by Alexander Nasmyth")
_-_(MeisterDrucke-1210024).jpg)
_-_(MeisterDrucke-905307).jpg "Broughty Castle During a Storm by Alexander Nasmyth")
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.jpg "Stage Design for Heart of Midlothian; The Tolbooth by Alexander Nasmyth")
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.jpg "Loch Awe, Argyllshire by Alexander Nasmyth")
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.jpg "Portrait of a Gentleman, Probably George Hay, 7th Marquess of Tweeddale by Alexander Nasmyth")
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.jpg "Culzean Castle from the Sea by Alexander Nasmyth")
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.jpg "Hawthornden Castle, Near Edinburgh, Between 1820 and 1822 by Alexander Nasmyth")
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_-_(MeisterDrucke-904940).jpg "Castle Huntly, c.1800 by Alexander Nasmyth")
_-_(MeisterDrucke-904940).jpg)
_-_(MeisterDrucke-1107092).jpg "Hadrian")
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.jpg "Stage Design for Heart of Midlothian; Deans Cottage by Alexander Nasmyth")
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.jpg "View of Loch Lomond by Alexander Nasmyth")
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_-_(MeisterDrucke-1106199).jpg "Portrait of the Eskimo Whaler, John Sacheuse by Alexander Nasmyth")
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.jpg "The Toast by Alexander Nasmyth")
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_-_(MeisterDrucke-1129431).jpg "Distant view of Edinburgh by Alexander Nasmyth")
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.jpg "Loch Doon, Ayrshire, before 1840 by Alexander Nasmyth")
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.jpg "Loch Awe, Argyllshire by Alexander Nasmyth")
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.jpg "View of Dreghorn Castle, Midlothian, with Figures and a Hay Cart in the Foreground by Alexander Nasmyth")
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.jpg "View on the River Almond, near Edinburgh, with Almondell Bridge and a fisherman by Alexander Nasmyth")
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.jpg "Loch Awe, Argyllshire by Alexander Nasmyth")
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 - (MeisterDrucke-95519).jpg "Old Tolbooth, Edinburgh (engraved by Edward Finden) by Alexander Nasmyth")
 - (MeisterDrucke-95519).jpg)
.jpg "Loch Awe, Argyllshire, c.1780-1800 by Alexander Nasmyth")
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_-_(MeisterDrucke-1171162).jpg "Figures in a Wooded Italian Landscape by Alexander Nasmyth")
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.jpg "Portrait of John Cockburn Ross of Rochester and Shadwick by Alexander Nasmyth")
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.jpg "Eleanor and Margaret Ross, between 1785 and 1790 by Alexander Nasmyth")
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_-_(MeisterDrucke-1113097).jpg "The Union Bridge near Berwick on Tweed by Alexander Nasmyth")
_-_(MeisterDrucke-1113097).jpg)
_-_(MeisterDrucke-1129704).jpg "Portencross - At the Mouth of the Clyde by Alexander Nasmyth")
_-_(MeisterDrucke-1129704).jpg)
.jpg "Hawthornden Castle, near Edinburgh by Alexander Nasmyth")
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_-_(MeisterDrucke-1171142).jpg "View of Edinburgh from Blackford Hill by Alexander Nasmyth")
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.jpg "A View of Edinburgh from the West, 1822-1826 by Alexander Nasmyth")
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_-_(MeisterDrucke-1122273).jpg "Gardeners with the Stables behind by Alexander Nasmyth")
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.jpg "Annefield with Glasgow Beyond by Alexander Nasmyth")
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.jpg "View of Edinburgh from Corstorphine Hill by Alexander Nasmyth")
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.jpg "View of the City of Edinburgh by Alexander Nasmyth")
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_-_(MeisterDrucke-1121874).jpg "Duke of Argyll House, Edinburgh by Alexander Nasmyth")
_-_(MeisterDrucke-1121874).jpg)
_-_(MeisterDrucke-896540).jpg "The Deans")
_-_(MeisterDrucke-896540).jpg)
_-_(MeisterDrucke-1129238).jpg "Classical Landscape by Alexander Nasmyth")
_-_(MeisterDrucke-1129238).jpg)
_-_(MeisterDrucke-899591).jpg "View of the City of Edinburgh by Alexander Nasmyth")
_-_(MeisterDrucke-899591).jpg)
.jpg "A Woody Landscape, with Figures and Sheep by Alexander Nasmyth")
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.jpg "View of the City of Edinburgh by Alexander Nasmyth")
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.jpg "A View of Edinburgh from the West by Alexander Nasmyth")
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_-_(MeisterDrucke-1097418).jpg "Wooded River Landscape with Figures and Cattle by Alexander Nasmyth")
_-_(MeisterDrucke-1097418).jpg)
.jpg "Stage Design for Heart of Midlothian, The Tolbooth by Alexander Nasmyth")
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_-_(MeisterDrucke-1098560).jpg "Italianate landscape with dancing peasants by Alexander Nasmyth")
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.jpg "Stage Design for Heart of Midlothian; Deans")
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_-_(MeisterDrucke-591051).jpg "Choirboys by Alexander Nasmyth")
_-_(MeisterDrucke-591051).jpg)
.jpg "Robert Burns by Alexander Nasmyth")
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.jpg "Eleanor and Margaret Ross by Alexander Nasmyth")
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.jpg "Stage Design for Heart of Midlothian, Deans")
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_-_(MeisterDrucke-898500).jpg "The Tolbooth, stage design for")
_-_(MeisterDrucke-898500).jpg)
.jpg "Edinburgh by Alexander Nasmyth")
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.jpg "View of London from Denmark Hill by Alexander Nasmyth")
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_-_(MeisterDrucke-1122102).jpg "Dumbarton Rock by Alexander Nasmyth")
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.jpg "Rocky River Landscape in the Tyrol by Alexander Nasmyth")
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.jpg "A View of Edinburgh from the West by Alexander Nasmyth")
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_-_(MeisterDrucke-899768).jpg "A View of Edinburgh from the West by Alexander Nasmyth")
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.jpg "Family Group or Conversation Piece, c.1840 by Alexander Nasmyth")
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.jpg "Stage Design for Heart of Midlothian; The Tolbooth by Alexander Nasmyth")
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.jpg "A View of Edinburgh by Alexander Nasmyth")
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_-_(MeisterDrucke-1127580).jpg "The Bracklinn Falls, Perthshire by Alexander Nasmyth")
_-_(MeisterDrucke-1127580).jpg)
.jpg "Eleanor and Margaret Ross by Alexander Nasmyth")
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.jpg "Stage Design for Heart of Midlothian; Deans")
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.jpg "Hawthornden Castle, near Edinburgh by Alexander Nasmyth")
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.jpg "A View of Edinburgh from the West by Alexander Nasmyth")
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.jpg "Loch Awe, Argyllshire by Alexander Nasmyth")
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.jpg "View of the City of Edinburgh by Alexander Nasmyth")
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.jpg "Eleanor and Margaret Ross by Alexander Nasmyth")
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.jpg "Stage Design for Heart of Midlothian; The Tolbooth by Alexander Nasmyth")
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.jpg "Melrose by Alexander Nasmyth")
.jpg "London, Princes Street. Beginning of the Later Main Building of the")
.jpg "Robert Burns, 1759 - 1796 by Alexander Nasmyth")
.jpg "The Fishing Party, Loch Katrine, Scotland by Alexander Nasmyth")