Feel the passion of Walter Greaves in our art prints.

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Österreichische Kunstmanufaktur

Feel the passion of Walter Greaves in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Walter Greaves
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Walter Greaves

Walter Greaves

  April or June 1907
  1987
   •   Nonclassified artists   •   Wikipedia: Walter Greaves

William Turner and James McNeill Whistler - if you can count two of England's most famous painters among your family's circle of acquaintances, you simply have to take up the art subject, even if you come from a simple working class background. Walter Greaves' father was a boat builder and pump attendant on the north bank of the Thames in Chelsea, southwest of central London on what was then the outskirts of the city. Charles Greaves also worked as a boat steersman for Thames tours, and one of his regular customers for boat tours was the well-known nature and landscape painter William Turner, who achieved many a painting object in this way.

Turner probably also awakened Walter Greaves' interest in art; at the age of sixteen he and his brother Henry met another young, aspiring painter - the later famous James McNeill Whistler, who had moved from France to England five years earlier and was also interested in the banks of the Thames. "He taught us painting, and we taught him the craft of the pump master," Greaves would later say.

Under Whistler's guidance, Greaves practiced portraits, created landscapes such as "The Bridge of Hammersmith on Boat Race Day" - where the bridge itself is barely visible in front of crowds of people - and helped Whistler with the decoration of the "Peacock Room", a dining room for the ship magnate Richard F. Leyland. This blue-green treasure is now in the Freer Gallery, Washington D.C. Unfortunately, the artists received little thanks for their creation - Leyland and Whistler threw themselves over for subsequently altered details and continued a feud with mutual teasing for years.

Walter Greaves' cooperation with Whistler also had no future. In the late 1870s Whistler acquired a more educated circle of friends, which the son of a worker from Chelsea could not compete with. While Whistler basked in glory, Greaves fell into oblivion - and poverty. This only changed again after 1900, when William Marchant "discovered" him, owner of the Goupil Galleries, and began exhibiting Greaves' paintings. Even slander - Whistler had died in 1903, two Whistler biographers accused Greaves of plagiarism - could not harm his reputation anymore. In 1922 Greaves was elected honorary president of the Chelsea Artists' Club. From 1855 to 1897, Greaves had only ever lived at Cheyne Walke in Chelsea.

At the age of 80, Walter Greaves sank into poverty once again and decided to spend the last years of his life as inmate of the "London Charterhouse", a kind of retirement home for impoverished gentlemen. He died in 1930 and was buried in Charterhouse Cemetery. Paintings by Walter Greaves still hang in the Tate Gallery today.

Walter Greaves

Walter Greaves
  April or June 1907
  1987
   •   Nonclassified artists   •   Wikipedia: Walter Greaves

William Turner and James McNeill Whistler - if you can count two of England's most famous painters among your family's circle of acquaintances, you simply have to take up the art subject, even if you come from a simple working class background. Walter Greaves' father was a boat builder and pump attendant on the north bank of the Thames in Chelsea, southwest of central London on what was then the outskirts of the city. Charles Greaves also worked as a boat steersman for Thames tours, and one of his regular customers for boat tours was the well-known nature and landscape painter William Turner, who achieved many a painting object in this way.

Turner probably also awakened Walter Greaves' interest in art; at the age of sixteen he and his brother Henry met another young, aspiring painter - the later famous James McNeill Whistler, who had moved from France to England five years earlier and was also interested in the banks of the Thames. "He taught us painting, and we taught him the craft of the pump master," Greaves would later say.

Under Whistler's guidance, Greaves practiced portraits, created landscapes such as "The Bridge of Hammersmith on Boat Race Day" - where the bridge itself is barely visible in front of crowds of people - and helped Whistler with the decoration of the "Peacock Room", a dining room for the ship magnate Richard F. Leyland. This blue-green treasure is now in the Freer Gallery, Washington D.C. Unfortunately, the artists received little thanks for their creation - Leyland and Whistler threw themselves over for subsequently altered details and continued a feud with mutual teasing for years.

Walter Greaves' cooperation with Whistler also had no future. In the late 1870s Whistler acquired a more educated circle of friends, which the son of a worker from Chelsea could not compete with. While Whistler basked in glory, Greaves fell into oblivion - and poverty. This only changed again after 1900, when William Marchant "discovered" him, owner of the Goupil Galleries, and began exhibiting Greaves' paintings. Even slander - Whistler had died in 1903, two Whistler biographers accused Greaves of plagiarism - could not harm his reputation anymore. In 1922 Greaves was elected honorary president of the Chelsea Artists' Club. From 1855 to 1897, Greaves had only ever lived at Cheyne Walke in Chelsea.

At the age of 80, Walter Greaves sank into poverty once again and decided to spend the last years of his life as inmate of the "London Charterhouse", a kind of retirement home for impoverished gentlemen. He died in 1930 and was buried in Charterhouse Cemetery. Paintings by Walter Greaves still hang in the Tate Gallery today.





The most popular works of Walter Greaves

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Undated | engraving

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Undated | conte and wash on paper

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Alldins Coal Wharf and Chelsea O...
Undated | pencil and wash on paper

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The Adam and Eve Tavern, Chelsea...
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The most popular works of Walter Greaves

These artworks are particularly popular with our customers.


Discover more artworks by Walter Greaves

Discover more artworks by Walter Greaves

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Walter Greaves
'The Pool of London', c1866-1899
1866 | oil painting

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Walter Greaves
Gray and Silver: A Nocturne, c. ...
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Walter Greaves
Charles Blondin crossing the Tha...
Undated | watercolour

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Walter Greaves
Portrait of the Artist, 1910.
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Walter Greaves
Putney Bridge, c.1890
1890 | watercolour on paper

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Walter Greaves
James McNeill Whistler in the Cr...
Undated | pencil and watercolour heightened with white

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Walter Greaves
Nocturne, Old Battersea Bridge, ...
1885 | oil on canvas

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Walter Greaves
Nocturne (oil on canvas board)
Undated | oil on canvas board

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Walter Greaves
Gray and Silver: A Nocturne
Undated | oil on canvas

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Walter Greaves
Chelsea Old Church from Batterse...
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Walter Greaves
 
Undated | oil on canvas

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Walter Greaves
Nocturne: Battersea Reach
Undated | oil on canvas

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Walter Greaves
Boats to Let (ink on paper)
Undated | ink on paper

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Walter Greaves
James McNeill Whistler in the Cr...
1869 | watercolour on paper

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Walter Greaves
'Battersea Bridge - Misty Moonli...
1877 | oil painting

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Walter Greaves
Old Battersea Bridge, 1874 1933
1933 | oil painting

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Walter Greaves
Nocturne, Battersea Reach
Undated | oil on canvas

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Walter Greaves
James McNeill Whistler, 1869.
Undated | oil painting

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Walter Greaves
 
1870 | oil on cardboard

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Walter Greaves
Nocturne
Undated | oil on wood

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Walter Greaves
Nocturne from Greaves Boat Yard
Undated | oil on canvas

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Walter Greaves
Duke Street, Chelsea, London, 1873
1873 | etching

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Walter Greaves
Greaves' Boatyard, Lindsay Wharf...
1870 | pen and ink on paper

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Walter Greaves
Lindsey Wharf (oil on canvas)
Undated | oil on canvas

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Walter Greaves
 
1890 | Oil on panel

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Walter Greaves
The Plumbago Factory, Battersea ...
Undated | oil on canvas

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Walter Greaves
 
Undated | oil on canvas

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Walter Greaves
Coal Barges Unloading (recto); S...
Undated | Etching and drypoint in black, with touches of pen and black ink (recto) and black chalk (verso), on cream laid paper

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Walter Greaves
The Thames in Winter (black & wh...
Undated | black and white chalks on paper

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Walter Greaves
Nocturne, Battersea Old Bridge, ...
Undated | oil on canvas

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Walter Greaves
Whistler Painting in his Studio
Undated | watercolour on paper

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Walter Greaves
Old Chelsea, The Last Regatta, c...
Undated | oil over etching on paper mounted on board

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Walter Greaves
Nocturne, Battersea Old Bridge, ...
Undated | oil on canvas

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Walter Greaves
View of Thames, City Stream Comp...
Undated | Brush on paper

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Walter Greaves
 
Undated | pen and ink

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Walter Greaves
Worlds End Passage, Chelsea (ink...
Undated | ink on paper

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Walter Greaves
Chelsea Parish Church (oil on ca...
Undated | oil on canvas

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Walter Greaves
 
Undated | oil on canvas

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Walter Greaves
James McNeill Whistler.
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Walter Greaves
Don Saltero's, Chelsea (ink on p...
Undated | ink on paper

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Walter Greaves
Chelsea Dock (ink on paper)
Undated | ink on paper

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Walter Greaves
A Thames View Showing the Adam a...
1868 | watercolour on paper

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Walter Greaves
The Green Man, Beaufort Street, ...
Undated | ink on paper

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Walter Greaves
The Cricketers and the Thames Co...
Undated | ink on paper

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Walter Greaves
Thomas Carlyle (1795-1881), 1872...
1872 | chalk

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Walter Greaves
 
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Walter Greaves
Church Street, Chelsea (ink on p...
Undated | ink on paper

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Walter Greaves
James Abbott McNeill Whistler on...
1871 | oil on canvas

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Walter Greaves
Old Battersea Bridge, c.1890
1890 | pen and ink on paper

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Walter Greaves
 
Undated |

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Walter Greaves
View of the Adam and Eve Inn, Ch...
19th century | watercolour

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Walter Greaves
 
Undated | oil on canvas

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Walter Greaves
Chelsea, the Adam and Eve (ink o...
Undated | ink on paper

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Walter Greaves
Eight Bells and Cheyne Walk, Che...
Undated | ink on paper

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Walter Greaves
 
Undated | oil on canvas

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Walter Greaves
Cadogan Pier Chelsea
Undated | watercolour on paper

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Walter Greaves
Gray and Silver: A Nocturne, c. ...
Undated | oil on canvas

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Walter Greaves
 
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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