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William Leighton Leitch
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
William Leighton Leitch

William Leighton Leitch

    November 22, 1804   -   April 25, 1883
Nonclassified artists   •   Wikipedia: William Leighton Leitch

The 16th century was not exactly known for equality between women and men. Women were denied access to education such as art academies. Nevertheless, the 16th century produced some exceptional female artists.

One of them was Lavinia Fontana, who was born in Bologna in 1552. Her father, Prospero Fontana, was a portrait painter and began to train her at an early age. Bologna was the city of the powerful Bolognese University and although she was not allowed to enter the lecture halls, Lavinia maintained close contact with scholars and scientists. They visited her father and some of them had their portraits taken by Lavinia, became her friends and influenced her art.

Pretty and learned, Lavinia was popular among the Bolognese upper class and found easy access to her models, with whom she maintained an unusually close relationship. It was soon considered chic, especially among the aristocratic ladies, to have her paint her portrait. Her empathy and exceptional eye for details, such as jewellery, were of great benefit to her. She received more commissions than any other painter in Bologna and was highly remunerated. But to take over her father's studio as a respected woman she needed a husband. So in 1577 she married the artist Gian Paolo Zappi who signed a somewhat unusual marriage contract for this occasion. In this contract it was written, for example, that Paolo Zappi would live with Lavinia in the house of his father-in-law, Prospero Fontana, and that the profits the couple would make with their art would go to his father-in-law. Lavinia's marriage turned out to be unusual also in the distribution of roles, so her husband gave up his own career as an artist and from then on supported his wife by selling her paintings, negotiating contracts for her but also taking over the household. A, at that time, completely new concept, which enabled Lavinia to concentrate fully on her art and still have eleven children. Besides portraits, which were considered acceptable for women at that time, she also painted religious motifs and, in her later life, large-format altarpieces. She was also the first woman to venture into nude painting, in works intended for the bedrooms of private clients.

In 1603, after the death of their father, the power couple Lavinia and Gian moved with their family to Rome and the well-rehearsed team was very successful here too. Lavinia received major public commissions, such as altarpieces for Pope Clement VII, and at the height of her career she was elected to the Academy of Rome, an honour bestowed on only the best painters of the time. Lavinia Fontana, lady of the world, elevenfold mother and famous artist died in Rome in 1613.

William Leighton Leitch

    November 22, 1804   -   April 25, 1883
Nonclassified artists   •   Wikipedia: William Leighton Leitch William Leighton Leitch

The 16th century was not exactly known for equality between women and men. Women were denied access to education such as art academies. Nevertheless, the 16th century produced some exceptional female artists.

One of them was Lavinia Fontana, who was born in Bologna in 1552. Her father, Prospero Fontana, was a portrait painter and began to train her at an early age. Bologna was the city of the powerful Bolognese University and although she was not allowed to enter the lecture halls, Lavinia maintained close contact with scholars and scientists. They visited her father and some of them had their portraits taken by Lavinia, became her friends and influenced her art.

Pretty and learned, Lavinia was popular among the Bolognese upper class and found easy access to her models, with whom she maintained an unusually close relationship. It was soon considered chic, especially among the aristocratic ladies, to have her paint her portrait. Her empathy and exceptional eye for details, such as jewellery, were of great benefit to her. She received more commissions than any other painter in Bologna and was highly remunerated. But to take over her father's studio as a respected woman she needed a husband. So in 1577 she married the artist Gian Paolo Zappi who signed a somewhat unusual marriage contract for this occasion. In this contract it was written, for example, that Paolo Zappi would live with Lavinia in the house of his father-in-law, Prospero Fontana, and that the profits the couple would make with their art would go to his father-in-law. Lavinia's marriage turned out to be unusual also in the distribution of roles, so her husband gave up his own career as an artist and from then on supported his wife by selling her paintings, negotiating contracts for her but also taking over the household. A, at that time, completely new concept, which enabled Lavinia to concentrate fully on her art and still have eleven children. Besides portraits, which were considered acceptable for women at that time, she also painted religious motifs and, in her later life, large-format altarpieces. She was also the first woman to venture into nude painting, in works intended for the bedrooms of private clients.

In 1603, after the death of their father, the power couple Lavinia and Gian moved with their family to Rome and the well-rehearsed team was very successful here too. Lavinia received major public commissions, such as altarpieces for Pope Clement VII, and at the height of her career she was elected to the Academy of Rome, an honour bestowed on only the best painters of the time. Lavinia Fontana, lady of the world, elevenfold mother and famous artist died in Rome in 1613.

Artworks by William Leighton Leitch

Artworks by William Leighton Leitch

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William Leighton Leitch
St Bernard"s Well, Water of Leit...
Undated | pencil and watercolour

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William Leighton Leitch
Ruins of the Theatre at Taormina...
Undated | engraving

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William Leighton Leitch
 
Undated | oil on canvas

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William Leighton Leitch
Kilchurn Castle, Argyllshire, 18...
1865 | watercolour, bodycolour, scratching out and graphite on paper

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William Leighton Leitch
Duomo of Syracuse, formerly a Te...
Undated | engraving

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William Leighton Leitch
Naples, 19th century; watercolour;
Undated | watercolour

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William Leighton Leitch
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William Leighton Leitch
The Elysian Fields, from Cape Mi...
Undated | engraving

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William Leighton Leitch
View of the Clyde above Erskine ...
Undated | chromolithograph

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William Leighton Leitch
Santa Maria della Salute from th...
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William Leighton Leitch
The giants stairs, Ducal Palace,...
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William Leighton Leitch
Pozzuolo, the Ancient Puteoli, t...
Undated | engraving

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William Leighton Leitch
Interior of the Cathedral, Messi...
1839 | pencil and watercolour on wove paper

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William Leighton Leitch
The Giants' Stairs, Ducal Palace...
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William Leighton Leitch
Strada di Aquila, 19th century
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William Leighton Leitch
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William Leighton Leitch
Pozzuoli, the Ancient town of Pu...
Undated | lithograph

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William Leighton Leitch
The War in Italy
1859 | engraving

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William Leighton Leitch
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William Leighton Leitch
The City of Cologne, engraved by...
Undated | engraving

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William Leighton Leitch
Landscape, Italy, 1872.
Undated | watercolour/watercolour

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William Leighton Leitch
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William Leighton Leitch
Piazza Del Duomo, Messina (engra...
Undated | engraving

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William Leighton Leitch
Capuchin Convent at Amalfi (engr...
Undated | engraving

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William Leighton Leitch
View of the Isola Bella, on the ...
1867 | engraving

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William Leighton Leitch
Tarsus, Turkey
Undated | engraving

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William Leighton Leitch
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William Leighton Leitch
The Cathedral at Palermo, Sicily...
Undated | coloured engraving

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William Leighton Leitch
The Bass Rock, East Lothian, 1870
1870 | watercolour over pencil on paper

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William Leighton Leitch
Castro Giovanni, the Ancient Enn...
Undated | engraving

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William Leighton Leitch
New Canal and Town of Santa Maur...
1859 | engraving

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William Leighton Leitch
Morning, View in the Highlands o...
1868 | engraving

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William Leighton Leitch
The Town and Convent of Piazza (...
Undated | engraving

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William Leighton Leitch
 
Undated | watercolor

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William Leighton Leitch
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William Leighton Leitch
The Cathedral (Madre Chiesa) at ...
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William Leighton Leitch
Town Hall, Cologne, c1841
1841 |

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William Leighton Leitch
Edinburgh from the Mound (colour...
Undated | colour lithograph

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William Leighton Leitch
View near Ournelo Contrada di So...
Undated | engraving

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William Leighton Leitch
The Cloisters of San Domenico, P...
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William Leighton Leitch
Warlock Knowe, 1872
1872 | watercolour

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William Leighton Leitch
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William Leighton Leitch
Grecian Temple at Segesta (engra...
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William Leighton Leitch
A Parkland View at Dusk, ca. 1879.
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William Leighton Leitch
Mayence Cathedral, Rhine
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William Leighton Leitch
 
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William Leighton Leitch
Lord Byron's Childe Harold, Cant...
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William Leighton Leitch
Sicilian Harbour Scene (watercolor)
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William Leighton Leitch
The Villa Fountain
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William Leighton Leitch
 
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William Leighton Leitch
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William Leighton Leitch
 
Undated | watercolor over graphite on wove paper

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William Leighton Leitch
Schotse dennenboom
Undated | cartridge paper watercolor (paint) pencil

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William Leighton Leitch
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William Leighton Leitch
 
Undated | watercolour

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William Leighton Leitch
Unbekanntes Bild
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William Leighton Leitch
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William Leighton Leitch
Mr. Muir's Garden on the Gareloc...
Undated | watercolour on paper

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William Leighton Leitch
 
Undated | watercolour & charcoal

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William Leighton Leitch
 
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William Leighton Leitch
Fountain at Carnelo
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William Leighton Leitch
 
Undated | Graphite, on cream wove paper, laid down on cream board

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William Leighton Leitch
 
Undated | Graphite, with stumping, and pen and brown and black ink, on tan wove paper, laid down on cream board

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William Leighton Leitch
 
Undated | Pen and gray ink over graphite on gray laid paper

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William Leighton Leitch
 
Undated | watercolour

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William Leighton Leitch
 
Undated | Graphite, heightened with white gouache, on light gray-brown wove paper, laid down on white wove tissue paper

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William Leighton Leitch
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William Leighton Leitch
 
Undated | Graphite, on tan wove paper, laid down on cream board

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William Leighton Leitch
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William Leighton Leitch
 
Undated | Pen and brown ink and graphite on ivory wove paper, laid down on board

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William Leighton Leitch
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William Leighton Leitch
 
Undated | Pen and brown ink on ivory wove paper, laid down on board

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William Leighton Leitch
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William Leighton Leitch
 
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William Leighton Leitch
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William Leighton Leitch
 
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William Leighton Leitch
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William Leighton Leitch
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William Leighton Leitch
 
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William Leighton Leitch
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William Leighton Leitch
 
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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