Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid

Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832

(Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving))


Luigi Ademollo

€ 125.97
Enthält 13.5% MwSt.
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1832  ·  hand-coloured engraving  ·  Picture ID: 199526

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Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 by Luigi Ademollo. Available as an art print on canvas, photo paper, watercolor board, uncoated paper or Japanese paper.
ovid · metamorphosis · mythology · mythological · classical · c19th · roman · clizia transformata in eliotropia · female · clytie · flower · chariot · horses · apollo · flowers · Private Collection / Bridgeman Images
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€ 125.97
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Narcissus into a Flower, Book III, Illustration from Ovid Elijah Takes Off to the Sky Costume design for Paris as a shepherd on Mount Ida Elijah Takes Off to the Sky Semele is Thunderstruck or Nascita de Bacco, Illustration from Ovid Jove in Love with Io, Book I, Illustration from Ovid Hygieia Sacrificing for Bernstorff Allegory of Sincerity Holding a Dove Against Her Breast and Presents a Radiant Heart. Engraving in Narcisse contemplating his reflection (engraving of 1819 in Cyparissus into a Tree or Ciparisso, Book X, Illustration from Ovid Allegory of calamity. She sits on breezes whose fragility is the image of the instability of fortune and the miseries of life. Engraving in Frontispiece, illustration from Ovid Bacchus and Ariadne, Book VIII, Illustration from Ovid Allegory of Desperation depicts a dagger in the breast and a branch of cypress in the hand (tree that once adorned the tombs). The breeze compass is the emblem of the disorder of thought. Engraving in Allegory of philanthropy. She holds a scholarship and comes to rescue a poor man to whom she reaches out. Her attribute is a pelican that opens his breast to feed his young. Engraving in The dawn (Apollo guides the chariot of the sun). Allegory of sunrise. Engraving from 1819 in Allegory of love satisfaction represented by a graceful teenager kneeling in front of a heart in the middle of a flowered rose tree whose roses and thorns are allusive to the sorrows and sweets of love. The lover cries to embellish what he loves. Pyramus and Thisbe, Book IV, illustration from Ovid Joseph Cast into the Pit by his Brethren, from a Bible printed by Edward Gover, 1870s Ganymede carried off into Heaven, Book X, illustration from Ovid Phoebus and Daphne or Apollo and Daphne, illustration from Ovid Allegorical Representation with Writing Woman, Busts, Pegasus, and Apollo (Title Page for: Cornelis Sweerts, Poetic Emblems, 1736) Echo and Narcissus or Eco e Narciso, Book III, illustration from Ovid Hercules on the Pyre, Book IX, illustration from Ovid Clemency allegory. She is represented holding a spear and an olive branch to indicate that she has the power to punish but also to forgive. The lion is the attribute of generosity. Engraving in “Iconologie oder Ideen aus dem Gebiete der Leidenschaften un A Boy into a Lizard or Ntellio Transformato in Lucerta, Book V, illustration from Ovid Tragedy from Fifteen Etchings Dedicated to Sir Joshua Reynolds Come on, help Virginia. Illustration for the novel Light Expelling Darkness - Evaporation of Stygian Exhalations, or The Sun of the Constitution rising superior to the Clouds of Opposition, published by Hannah Humphrey in 1795
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Pyrrha and Deucalion, Illustration from Ovid Echo and Narcissus or Eco e Narciso, Book III, illustration from Ovid Arachne into a Spider, Book VI, Illustration from Ovid Dryope into a Tree, Book IX, illustration from Ovid The Golden Age or Eta dell Pyramus and Thisbe, Book IV, illustration from Ovid Perseus and Andromeda, Book IV, Illustration from Ovid Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovid Ceyx and Alcyone or Ceice e Alcione, Book XI, Illustration from Ovid Phoebus and Daphne or Apollo and Daphne, illustration from Ovid Paris Kills Achilles (illustration from Ovid Atalanta and Hippomenes, Book X, illustration from Ovid Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, Illustration from Ovid Procne, Philomela, and Tereus Driven Insane, Book VI, illustration from Ovid The Sacrifice of Iphigenia, Book XII, Illustration from Ovid
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Other art prints by Luigi Ademollo

Pyrrha and Deucalion, Illustration from Ovid Echo and Narcissus or Eco e Narciso, Book III, illustration from Ovid Arachne into a Spider, Book VI, Illustration from Ovid Dryope into a Tree, Book IX, illustration from Ovid The Golden Age or Eta dell Pyramus and Thisbe, Book IV, illustration from Ovid Perseus and Andromeda, Book IV, Illustration from Ovid Daphne into a Laurel or Apollo Incoronasi de Lauro, illustration from Ovid Ceyx and Alcyone or Ceice e Alcione, Book XI, Illustration from Ovid Phoebus and Daphne or Apollo and Daphne, illustration from Ovid Paris Kills Achilles (illustration from Ovid Atalanta and Hippomenes, Book X, illustration from Ovid Cadmus into a Serpent or Cadmo Transformato in Serpe, Book IV, Illustration from Ovid Procne, Philomela, and Tereus Driven Insane, Book VI, illustration from Ovid The Sacrifice of Iphigenia, Book XII, Illustration from Ovid
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Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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