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Feel the passion of William Heath Robinson in our art prints.

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William Heath Robinson
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Customization Options Available
William Heath Robinson

William Heath Robinson

  May 31, 1872
  September 13, 1944
   •   Caricatures, Comics   •   Wikipedia: William Heath Robinson

William Heath Robinson was an English artist, illustrator and cartoonist. He was one of six children of Eliza and Thomas Robinson. His father was an illustrator and earned his income primarily from his created illustrations for the Penny Illustrated Paper. So it's no wonder that William Heath Robinson also became an illustrator. He studied at the Islington School of Art. After leaving school, he tried unsuccessfully to earn a living by painting landscapes. His first book illustrations were published in Don Quixote, Danish Fairy Tales and The Giant Crab and Other Tales from India. However, it was not until the publication of Uncle Lubin that he was able to improve his financial situation. William Heath Robinson worked in black and white for his first book illustrations. Well-known illustrated gift books by William Heath Robinson include Twelfth Night, A Song of the English, Bill the Minder, Fairy Tales, Old Time Stories, Midsummer Night's Dream, and The Tempest. In addition, he not only illustrated books, but also wrote them himself, such as "The Adventures of Uncle Lubin" and "Bill the Minder". The stories are charming, funny, simple, funny and absurd at the same time.

William Heath Robinson used both color plates and illustrations in black and white. The Hans Andersen was a success, which stood out with black and white illustrations and well-printed plates, as they were designed either with decorative charm and cheerfulness or absurdly humorous. Besides his books, William Heath Robinson started drawing cartoons and depicting them in a funny way. The first drawings first appeared in magazines, such as "London Magazine", "Pall Mall Magazine", "Bystander" and "Sketch". The artistic drawings of William Heath Robinson were illustrated in many different advertising brochures. He had a fascinating connection with industry and commerce, as he created different works for companies. The success of his cartoons was due to the style of the drawings, which he created in an absurd way. William Heath Robinson believed in his artistic abilities and considered them as a kind of joke. He also made many appearances on television and radio, designed sets for the theater and painted murals. The art in his paintings was the mixing of the serious with the comic, which he conveyed through his illustrations, cartoons and drawings. However, he became known especially as a creator of strange mechanical devices and machines. His name was used as a synonym for such devices. In his first drawings, he set out to ridicule the self-importance and fussiness of experts. William Heath Robinson found that the complicated machines stood as a metaphor for bureaucracy and various processes. Most of William Heath Robinson's humorous work focuses on the human condition, the weakness and self-importance of man than on the devices and apparatuses themselves.

William Heath Robinson

William Heath Robinson
  May 31, 1872
  September 13, 1944
   •   Caricatures, Comics   •   Wikipedia: William Heath Robinson

William Heath Robinson was an English artist, illustrator and cartoonist. He was one of six children of Eliza and Thomas Robinson. His father was an illustrator and earned his income primarily from his created illustrations for the Penny Illustrated Paper. So it's no wonder that William Heath Robinson also became an illustrator. He studied at the Islington School of Art. After leaving school, he tried unsuccessfully to earn a living by painting landscapes. His first book illustrations were published in Don Quixote, Danish Fairy Tales and The Giant Crab and Other Tales from India. However, it was not until the publication of Uncle Lubin that he was able to improve his financial situation. William Heath Robinson worked in black and white for his first book illustrations. Well-known illustrated gift books by William Heath Robinson include Twelfth Night, A Song of the English, Bill the Minder, Fairy Tales, Old Time Stories, Midsummer Night's Dream, and The Tempest. In addition, he not only illustrated books, but also wrote them himself, such as "The Adventures of Uncle Lubin" and "Bill the Minder". The stories are charming, funny, simple, funny and absurd at the same time.

William Heath Robinson used both color plates and illustrations in black and white. The Hans Andersen was a success, which stood out with black and white illustrations and well-printed plates, as they were designed either with decorative charm and cheerfulness or absurdly humorous. Besides his books, William Heath Robinson started drawing cartoons and depicting them in a funny way. The first drawings first appeared in magazines, such as "London Magazine", "Pall Mall Magazine", "Bystander" and "Sketch". The artistic drawings of William Heath Robinson were illustrated in many different advertising brochures. He had a fascinating connection with industry and commerce, as he created different works for companies. The success of his cartoons was due to the style of the drawings, which he created in an absurd way. William Heath Robinson believed in his artistic abilities and considered them as a kind of joke. He also made many appearances on television and radio, designed sets for the theater and painted murals. The art in his paintings was the mixing of the serious with the comic, which he conveyed through his illustrations, cartoons and drawings. However, he became known especially as a creator of strange mechanical devices and machines. His name was used as a synonym for such devices. In his first drawings, he set out to ridicule the self-importance and fussiness of experts. William Heath Robinson found that the complicated machines stood as a metaphor for bureaucracy and various processes. Most of William Heath Robinson's humorous work focuses on the human condition, the weakness and self-importance of man than on the devices and apparatuses themselves.





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William Heath Robinson
How Noah, by skilful management,...
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William Heath Robinson
Romantic Possibilities in Modern...
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William Heath Robinson
Overcoming the difficulties of s...
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William Heath Robinson
Swimming the channel, some simpl...
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William Heath Robinson
Nothing new under the sun (litho)
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William Heath Robinson
A warm-hearted old soul disguise...
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William Heath Robinson
A Leak in the Channel Tunnel, il...
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William Heath Robinson
The safety deck chair for giving...
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William Heath Robinson
Lenore, from 'The Poems of Edgar...
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William Heath Robinson
How to Rise with the Sun, illust...
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William Heath Robinson
The wart chair, a simple device ...
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William Heath Robinson
The last straw that didn't break...
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William Heath Robinson
An interesting development in tu...
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William Heath Robinson
When you want a quiet read in th...
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William Heath Robinson
Flat life, Sane economy of space...
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William Heath Robinson
Round and Round They Went, Such ...
1930 |

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William Heath Robinson
Proving That There is Room to Sw...
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William Heath Robinson
The Toyshop, 1900 (print)
19th century |

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William Heath Robinson
Mutual Massage for Lumbago Epide...
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William Heath Robinson
The Multi-movement Tabby Silence...
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William Heath Robinson
The baby silencer (litho)
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William Heath Robinson
The bachelor combined chair and ...
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William Heath Robinson
Toys for Christmas, c.1900
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William Heath Robinson
A Fairy Eating an Apple, illustr...
1914 | pen and ink on paper

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William Heath Robinson
The Fair Day, c19th century, 1925
1925 |

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William Heath Robinson
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William Heath Robinson
The shadow of Death came down up...
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William Heath Robinson
A new machine for picking up mat...
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William Heath Robinson
An Aerial Cricket Match of the F...
1919 |

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William Heath Robinson
View of the War from Switzerland...
1915 | lithograph

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William Heath Robinson
A woman, a dog, and a walnut tre...
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William Heath Robinson
A Midsummer Nights Dream, Act 1,...
1914 |

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William Heath Robinson
The devil was well, and the devi...
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William Heath Robinson
'But I'm too old and you're too ...
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William Heath Robinson
Flat life, the spare bedroom litho
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William Heath Robinson
A much-appreciated gift, a super...
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William Heath Robinson
How to draw the cork when you ha...
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William Heath Robinson
Gargantua (litho)
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William Heath Robinson
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William Heath Robinson
The sunk bath (litho)
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William Heath Robinson
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William Heath Robinson
A neat contraption for recoverin...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Fish Tennis, a thrilling new wat...
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William Heath Robinson
Stork! Stork! Long-Legged Stork!...
1930 |

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William Heath Robinson
Under the Mistletoe, any old exc...
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William Heath Robinson
Please to remember the Fifth of ...
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William Heath Robinson
Lawn Tennis for the Middle Aged ...
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William Heath Robinson
Eurhythmics, An Exercise in Pois...
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William Heath Robinson
William the Conqueror restrains ...
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William Heath Robinson
The devil was sick, the devil a ...
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William Heath Robinson
An Artistic Way of Hiding an Uns...
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William Heath Robinson
 
1930 |

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William Heath Robinson
Submarine, from Some Frightful W...
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William Heath Robinson
How they put the tartans on the ...
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William Heath Robinson
Interesting treatment of cattle ...
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William Heath Robinson
Weeding without Treading on the ...
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William Heath Robinson
The extending garage for cars of...
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William Heath Robinson
The Nightingale, 1897
1897 |

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William Heath Robinson
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William Heath Robinson
The Little Robber-Maiden, c1930
1930 |

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William Heath Robinson
The descent of man (litho)
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William Heath Robinson
The Traitor (pen & ink, watercolor)
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William Heath Robinson
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William Heath Robinson
A Home-Made Japanese Fiddle (litho)
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William Heath Robinson
A Pretty Little Bird Bath at Lin...
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William Heath Robinson
The Soundness of Newton's Laws, ...
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William Heath Robinson
The Welsh Rarebit Machine (litho)
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William Heath Robinson
Capetown. Hail! Snatched and bar...
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William Heath Robinson
Safety first! New road regulatio...
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William Heath Robinson
He would fall into an extasie (l...
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William Heath Robinson
The Threesome or Communal Bath (...
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William Heath Robinson
Slew him on the spot (engraving)
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William Heath Robinson
Illustration for Don Quixote (li...
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William Heath Robinson
A notorious gang of hat thieves ...
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William Heath Robinson
Conversion of an Old-Fashioned S...
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William Heath Robinson
King John overtaken by the Tide ...
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William Heath Robinson
Elasticity, disinterested conduc...
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William Heath Robinson
May you fall into sulphur, fire ...
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William Heath Robinson
Reviving a Wilted Plant (litho)
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William Heath Robinson
Economical arrangement of bedroo...
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William Heath Robinson
Illustration from the childrens ...
1902 | lithograph

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William Heath Robinson
Agamemnon heard the sound of pip...
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William Heath Robinson
An Interesting Lay-out for a Sma...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Princesses He Found in Plenty, B...
1930 |

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William Heath Robinson
The Long Arm of Coincidence at W...
1922 | pen and ink on paper

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William Heath Robinson
Illustration for Don Quixote (li...
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William Heath Robinson
Man fishing for tinned salmon
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William Heath Robinson
Communal Eurhythmics and Physica...
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William Heath Robinson
Holiday Joys in Modern Flats (li...
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William Heath Robinson
Illustration for Railway Ribaldr...
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William Heath Robinson
Little Red Riding Hood Went to t...
1921 | pen and ink on paper

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William Heath Robinson
This amicable disposition of his...
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William Heath Robinson
Half-hours at a Mattress-making ...
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William Heath Robinson
A tailor, by name Mustapha (engr...
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William Heath Robinson
They Carried the Mirror From Pla...
1930 |

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William Heath Robinson
Illustration for Railway Ribaldr...
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
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        support@meisterdrucke.com
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