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Feel the passion of Thomas Moran in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Thomas Moran
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Thomas Moran

Thomas Moran

  February 12, 1837
  August 25, 1926
   •   Post Impressionism   •   Wikipedia: Thomas Moran

In 1872, Yellowstone's unique landscape was deemed worthy of protection and the first national park was established. The impassable terrain was not the focus of the responsible politicians for a long time. In 1871, a survey team set out to explore the west of the USA. Among them the artist Thomas Moran. Born in England, Moran had emigrated with his parents across the ocean when industrial England came into economically difficult times. Thomas Moran drew his inspiration from the works of Turner. Dematerialized paintings, whose effect was based on the play of light and color, were executed with great skill by British artists. In America, the painters around the Hudson River School had redefined the standards of landscape painting. Thomas Cole was the founder of the association and lent a harmonious atmosphere to the development between nature and population.

Thomas Moran was the first painter to capture the enormous canyons and bubbling geysers of the dramatic landscape. It is thanks to his depictions that society's awareness of the protection of Yellowstone and the Grand Canyon has become firmly established. Moran achieved more than just depiction. His slightly idealized depictions led society to look at the landscape with a transfigured gaze as well. A talent with which few painters could convince. Moran takes up an aesthetic that is characteristic of the artists of the American East Coast. Like a gentle filter, he lays the artistic impression over the wild and rough landscape in the west of the country. The painting The Grand Canyon of Yellowstone appeals to the viewer through its special coloration. Moran had excellent topographical knowledge, which he takes away from reality through light and color. In his own words, the artist dared to approach the greatest, most beautiful or wonderful thing in nature and presented his works on large canvases. He lovingly called his depiction of the Grand Canyon "my big picture". The Grand Canyon forms a foundation of America's cultural identity. After its completion, Moran's painting found a place in the Capitol and ensured the painter artistic success.

Thomas Moran was at home on the east coast and absorbed the impulses that were influenced by the currents of European art. However, the artist found his motifs on journeys. Moran continued to take part in expeditions through Yellowstone and visited Mexico and Europe. In addition to his impressive landscape views, he tried his hand at depictions of urban life and industrial developments. He colored his sketches with watercolor and let the richness of color flow onto the canvas in his studio. Throughout his life, Moran emphasized how confidently he could bring together from his memory the features of the landscape and the combination of colors in his studio. The painter was productive beyond the age of eighty, leaving behind a body of work of unparalleled scope.

Thomas Moran

Thomas Moran
  February 12, 1837
  August 25, 1926
   •   Post Impressionism   •   Wikipedia: Thomas Moran

In 1872, Yellowstone's unique landscape was deemed worthy of protection and the first national park was established. The impassable terrain was not the focus of the responsible politicians for a long time. In 1871, a survey team set out to explore the west of the USA. Among them the artist Thomas Moran. Born in England, Moran had emigrated with his parents across the ocean when industrial England came into economically difficult times. Thomas Moran drew his inspiration from the works of Turner. Dematerialized paintings, whose effect was based on the play of light and color, were executed with great skill by British artists. In America, the painters around the Hudson River School had redefined the standards of landscape painting. Thomas Cole was the founder of the association and lent a harmonious atmosphere to the development between nature and population.

Thomas Moran was the first painter to capture the enormous canyons and bubbling geysers of the dramatic landscape. It is thanks to his depictions that society's awareness of the protection of Yellowstone and the Grand Canyon has become firmly established. Moran achieved more than just depiction. His slightly idealized depictions led society to look at the landscape with a transfigured gaze as well. A talent with which few painters could convince. Moran takes up an aesthetic that is characteristic of the artists of the American East Coast. Like a gentle filter, he lays the artistic impression over the wild and rough landscape in the west of the country. The painting The Grand Canyon of Yellowstone appeals to the viewer through its special coloration. Moran had excellent topographical knowledge, which he takes away from reality through light and color. In his own words, the artist dared to approach the greatest, most beautiful or wonderful thing in nature and presented his works on large canvases. He lovingly called his depiction of the Grand Canyon "my big picture". The Grand Canyon forms a foundation of America's cultural identity. After its completion, Moran's painting found a place in the Capitol and ensured the painter artistic success.

Thomas Moran was at home on the east coast and absorbed the impulses that were influenced by the currents of European art. However, the artist found his motifs on journeys. Moran continued to take part in expeditions through Yellowstone and visited Mexico and Europe. In addition to his impressive landscape views, he tried his hand at depictions of urban life and industrial developments. He colored his sketches with watercolor and let the richness of color flow onto the canvas in his studio. Throughout his life, Moran emphasized how confidently he could bring together from his memory the features of the landscape and the combination of colors in his studio. The painter was productive beyond the age of eighty, leaving behind a body of work of unparalleled scope.





The most popular works of Thomas Moran

These artworks are particularly popular with our customers.

Moonlit Shipwreck at Sea, 1901
1901 | oil on canvas

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Index Peak, Yellowstone National...
1914 | oil on canvas

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Fiercely the red sun descendingB...
1875 | oil on canvas

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The Grand Canyon of the Yellowst...
Undated | oil painting

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The most popular works of Thomas Moran

These artworks are particularly popular with our customers.


Discover more artworks by Thomas Moran

Discover more artworks by Thomas Moran

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Thomas Moran
Green River of Wyoming, 1878
1878 | oil on canvas

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Thomas Moran
Moonlight in Venice,
Undated | oil on panel

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Thomas Moran
Castle in Scotland, 1910
1910 | Oil on cardboard

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Thomas Moran
A Long Island River, 1908
1908 | oil on canvas

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Thomas Moran
Valley of Cuernavaca, 1903.
Undated | oil painting

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Thomas Moran
 
Undated | oil on canvas

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Thomas Moran
Fingal’s Cave, Island of Staffa,...
Undated | oil on canvas

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Thomas Moran
 
Undated | gouache over graphite, on cream laid paper

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Thomas Moran
Sunset at Sea, 1906
1906 | oil on canvas

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Thomas Moran
The Grand Canyon of the Yellowst...
1872 | oil on canvas

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Thomas Moran
Landscape, 1920
1920 | oil on canvas

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Thomas Moran
The Coast of Florida, 1882
1882 | oil on canvas

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Thomas Moran
A Mexican Hacienda, Lake Cuitzeo...
Undated | oil painting

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Thomas Moran
 
1875 |

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Thomas Moran
Christmas card, 1885
Undated |

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Thomas Moran
Sunset, Pueblo del Walpe, Arizon...
1880 | oil on canvas

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Thomas Moran
Grand Canal, Venice, 1901
1901 | oil on canvas

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Thomas Moran
 
1907 | oil on canvas

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Thomas Moran
 
1901 | oil on canvas

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Thomas Moran
The Village of Angangueo, Mexico...
1883 | watercolour on paper

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Thomas Moran
 
1897 | oil on canvas

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Thomas Moran
Rock Towers of the Rio Virgin, 1...
1908 | oil on canvas

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Thomas Moran
 
Undated | oil on canvas

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Thomas Moran
View of Venice, 1888 (wc und gou...
1888 | watercolour and gouache over graphite on paper

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Thomas Moran
 
Undated | oil on canvas

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Thomas Moran
In the Bighorn Mountains, 1889
1889 | watercolour on paper

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Thomas Moran
A Mountain Stream, 1869
1869 | oil on canvas

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Thomas Moran
The Teton Range, 1897
1897 | oil on canvas

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Thomas Moran
The Old Bridge Over Hook Pond, 1...
1907 | oil on canvas

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Thomas Moran
The Bathing Hole, Cuernavaca, Me...
1913 | oil on canvas

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Thomas Moran
 
Undated | oil on canvas

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Thomas Moran
 
1905 | oil on canvas

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Thomas Moran
 
1918 | oil on canvas

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Thomas Moran
 
1892 | oil on canvas

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Thomas Moran
 
1893 | graphite on paper

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Thomas Moran
Lake Como, 1867
1867 | oil on canvas

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Thomas Moran
Grand Canal, Venice, 1903
1903 | oil on canvas

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Thomas Moran
Mountain Scene, c.1865 (oil on c...
Undated | oil on canvas

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Thomas Moran
Entrance to the Grand Canal, Ven...
1905 | oil on canvas

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Thomas Moran
 
Undated | oil on canvas

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Thomas Moran
Venice, 1905
1905 | oil on canvas

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Thomas Moran
 
1914 | oil on canvas

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Thomas Moran
The Grand Canyon, 1909
1909 | oil on canvas

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Thomas Moran
The Pueblo of Acoma, New Mexico ...
Undated | oil on canvas

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Thomas Moran
The Juniata, Evening, 1864
1864 | oil on canvas

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Thomas Moran
 
1916 | oil on canvas

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Thomas Moran
The Woodland Pool, 1909
1909 | oil on canvas

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Thomas Moran
A View of Venice, 1891.
Undated |

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Thomas Moran
Easthampton, Long Island, 1897
1897 | oil on canvas

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Thomas Moran
 
1893 | oil on canvas

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Thomas Moran
The Much Resounding Sea, 1884.
Undated |

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Thomas Moran
Green River Cliffs, Wyoming, 1881
1881 | oil on canvas

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Thomas Moran
Rainbow over the Grand Canyon of...
Undated | oil painting

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Thomas Moran
A Passing Shower in the Yellowst...
1903 | oil on canvas

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Thomas Moran
 
1913 | oil on canvas

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Thomas Moran
Morning Glory Pool, 1873
1873 | watercolour heightened with white on board

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Thomas Moran
The Rock of Acoma, New Mexicon
1902 |

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Thomas Moran
Venice, 1909
1909 | oil on canvas

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Thomas Moran
Under the Red Wall, Grand Canyon...
1917 | oil on canvas

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Thomas Moran
Tower at Tower Falls, Yellowston...
1872 | watercolour and gouache over graphite on blue paper

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Thomas Moran
Hot Springs of Gardiner's River,...
1872 | watercolour on paper

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Thomas Moran
Children of the Mountain, 1867
1867 | oil on canvas

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Thomas Moran
Green River of Wyoming, 1878
1878 | oil on canvas

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Thomas Moran
 
Undated | Brush and watercolor, white gouache, pen and red ink, graphite on gray laid paper. Ruled border in graphite, mounted on off-white wove paper.

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Thomas Moran
 
Undated | Brush and watercolor, white gouache, graphite on wove blue-green wove paper

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Thomas Moran
Morning in the Sierras, Nevada, ...
1910 | oil on canvas

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Thomas Moran
A Summer Shower, 1878
1878 | oil on panel

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Thomas Moran
 
Undated | gouache over graphite, on cream laid paper

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Thomas Moran
A Southerly Wind and a Cloudy Sk...
Undated | etching

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Thomas Moran
Arabian Nights Fantasy, 1886
1886 | oil on canvas

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Thomas Moran
 
Undated | Recto and verso: Graphite on gray paper.

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Thomas Moran
Mist in Kanab Canyon, Utah, 1892.
Undated | oil painting

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Thomas Moran
Drawing, Geyser, Excelsior, Yell...
undatiert | Graphite on paper

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Thomas Moran
 
Undated | oil on canvas

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Thomas Moran
Below the Towers of Tower Falls,...
1909 | oil on canvas

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Thomas Moran
Sunset Vespers at the Old Rugged...
Undated | oil on canvas

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Thomas Moran
On the Canal, 1896
1896 | watercolour on paper

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Thomas Moran
Drawing, Nesmith Fall, Lake Well...
undatiert | Graphite on paper

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Thomas Moran
 
1892 | oil on canvas

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Thomas Moran
 
1872 | Graphite on paper

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Thomas Moran
 
Undated | watercolor and gouache over graphite on blue paper

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Thomas Moran
 
Undated | Graphite, brush and grey and blue-grey watercolor, white gouache on thin cream paper

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Thomas Moran
A Hillside Village at Sunset, 1918
1918 | oil on canvas

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Thomas Moran
A Tower of Cortes, 1883.
Undated | etching/etching/etching

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Thomas Moran
 
Undated | Brush and watercolor, white goauche, graphite on gray laid paper

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Thomas Moran
Venice,
Undated | oil on canvas

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Thomas Moran
Green River Cliffs, Wyoming. 1881
Undated | oil on canvas

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Thomas Moran
 
1897 | oil on panel

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Thomas Moran
A Scene on the Tohickon Creek: A...
1868 | oil on canvas

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Thomas Moran
 
Undated | etching in black on laid paper

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Thomas Moran
Sketches in British Columbia, th...
1887 | engraving

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Thomas Moran
The Grand Canal, 1887
1887 | oil on canvas

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Thomas Moran
 
1889 | oil on canvas

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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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