Thomas Shotter Boys was born in 1803 in Pentonville, a northern suburb of London. And that's where it all began, in terms of information about his early life. Almost nothing is known about his childhood. So be it. There's an old proverb that says, "By their works you shall know them." And in this respect, the English watercolorist and lithographer has not been complacent. With his landscape watercolour paintings he conquered his place in the history of art, and he is also considered an innovative force in the use of the lithographic process.
At the age of fourteen, Thomas Shotter Boys was taken on as an apprentice by the successful engraver and copperplate engraver George Cooke, for whom he made around two hundred drawings - for example for an extensive catalogue of works by the botanist Conrad Loddiges. Thomas Shotter Boy's earliest surviving work is a graphic from 1819, and after the end of his apprenticeship he moved to Paris around 1825, where he wanted to work as an engraver. It should come differently. In the French capital he made the acquaintance of the English watercolour painter Richard Parkes Bonington, who accepted him into his artist circle, became a close friend and convinced him to turn to watercolour painting, at least in his second job. The claim that Thomas Shotter Boys was a student of Bonington is highly doubtful, however. Boys' colleague and good friend William Callow, with whom he shared a studio in Paris, categorically denies this statement.
The success as a painter failed to materialize at first because Thomas Shotter Boys was unfairly dismissed as a "Bonington imitator". He did not let himself be discouraged, however, and succeeded quite quickly in developing and establishing his own unmistakable style. After Richard Parkes Bonington's early death in 1828 he completed some unfinished works of his friend and learned the technique of lithography. He also went on extensive travels. Some stations of these travelling years were Brussels, Austria, Bohemia, Germany and Italy. Finally, he returned to England, where he first dealt with the lithographic printing process, which was still quite new at the time. In this field he produced several revolutionary works that were unparalleled. It is no exaggeration to say that the world had never seen anything like it before. But for all his successes as a lithographer, he remained true to watercolour painting during this time. And also in this profession he made a breakthrough.
He was now a celebrity in the art metropolises of London and Paris; in gratitude for his work, the French King Louis Philippe even gave him a precious ring - engraved with the initials "L.P." and decorated with a crown of diamonds of France. Thomas Shotter Boys received another great honour when he was appointed a full member of the New Society of Painters in Water-colours in 1841. But then his artistic-creative career went steeply downhill. Interest in him and his works waned and he was forced to return to his old profession as an engraver. It is pointless to speculate about the most famous or memorable work of Thomas Shotter Boys. Rather, one can make a statement about his favourite motif. This is about the Old Town Hall in St. Omer, which he painted seven times. He was good at this, because this way the building has been preserved, at least figuratively. In 1831 it was largely destroyed by demolition, only a remnant could still be placed under monumental protection.
Thomas Shotter Boys was born in 1803 in Pentonville, a northern suburb of London. And that's where it all began, in terms of information about his early life. Almost nothing is known about his childhood. So be it. There's an old proverb that says, "By their works you shall know them." And in this respect, the English watercolorist and lithographer has not been complacent. With his landscape watercolour paintings he conquered his place in the history of art, and he is also considered an innovative force in the use of the lithographic process.
At the age of fourteen, Thomas Shotter Boys was taken on as an apprentice by the successful engraver and copperplate engraver George Cooke, for whom he made around two hundred drawings - for example for an extensive catalogue of works by the botanist Conrad Loddiges. Thomas Shotter Boy's earliest surviving work is a graphic from 1819, and after the end of his apprenticeship he moved to Paris around 1825, where he wanted to work as an engraver. It should come differently. In the French capital he made the acquaintance of the English watercolour painter Richard Parkes Bonington, who accepted him into his artist circle, became a close friend and convinced him to turn to watercolour painting, at least in his second job. The claim that Thomas Shotter Boys was a student of Bonington is highly doubtful, however. Boys' colleague and good friend William Callow, with whom he shared a studio in Paris, categorically denies this statement.
The success as a painter failed to materialize at first because Thomas Shotter Boys was unfairly dismissed as a "Bonington imitator". He did not let himself be discouraged, however, and succeeded quite quickly in developing and establishing his own unmistakable style. After Richard Parkes Bonington's early death in 1828 he completed some unfinished works of his friend and learned the technique of lithography. He also went on extensive travels. Some stations of these travelling years were Brussels, Austria, Bohemia, Germany and Italy. Finally, he returned to England, where he first dealt with the lithographic printing process, which was still quite new at the time. In this field he produced several revolutionary works that were unparalleled. It is no exaggeration to say that the world had never seen anything like it before. But for all his successes as a lithographer, he remained true to watercolour painting during this time. And also in this profession he made a breakthrough.
He was now a celebrity in the art metropolises of London and Paris; in gratitude for his work, the French King Louis Philippe even gave him a precious ring - engraved with the initials "L.P." and decorated with a crown of diamonds of France. Thomas Shotter Boys received another great honour when he was appointed a full member of the New Society of Painters in Water-colours in 1841. But then his artistic-creative career went steeply downhill. Interest in him and his works waned and he was forced to return to his old profession as an engraver. It is pointless to speculate about the most famous or memorable work of Thomas Shotter Boys. Rather, one can make a statement about his favourite motif. This is about the Old Town Hall in St. Omer, which he painted seven times. He was good at this, because this way the building has been preserved, at least figuratively. In 1831 it was largely destroyed by demolition, only a remnant could still be placed under monumental protection.
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