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Passionate Customer Service Museum Quality Art Prints Customization Options Available"L'art pur L'art", art for art's sake or art and artists are only committed to themselves. Hardly any other style claimed this for itself as much as Symbolism did at the end of the 19th century and the beginning of the 20th century. An important representative of this art phase was the Danish painter Vilhelm Hammershøi. On the occasion of an exhibition of the painter's works, the Hypo - Kulturstiftung ran the headline "...this modern Nordic Vermeer". Although a preceding epoch of painting, parallels can be seen in the choice of motifs and color: individual persons, absorbed in a mostly everyday activity. Rooms are mysteriously illuminated, melancholy. Both painters succeed in capturing a very specific moment.
Vilhelm Hammershøi, son of a merchant family, came into contact with art as an 8-year-old boy. His parents recognized the boy's talent early, and he received drawing lessons. Following his general education, he enrolled at the Art Academy in Copenhagen. In the course of further studies at the "Free Art School Copenhagen" he began to develop his extraordinary style. An academy scholarship took him to Italy, where he visited the most important cities in Tuscany. Together with his wife Ida he traveled through Germany, England and France. Years later Hammershøi would return to Italy, to Rome and Naples. During this time he created landscape and architectural depictions. Better known are his paintings of people and rooms. Hammershøi created his scenarios in the context of light and time. Rooms, landscapes and architectures are places of silence. Interiors are reduced to what is essential from the painter's point of view. His oil paintings captivate with high-contrast planes. The typical light-dark contrasts appear fluid in the delineation, appear softly drawn. It succeeds in capturing the essence of a moment. The painter's apartment is repeatedly found as a motif. The composition of the picture is occasionally expanded by the depiction of individual persons - often his wife Ida - but never overloaded. People are rarely the focus of his works. If persons form a focal point of the picture, only rear views are shown. The identity of the person remains hidden. The interior commands attention. The rooms have depth: doors that open, reveal the view into a sequence of rooms, arouse curiosity. Repeats an open window as a central motif. Flickering light falls into the room, drawing the eye to the space, away from the subjects. The self-portrait of the painter corresponds to this picture structure, there is first the room door in the light, then one discovers a person in the semi-darkness at the edge of the picture. The melancholic effect of the paintings is due to the subtle color and balanced composition.
From 1905 Hammershøi's works were shown publicly, a first solo exhibition was held in the Hamburg gallery of the art dealer Paul Cassierer. International exhibitions followed, including in Italy and the USA. The interest in this painter of silence and light extends to the present, as the retrospective of the Munich Hypo - Kulturstiftung showed.
"L'art pur L'art", art for art's sake or art and artists are only committed to themselves. Hardly any other style claimed this for itself as much as Symbolism did at the end of the 19th century and the beginning of the 20th century. An important representative of this art phase was the Danish painter Vilhelm Hammershøi. On the occasion of an exhibition of the painter's works, the Hypo - Kulturstiftung ran the headline "...this modern Nordic Vermeer". Although a preceding epoch of painting, parallels can be seen in the choice of motifs and color: individual persons, absorbed in a mostly everyday activity. Rooms are mysteriously illuminated, melancholy. Both painters succeed in capturing a very specific moment.
Vilhelm Hammershøi, son of a merchant family, came into contact with art as an 8-year-old boy. His parents recognized the boy's talent early, and he received drawing lessons. Following his general education, he enrolled at the Art Academy in Copenhagen. In the course of further studies at the "Free Art School Copenhagen" he began to develop his extraordinary style. An academy scholarship took him to Italy, where he visited the most important cities in Tuscany. Together with his wife Ida he traveled through Germany, England and France. Years later Hammershøi would return to Italy, to Rome and Naples. During this time he created landscape and architectural depictions. Better known are his paintings of people and rooms. Hammershøi created his scenarios in the context of light and time. Rooms, landscapes and architectures are places of silence. Interiors are reduced to what is essential from the painter's point of view. His oil paintings captivate with high-contrast planes. The typical light-dark contrasts appear fluid in the delineation, appear softly drawn. It succeeds in capturing the essence of a moment. The painter's apartment is repeatedly found as a motif. The composition of the picture is occasionally expanded by the depiction of individual persons - often his wife Ida - but never overloaded. People are rarely the focus of his works. If persons form a focal point of the picture, only rear views are shown. The identity of the person remains hidden. The interior commands attention. The rooms have depth: doors that open, reveal the view into a sequence of rooms, arouse curiosity. Repeats an open window as a central motif. Flickering light falls into the room, drawing the eye to the space, away from the subjects. The self-portrait of the painter corresponds to this picture structure, there is first the room door in the light, then one discovers a person in the semi-darkness at the edge of the picture. The melancholic effect of the paintings is due to the subtle color and balanced composition.
From 1905 Hammershøi's works were shown publicly, a first solo exhibition was held in the Hamburg gallery of the art dealer Paul Cassierer. International exhibitions followed, including in Italy and the USA. The interest in this painter of silence and light extends to the present, as the retrospective of the Munich Hypo - Kulturstiftung showed.
.jpg "Interior in Strandgade, Sunlight on the Floor, 1901 by Vilhelm Hammershøi")
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.jpg "Study for Sun Rain. Gentofte Lake by Vilhelm Hammershøi")
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.jpg "Interior in Strandgade, Sunlight on the Floor by Vilhelm Hammershøi")
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.jpg "Ida in an Interior with Piano by Vilhelm Hammershøi")
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.jpg "Standing Nude Boy. Model Study by Vilhelm Hammershøi")
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.jpg "Nude Female Model by Vilhelm Hammershøi")
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.jpg "A Room in the Artist")
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.jpg "Seated Female Nude by Vilhelm Hammershøi")
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.jpg "The Collector of Coins by Vilhelm Hammershøi")
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.jpg "The Tall Windows by Vilhelm Hammershøi")
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.jpg "Seated Female Nude by Vilhelm Hammershøi")
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.jpg "Interior, Strandgade 30 by Vilhelm Hammershøi")
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.jpg "Three Young Women by Vilhelm Hammershøi")
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.jpg "Standing Male Model by Vilhelm Hammershøi")
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.jpg "An old woman standing by a window by Vilhelm Hammershøi")
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.jpg "Artemis by Vilhelm Hammershøi")
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.jpg "Ida Ilsted, Later the Artist")
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.jpg "Rest by Vilhelm Hammershøi")
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.jpg "Open Doors by Vilhelm Hammershøi")
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.jpg "Evening in the Drawing Room. The Artist")
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.jpg "The Collector of Coins by Vilhelm Hammershøi")
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.jpg "Moonlight, Strandgade 30, 1900-1906 by Vilhelm Hammershøi")
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.jpg "Portrait of Alfred Bramsen, Profile etc. by Vilhelm Hammershøi")
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.jpg "Standing Female Nude by Vilhelm Hammershøi")
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.jpg "Interior with Ida Playing the Piano by Vilhelm Hammershøi")
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.jpg "The Painter Svend Hammershøi, the Artist")
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.jpg "Amalienborg Square, Copenhagen by Vilhelm Hammershøi")
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.jpg "Interior with Two Candles by Vilhelm Hammershøi")
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.jpg "St. Peter")
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.jpg "Ida Ilsted, the Artist")
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.jpg "Sunshine in the Drawing Room III by Vilhelm Hammershøi")
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.jpg "The Artist")
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.jpg "Jens Ferdinand Willumsen. Study for Five Portraits by Vilhelm Hammershøi")
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.jpg "Saint Petri Church, Copenhagen by Vilhelm Hammershøi")
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.jpg "Frederikke Amalie Hammershøi, née Rentzmann, the Artist")
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.jpg "Rest by Vilhelm Hammershøi")
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.jpg "Near Fortunen, Jægersborg Deer Park, North of Copenhagen by Vilhelm Hammershøi")
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.jpg "Artemis by Vilhelm Hammershøi")
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.jpg "Portrait of Thorvald Bindesbøll in Profile Facing Left by Vilhelm Hammershøi")
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.jpg "Interior. Artificial Light by Vilhelm Hammershøi")
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.jpg "Seated Female Nude by Vilhelm Hammershøi")
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.jpg "The Art Historian Karl Madsen, Later Director of Statens Museum for Kunst by Vilhelm Hammershøi")
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.jpg "Portrait of Ida (The Artist")
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.jpg "Thora Bendix, née Anne Victoria Sundberg by Vilhelm Hammershøi")
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.jpg "Self-Portrait, 1895 by Vilhelm Hammershøi")
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.jpg "Søndermarken Park in Winter by Vilhelm Hammershøi")
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.jpg "View of Jægersborg Allé. Gentofte, North of Copenhagen by Vilhelm Hammershøi")
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.jpg "Interior with Ida Playing the Piano by Vilhelm Hammershøi")
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.jpg "Interior by Vilhelm Hammershøi")
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.jpg "Interior with Potted Plant on Card Table by Vilhelm Hammershøi")
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.jpg "Ida Hammershøi, the Artist")
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.jpg "Self-Portrait seen from behind by Vilhelm Hammershøi")
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.jpg "Five Portraits. Study for Painting in Thielska Galleriet, Stockholm by Vilhelm Hammershøi")
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.jpg "Self-Portrait, 1890 by Vilhelm Hammershøi")
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.jpg "Interior with the Artist")
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.jpg "The Painter Elisabeth Wandel by Vilhelm Hammershøi")
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.jpg "A Room in the Artist")
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.jpg "Interior with the Artist")
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.jpg "Preliminary Study for")
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.jpg "Self-Portrait by Vilhelm Hammershøi")
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.jpg "Evening in the Drawing Room by Vilhelm Hammershøi")
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.jpg "Oak Trees by Vilhelm Hammershøi")
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.jpg "Portrait of Ida, the Artist")
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.jpg "The Buildings of the Asiatic Company, Seen from St. Annæ Street, Copenhagen by Vilhelm Hammershøi")
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.jpg "Portrait of Svend Hammershøi, the Artist")
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.jpg "Room in Strandgade with Sunlight on the Floor by Vilhelm Hammershøi")
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.jpg "The Artist")
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.jpg "An old woman by Vilhelm Hammershøi")
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.jpg "Self-Portrait by Vilhelm Hammershøi")
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.jpg "From Christianshavn")
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.jpg "Interior. An Old Stove by Vilhelm Hammershøi")
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.jpg "Søndermarken Park in Winter by Vilhelm Hammershøi")
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.jpg "Henry Madsen by Vilhelm Hammershøi")
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.jpg "Ida Standing at a Desk by Vilhelm Hammershøi")
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.jpg "Interior with the Artist")
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.jpg "Interior. Artificial Light by Vilhelm Hammershøi")
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.jpg "Living room on Frederiksberg Allé by Vilhelm Hammershøi")
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.jpg "Portrait of Svend Hammershøi, the Artist")
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.jpg "The Collector of Coins by Vilhelm Hammershøi")
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.jpg "A Wing of Christiansborg Palace by Vilhelm Hammershøi")
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.jpg "An Old Woman by Vilhelm Hammershøi")
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.jpg "Interior with Sofa and Small Table, Right a Door by Vilhelm Hammershøi")
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.jpg "The Harbour of Copenhagen Seen from Kvæsthusgade by Vilhelm Hammershøi")
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.jpg "View of Christiansborg Palace. Late Autumn by Vilhelm Hammershøi")
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.jpg "Henry Madsen. Sketch by Vilhelm Hammershøi")
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.jpg "Tree Trunks. Arresødal near Frederiksværk, North Zealand by Vilhelm Hammershøi")
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.jpg "Self-Portrait. The Cottage Spurveskjul at Sorgenfri, North of Copenhagen by Vilhelm Hammershøi")
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.jpg "Portrait of Karen Bramsen by Vilhelm Hammershøi")
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.jpg "The Buildings of the Asiatic Company, seen from St. Annæ Street, Copenhagen by Vilhelm Hammershøi")
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.jpg "Portrait of Ida, the Artist")
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.jpg "The Buildings of the Asiatic Company, Seen from St. Annæ Street by Vilhelm Hammershøi")
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.jpg "Portrait of Ida Hammershøi with Needlework by Vilhelm Hammershøi")
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.jpg "The Painter Kristian Zahrtmann by Vilhelm Hammershøi")
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.jpg "Landscape with Scattered Trees. \"Ryet\" by Farum Lake by Vilhelm Hammershøi")
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.jpg "The Composer Fini Henriques by Vilhelm Hammershøi")
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.jpg "H.W. Bissen")
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.jpg "Interior with Young Woman from Behind by Vilhelm Hammershøi")
.jpg "Interior Strandgade 30 by Vilhelm Hammershøi")
.jpg "Interior of Courtyard, Strandgade 30 by Vilhelm Hammershøi")
.jpg "Portrait of a Young Woman (The Artist")