Feel the passion of William Davis Hassler in our art prints.

Our art reproductions bring moments of comfort directly into your home.


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Österreichische Kunstmanufaktur

Feel the passion of William Davis Hassler in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
William Davis Hassler
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

William Davis Hassler

In 1910, the world looked different. William Davis Hassler came to New York from a small Pennsylvanian town with his wife and son in 1905 and worked there as a professional photographer from 1909. Joseph P. Day, a land broker who had already sold large parts of Brooklyn and Queens, saw the future in the Bronx. "The man who sold the Bronx" commissioned Hassler to photograph the Bronx, undeveloped lots, but also the Bronx already built on. For New York electric companies, Hassler shot photos of electrical installations, close-ups of electrical parts such as a lamp socket, and images of electricity, for example, beautifully (electrically) lit streets and storefronts. One spectacular photo shows the Manhattan Bridge from above, photographed from Brooklyn Tower, with the old piers on the East River in the background.

But in many of the more than 5,000 photographs preserved at the New-York Historical Society, Hassler's family and his residential neighborhood of Inwood play the starring role. Inwood is the northernmost neighborhood in Manhattan, bounded by the Hudson River to the west and the Harlem River to the north and east. At the time, Inwood still had an almost rural, provincial feel. Hassler photographed parks, school classes, fire engines, old-fashioned steaming and still pulled by horses, the somehow "quintessentially American" police couple of the neighborhood, rows of houses, streets, also the many dirt roads, factories, boathouses on the Harlem River, excursion boats, community festivals. Many photos show his apartment, everyday life indoors and out, family celebrations, the family in the allotment, outings, and in a great many shots also his son, his cats Reddy and Peach: Peach in a basket in the middle of a still life of corn on the cob and tomatoes; William Gray, about eight years old, fast asleep, with teddy bear in his arms; William Gray and the cat Reddy having breakfast at the small children's table. The scenes seem like snapshots - but: each photo was carefully staged. For the children's cat breakfast, a candle burns decoratively next to a package of "Quakers Puffed Rice Cereal", a typical American ready-made morning porridge - the photo was probably a commissioned advertising shot. Capturing the startled, astonished look on the boy's face as the cat stands up to lick milk from the little table - that's just Hassler's great photographic art.

Because: spontaneously shooting photos with a cell phone? That didn't exist in 1915. William Davis Hassler used the Kodak No. 8 Cirkut outfit for professionals, which with a tripod could even shoot panoramic photos at 180 degrees. But the whole camera equipment weighed about 20 kilograms. And in analog photography, there were negatives that had to be developed first. Hassler used glass plates, the most common photographic medium before films made of rollable celluloid could provide good photo quality. The glass plates were coated with a light-sensitive emulsion - a film of black-and-white gelatin - and developed into a negative after the photograph was taken. Exposure times, and thus the pure shot, were much longer than today, which is why the tripod was needed. On the other hand, the glass plate process produces black and white photos with beautiful gray tones and areas of blur while maintaining high detail.

Why do Hassler's photographs touch us? Is it the look back into our past, into a long gone world in New York?

William Davis Hassler

Photography

In 1910, the world looked different. William Davis Hassler came to New York from a small Pennsylvanian town with his wife and son in 1905 and worked there as a professional photographer from 1909. Joseph P. Day, a land broker who had already sold large parts of Brooklyn and Queens, saw the future in the Bronx. "The man who sold the Bronx" commissioned Hassler to photograph the Bronx, undeveloped lots, but also the Bronx already built on. For New York electric companies, Hassler shot photos of electrical installations, close-ups of electrical parts such as a lamp socket, and images of electricity, for example, beautifully (electrically) lit streets and storefronts. One spectacular photo shows the Manhattan Bridge from above, photographed from Brooklyn Tower, with the old piers on the East River in the background.

But in many of the more than 5,000 photographs preserved at the New-York Historical Society, Hassler's family and his residential neighborhood of Inwood play the starring role. Inwood is the northernmost neighborhood in Manhattan, bounded by the Hudson River to the west and the Harlem River to the north and east. At the time, Inwood still had an almost rural, provincial feel. Hassler photographed parks, school classes, fire engines, old-fashioned steaming and still pulled by horses, the somehow "quintessentially American" police couple of the neighborhood, rows of houses, streets, also the many dirt roads, factories, boathouses on the Harlem River, excursion boats, community festivals. Many photos show his apartment, everyday life indoors and out, family celebrations, the family in the allotment, outings, and in a great many shots also his son, his cats Reddy and Peach: Peach in a basket in the middle of a still life of corn on the cob and tomatoes; William Gray, about eight years old, fast asleep, with teddy bear in his arms; William Gray and the cat Reddy having breakfast at the small children's table. The scenes seem like snapshots - but: each photo was carefully staged. For the children's cat breakfast, a candle burns decoratively next to a package of "Quakers Puffed Rice Cereal", a typical American ready-made morning porridge - the photo was probably a commissioned advertising shot. Capturing the startled, astonished look on the boy's face as the cat stands up to lick milk from the little table - that's just Hassler's great photographic art.

Because: spontaneously shooting photos with a cell phone? That didn't exist in 1915. William Davis Hassler used the Kodak No. 8 Cirkut outfit for professionals, which with a tripod could even shoot panoramic photos at 180 degrees. But the whole camera equipment weighed about 20 kilograms. And in analog photography, there were negatives that had to be developed first. Hassler used glass plates, the most common photographic medium before films made of rollable celluloid could provide good photo quality. The glass plates were coated with a light-sensitive emulsion - a film of black-and-white gelatin - and developed into a negative after the photograph was taken. Exposure times, and thus the pure shot, were much longer than today, which is why the tripod was needed. On the other hand, the glass plate process produces black and white photos with beautiful gray tones and areas of blur while maintaining high detail.

Why do Hassler's photographs touch us? Is it the look back into our past, into a long gone world in New York?

Artworks by William Davis Hassler

Artworks by William Davis Hassler

336 artworks found
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William Davis Hassler
Group portrait of English boxer ...
1911 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1911 | black and white photograph

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William Davis Hassler
Group of little girls posed on a...
1911 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1911 | black and white photograph

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William Davis Hassler
Sherman Creek power station, W. ...
1916 | black and white photograph

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William Davis Hassler
Pair of kewpie dolls, c.1913
1913 | black and white photograph

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William Davis Hassler
Window display of ribbons, Gimbe...
1915 | black and white photograph

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William Davis Hassler
Tryon Hall, Billings Estate, Inw...
1914 | black and white photograph

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William Davis Hassler
Horse-drawn hearse belonging to ...
1914 | black and white photograph

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William Davis Hassler
Group portrait of children from ...
1910 | black and white photograph

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William Davis Hassler
Jointing the ogee of a wooden ca...
1916 | black and white photograph

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William Davis Hassler
View of the Polo Grounds from th...
1914 | black and white photograph

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William Davis Hassler
Bease group portrait: men, women...
1910 | black and white photograph

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William Davis Hassler
Seymour boy posed with tricycle ...
1912 | black and white photograph

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William Davis Hassler
Unidentifed boys shooting craps ...
1915 | black and white photograph

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William Davis Hassler
Audubon Ballroom, 165th Street a...
1910 | black and white photograph

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William Davis Hassler
Unidentified woman in 'modern' s...
1913 | black and white photograph

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William Davis Hassler
Men working in the W. 129th Stre...
1911 | black and white photograph

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William Davis Hassler
Night view of the entrance of th...
1915 | black and white photograph

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William Davis Hassler
The grave of Washington Irving, ...
1914 | black and white photograph

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William Davis Hassler
Erie Railroad locomotive, side v...
1911 | black and white photograph

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William Davis Hassler
'America' statue outside the Cus...
1912 | black and white photograph

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William Davis Hassler
Men working in the W. 129th Stre...
1911 | black and white photograph

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William Davis Hassler
Children working in the Isham Pa...
1915 | black and white photograph

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William Davis Hassler
Children working in the Isham Pa...
1915 | black and white photograph

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William Davis Hassler
Larry Casey and John Connolly po...
1915 | black and white photograph

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William Davis Hassler
R.M.S. Carpathia loading at Pier...
1912 | black and white photograph

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William Davis Hassler
Children working in the school g...
1914 | black and white photograph

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William Davis Hassler
Men working in the W. 129th Stre...
1911 | black and white photograph

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William Davis Hassler
Interior of unidentified police ...
1913 | black and white photograph

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William Davis Hassler
Children working in the garden a...
1915 | black and white photograph

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William Davis Hassler
Illuminated signs in Times Squar...
1917 | black and white photograph

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William Davis Hassler
Aerial view of the Polo Grounds,...
1914 | black and white photograph

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William Davis Hassler
Erie Railroad locomotive, head-o...
1911 | black and white photograph

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William Davis Hassler
The McCready farm barn and Thoma...
1913 | black and white photograph

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William Davis Hassler
Girl stenographer on roof with p...
1914 | black and white photograph

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William Davis Hassler
Farm workers loading hay on to h...
1913 | black and white photograph

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William Davis Hassler
Northern border of New York City...
1914 | black and white photograph

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William Davis Hassler
The Henry W. Merriam House, Newt...
1911 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1910 | black and white photograph

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William Davis Hassler
English boxer William Thomas Wel...
1911 | black and white photograph

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William Davis Hassler
Group of children in cart, with ...
1910 | black and white photograph

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William Davis Hassler
Barefoot boy, possibly William G...
1910 | black and white photograph

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William Davis Hassler
Postal Telegraph sign, 1906 Broa...
1916 | black and white photograph

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William Davis Hassler
Ludlow Street at Hester Street, ...
1910 | black and white photograph

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William Davis Hassler
1807-1813 Park Avenue, 124-125th...
1915 | black and white photograph

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William Davis Hassler
The U.S.S. Utah in dry dock at t...
1912 | black and white photograph

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William Davis Hassler
Worker fitting a piece of a cask...
1916 | black and white photograph

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William Davis Hassler
Under the elevated railroad trac...
1914 | black and white photograph

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William Davis Hassler
High-angle view of Ebbets Field,...
1914 | black and white photograph

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William Davis Hassler
High angle view of the campus of...
1914 | black and white photograph

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William Davis Hassler
Coal pocket, Brooklyn Navy Yard,...
1912 | black and white photograph

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William Davis Hassler
Illuminated sign for Haig and Ha...
1917 | black and white photograph

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William Davis Hassler
William Gray Hassler and Reddy t...
1912 | black and white photograph

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William Davis Hassler
Members of the Salvation Army re...
1913 | black and white photograph

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William Davis Hassler
Beach Scene, Coney Island, c.191...
1910 | black and white photograph

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William Davis Hassler
Barge 'Katherine Hammond' at 207...
1914 | black and white photograph

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William Davis Hassler
Sign for Dr. H.Y. Halley, 1456 S...
1916 | black and white photograph

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William Davis Hassler
Lining a 'half-couch' casket, On...
1916 | black and white photograph

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William Davis Hassler
Group portrait of unidentified l...
1910 | black and white photograph

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William Davis Hassler
Rowboat and swimmers in the wate...
1910 | black and white photograph

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William Davis Hassler
Bathers at Brighton Beach, Brook...
1912 | black and white photograph

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William Davis Hassler
Boys and girls playing tug-o-war...
1910 | black and white photograph

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William Davis Hassler
Butcher, c.1910-21
1910 | black and white photograph

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William Davis Hassler
Little girls at the the Roman Ca...
1914 | black and white photograph

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William Davis Hassler
Unidentified woman demonstrating...
1913 | black and white photograph

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William Davis Hassler
Worker inside the W. 129th Stree...
1911 | black and white photograph

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William Davis Hassler
Grotto with shrine to the Virgin...
1914 | black and white photograph

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William Davis Hassler
Young woman in a maid's costume ...
1913 | black and white photograph

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William Davis Hassler
New York Public Library and Brya...
1910 | black and white photograph

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William Davis Hassler
Night View in Columbus Circle, c...
1910 | black and white photograph

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William Davis Hassler
Erecting a concrete mixer at 191...
1914 | black and white photograph

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William Davis Hassler
Campus of the City College of Ne...
1914 | black and white photograph

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William Davis Hassler
Ethel Gray Magaw Hassler taking ...
1913 | black and white photograph

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William Davis Hassler
The Boat House, Central Park, Ne...
1914 | black and white photograph

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William Davis Hassler
Statue of William Tecumseh Sherm...
1913 | black and white photograph

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William Davis Hassler
Unidentified child standing in f...
1915 | black and white photograph

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William Davis Hassler
Toddler 'Duffy,' on front stoop ...
1913 | black and white photograph

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William Davis Hassler
Graduating class of girls from t...
1912 | black and white photograph

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William Davis Hassler
Fifth floor workshop, Geyser Ele...
1914 | black and white photograph

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William Davis Hassler
Quinn family group portrait, c.1...
1911 | black and white photograph

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William Davis Hassler
View inside the W. 129th Street ...
1911 | black and white photograph

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William Davis Hassler
Interior view of the 95th Street...
1915 | black and white photograph

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William Davis Hassler
Northern border of New York City...
1914 | black and white photograph

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William Davis Hassler
Times Square, crowded with cars,...
1917 | black and white photograph

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William Davis Hassler
United Electric Light und Power ...
1915 | black and white photograph

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William Davis Hassler
Dan Seymour and family in inform...
1912 | black and white photograph

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William Davis Hassler
William Gray Hassler in straw ha...
1911 | black and white photograph

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William Davis Hassler
William Gray Hassler posing with...
1912 | black and white photograph

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William Davis Hassler
Coaling steamship with portable ...
1912 | black and white photograph

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William Davis Hassler
K.E. Barry squatter's shack, loc...
1911 | black and white photograph

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William Davis Hassler
Mrs. Perenes's house, Inwood, Ne...
1910 | black and white photograph

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William Davis Hassler
Small girls pose in and in front...
1910 | black and white photograph

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William Davis Hassler
Bowling alley sign at 248 W. 14t...
1916 | black and white photograph

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William Davis Hassler
Children reading in the reading ...
1910 | black and white photograph

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William Davis Hassler
Sign for J und M Shoe, 1429 Broa...
1916 | black and white photograph

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William Davis Hassler
Illuminated signs in Times Squar...
1917 | black and white photograph

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William Davis Hassler
Farm workers loading hay on to h...
1913 | black and white photograph

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William Davis Hassler
William Gray Hassler in straw ha...
1911 | black and white photograph

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William Davis Hassler
Night view of 207th Street looki...
1915 | black and white photograph

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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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