Study law or become an artist? This question, which is still very topical today, had to be asked as early as the 17th century by the young Wenceslas Hollar, known as Wenceslaus Hollar in English and Václav Hollar in Czech. Fortunately for posterity, Hollar chose the artistic side and created countless drawings and copperplate engravings that still have great artistic and historical value today. Born in Prague in 1607, Hollar was apprenticed to the famous engraver Matthäus Merian in Frankfurt am Main in 1627, where he learnt, above all, his later highly regarded methodology of the topography of cities. During his training and stay in the Holy Roman Empire he met the Englishman Lord Thomas Howard, one of the most important art collectors of his time, and was significantly influenced by him. In 1637 Hollar followed his patron Howard back to England, where he spent the rest of his life.
During his training in Frankfurt and later in England, Hollar began to accept various commissions, including views and topographies of places in Germany, Bohemia, England, the Netherlands, Switzerland and present-day Morocco, as well as copperplate engravings of everyday life at the time, seascapes, depictions of nature and portraits of saints and well-known people. With his attention to detail, his experimentation with colour prints and his diligence, Hollar gradually made a name for himself and soon worked for the British royal court under King Charles I. Numerous books with illustrations followed, including classic editions of Homer or Vergil. After the great fire of London in 1666, in which the city centre of London was almost completely burnt out and destroyed, Hollar produced very detailed maps of London including its destroyed districts. These works as also Hollar's previous topographies of old London belong today to the most important sources about London in the Middle Ages. Because of his works about London, Hollar was sent on an expedition to Tangier and today's Morocco by King Charles II in 1668, whose illustrations and maps are also very important today.
The life of the artist was marked by many strokes of fate, such as the impoverishment of his family during the Thirty Years' War, the English Civil War and the temporary captivity of Hollar, the death of his son James by the Great Plague in London or the Great Fire of London. Hollar himself also lived in poverty for most of his life, more or less despite his talent and diligence, as he had little sense of negotiation and payment and often sold his works below value. Nevertheless, his oeuvre comprises approximately 400 drawings, more than 3000 etchings and more than 2700 printing plates, and his estate is one of the most important sources of early and middle 17th century Europe, due to his attention to detail and the distinctive documentation of numerous historical events. Wenzel Hollar died in London in 1677 in great poverty.
Study law or become an artist? This question, which is still very topical today, had to be asked as early as the 17th century by the young Wenceslas Hollar, known as Wenceslaus Hollar in English and Václav Hollar in Czech. Fortunately for posterity, Hollar chose the artistic side and created countless drawings and copperplate engravings that still have great artistic and historical value today. Born in Prague in 1607, Hollar was apprenticed to the famous engraver Matthäus Merian in Frankfurt am Main in 1627, where he learnt, above all, his later highly regarded methodology of the topography of cities. During his training and stay in the Holy Roman Empire he met the Englishman Lord Thomas Howard, one of the most important art collectors of his time, and was significantly influenced by him. In 1637 Hollar followed his patron Howard back to England, where he spent the rest of his life.
During his training in Frankfurt and later in England, Hollar began to accept various commissions, including views and topographies of places in Germany, Bohemia, England, the Netherlands, Switzerland and present-day Morocco, as well as copperplate engravings of everyday life at the time, seascapes, depictions of nature and portraits of saints and well-known people. With his attention to detail, his experimentation with colour prints and his diligence, Hollar gradually made a name for himself and soon worked for the British royal court under King Charles I. Numerous books with illustrations followed, including classic editions of Homer or Vergil. After the great fire of London in 1666, in which the city centre of London was almost completely burnt out and destroyed, Hollar produced very detailed maps of London including its destroyed districts. These works as also Hollar's previous topographies of old London belong today to the most important sources about London in the Middle Ages. Because of his works about London, Hollar was sent on an expedition to Tangier and today's Morocco by King Charles II in 1668, whose illustrations and maps are also very important today.
The life of the artist was marked by many strokes of fate, such as the impoverishment of his family during the Thirty Years' War, the English Civil War and the temporary captivity of Hollar, the death of his son James by the Great Plague in London or the Great Fire of London. Hollar himself also lived in poverty for most of his life, more or less despite his talent and diligence, as he had little sense of negotiation and payment and often sold his works below value. Nevertheless, his oeuvre comprises approximately 400 drawings, more than 3000 etchings and more than 2700 printing plates, and his estate is one of the most important sources of early and middle 17th century Europe, due to his attention to detail and the distinctive documentation of numerous historical events. Wenzel Hollar died in London in 1677 in great poverty.
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