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Feel the passion of Stefano della Bella in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Stefano della Bella
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Stefano della Bella

Stefano della Bella

  18 May 1610
  July 16, 1664
   •   Nonclassified artists   •   Wikipedia: Stefano della Bella

The Florentine Stefano della Bella was an important draughtsman and etcher of the 17th century. His works have influenced many European artists. As a child he learned to draw and the art of engraving from a goldsmith in Florence. In the following years he copied works by Jacques Callot, among others. The artist came from Nancy in Lorraine. Callot was known for his drawings and etchings which he made for the court of the Medici family. Remigio Cantagallina, Jacques Callot's teacher, taught Stefano della Bella and supported his education. della Bella's work was strongly influenced by Callots masterly figurative representations. Stefano della Bella expanded his artistic skills in various studios in Florence. Besides drawing, he also devoted himself to painting. Callots teacher put him in contact with Cesare Dandini, who gave Stefano della Bella additional training in the art of painting. In 1632 della Bella created the figure of Copernicus for the edition Dialogo sopra i due massimi sistemi by Galileo Galilei. Today's art historians suspect that the artist did not create an individual portrait, but an archetype. He drew Copernicus in the posture of a scholar typical of the time.

Stefano della Bella was given the opportunity to work in Rome by the de Medici family, where he also distinguished himself through his exceptional skills. He deepened his knowledge of painting and made numerous etchings. Masterly views of Rome, Tivoli and the Roman Campagna were created. Della Bella captured Roman ruins and interesting street scenes in his drawings. He also created sea views and his first topographical works. Finally, the artist took the special opportunity to join a legation travelling to the French court. The legation sent official congratulations on the birth of the future Sun King Louis XIV. Della Bella was commissioned by Cardinal Richelieu to paint a representation of the besieged city of Arras. This was the prelude to further architectural views of the artist. della Bella also made drawings and etchings for the theatre. For example, he designed the title page for the opera La Finta Pazza and drew ballets of animals that appeared between the scenes.

Della Bella created more than a thousand drawings and etchings during his life. His motifs were war battles, military depictions and hunting scenes. He also produced maps, sea charts and realistic depictions of animals. His drawing of an elephant dying in Florence is still known today. della Bella's work also includes entertaining capriccios. The playful drawings were first introduced to the art of etching by Jacques Callot. The highlight of della Bella's creative power was his honorary admission to the Accademia degli Apasti, an important literary circle in Florence. Stefano della Bella spent the last years of his life in Florence, where he gave drawing lessons to the son of the Grand Duke of Tuscany. The artist died in 1664 in his home town.

Stefano della Bella

Stefano della Bella
  18 May 1610
  July 16, 1664
   •   Nonclassified artists   •   Wikipedia: Stefano della Bella

The Florentine Stefano della Bella was an important draughtsman and etcher of the 17th century. His works have influenced many European artists. As a child he learned to draw and the art of engraving from a goldsmith in Florence. In the following years he copied works by Jacques Callot, among others. The artist came from Nancy in Lorraine. Callot was known for his drawings and etchings which he made for the court of the Medici family. Remigio Cantagallina, Jacques Callot's teacher, taught Stefano della Bella and supported his education. della Bella's work was strongly influenced by Callots masterly figurative representations. Stefano della Bella expanded his artistic skills in various studios in Florence. Besides drawing, he also devoted himself to painting. Callots teacher put him in contact with Cesare Dandini, who gave Stefano della Bella additional training in the art of painting. In 1632 della Bella created the figure of Copernicus for the edition Dialogo sopra i due massimi sistemi by Galileo Galilei. Today's art historians suspect that the artist did not create an individual portrait, but an archetype. He drew Copernicus in the posture of a scholar typical of the time.

Stefano della Bella was given the opportunity to work in Rome by the de Medici family, where he also distinguished himself through his exceptional skills. He deepened his knowledge of painting and made numerous etchings. Masterly views of Rome, Tivoli and the Roman Campagna were created. Della Bella captured Roman ruins and interesting street scenes in his drawings. He also created sea views and his first topographical works. Finally, the artist took the special opportunity to join a legation travelling to the French court. The legation sent official congratulations on the birth of the future Sun King Louis XIV. Della Bella was commissioned by Cardinal Richelieu to paint a representation of the besieged city of Arras. This was the prelude to further architectural views of the artist. della Bella also made drawings and etchings for the theatre. For example, he designed the title page for the opera La Finta Pazza and drew ballets of animals that appeared between the scenes.

Della Bella created more than a thousand drawings and etchings during his life. His motifs were war battles, military depictions and hunting scenes. He also produced maps, sea charts and realistic depictions of animals. His drawing of an elephant dying in Florence is still known today. della Bella's work also includes entertaining capriccios. The playful drawings were first introduced to the art of etching by Jacques Callot. The highlight of della Bella's creative power was his honorary admission to the Accademia degli Apasti, an important literary circle in Florence. Stefano della Bella spent the last years of his life in Florence, where he gave drawing lessons to the son of the Grand Duke of Tuscany. The artist died in 1664 in his home town.





The most popular works of Stefano della Bella

These artworks are particularly popular with our customers.

 
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Dwarf Riding an Ass.
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Plate 12: bust of an old Turkish...
1650 | etching/etching

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Female Satyr Nursing a Child in ...
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The most popular works of Stefano della Bella

These artworks are particularly popular with our customers.


Discover more artworks by Stefano della Bella

Discover more artworks by Stefano della Bella

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Stefano della Bella
A Turkish man with a beard and t...
1650 | etching

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Stefano della Bella
Wapen van de familie Medici
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Stefano della Bella
Polish man with a mustache weari...
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Stefano della Bella
 
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Stefano della Bella
The Temple of Vespasian and the ...
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Stefano della Bella
A Turkish man with a moustache, ...
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Stefano della Bella
Galileo (left) conversing with P...
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Stefano della Bella
Hoofd van een kale oude man met ...
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Stefano della Bella
Plate 8: a seated horse to right...
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Stefano della Bella
Atalanta and Hippomenes, from Ga...
1644 | etching/etching

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Stefano della Bella
Camel viewed from behind, pub. 1...
1640 | engraving

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Stefano della Bella
A female satyr breastfeeding an ...
1639 | etching/etching

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Stefano della Bella
The palace of Catherine de Medic...
1649 | etching/etching

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Stefano della Bella
The Young Cosimo III de Medici d...
1656 | etching on paper

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Stefano della Bella
Moorish horseman in profile faci...
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Stefano della Bella
 
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Stefano della Bella
A peasant woman with a cow at a ...
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Stefano della Bella
A fan with a rebus on Love on on...
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Stefano della Bella
Sultana wearing a turban, in pro...
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Stefano della Bella
 
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Stefano della Bella
Plate 16: head of an old man in ...
1649 | etching/etching

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Stefano della Bella
Head of a Man without a Beard, T...
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Stefano della Bella
Plate 9: Two goats resting to ri...
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Stefano della Bella
Buste van een Poolse man met sno...
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Stefano della Bella
Les neuf Muses, 1644.
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Stefano della Bella
Hoofd van een oude man met baard...
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Stefano della Bella
Plate 5: head of a woman, turned...
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Stefano della Bella
Arms of the Medici with Della Ro...
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Stefano della Bella
Woman with a Young Bull.
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Stefano della Bella
Plate 20: an old Polish nobleman...
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Stefano della Bella
Plate 6: two women, one nursing ...
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Stefano della Bella
Head of a Bald and Bearded Old M...
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Stefano della Bella
Reproduction of Etching from Set...
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Stefano della Bella
Salmacis and Hermaphrodite, from...
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Stefano della Bella
Zeven ogen, twee monden en een n...
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Stefano della Bella
Bearded Moor in a Feathered Turb...
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Stefano della Bella
Polish horseman in profile facin...
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Stefano della Bella
Two Putti on a Goat, c.1640 (pen...
1640 | pen and brown ink

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Stefano della Bella
Seated Woman in Profile after An...
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Stefano della Bella
Juno, from Game of Mythology Jeu...
1644 | etching/etching

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Stefano della Bella
 
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Stefano della Bella
A doughty dwarf on a restive mul...
Undated | Graphite, pen, black ink and watercolour, framed along the upper, lower and left edges with a line in graphite. The right edge coloured with red ink

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Stefano della Bella
Plate 4: a horse in profile faci...
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Stefano della Bella
Frightened Soldier and a Man in ...
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Stefano della Bella
Frontispiece of Galileos Dialogo...
1632 | engraving

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Stefano della Bella
Plate 6: a peasant on horseback ...
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Stefano della Bella
Moorish horseman in profile faci...
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Stefano della Bella
Two eagles, from 'Eagles' Les ai...
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Stefano della Bella
Salmacis and Hermaphrodite, from...
1644 | etching/etching

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Stefano della Bella
The Four Elements: Ignis.
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Stefano della Bella
Plate 29: bust of a laughing sat...
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Israël Henriet
 
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Stefano della Bella
Plate 1: the genius of drawing, ...
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Stefano della Bella
Plate 3: La Place Royale, equest...
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Stefano della Bella
Black slave carries a leopard pe...
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Stefano della Bella
Head of a Horse Seen in Profile ...
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Stefano della Bella
Plate 20: a soldier in profile g...
1646 | etching/etching

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Stefano della Bella
Galileo and personifications of ...
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Stefano della Bella
Plate 3: head of a woman with br...
1650 | etching/etching

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Stefano della Bella
 
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Stefano della Bella
Death carrying off a woman, from...
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Stefano della Bella
Hoofd van een jongeman, rechts n...
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Stefano della Bella
Theseus and Ariadne, from Game o...
1644 | etching/etching

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Stefano della Bella
A black sailor standing to left,...
1658 | etching/etching

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Stefano della Bella
The Death on the Battlefield, Be...
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Stefano della Bella
Standing sailor in center talkin...
1658 | etching/etching

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Stefano della Bella
 
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Stefano della Bella
A skirmish, two horsemen battlin...
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Stefano della Bella
Young Moor in a Feathered Turban...
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Stefano della Bella
A man at left in profile giving ...
1662 | etching/etching

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Stefano della Bella
Phalaris Having Perillus Thrown ...
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Stefano della Bella
Plate 15: mid-bust of a young wo...
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Stefano della Bella
Herdsman on Horseback Drives Ani...
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Stefano della Bella
 
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Stefano della Bella
A man playing the violin in cent...
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Stefano della Bella
Landscape with two women, one mo...
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Stefano della Bella
Plate 9: bust of Minerva, wearin...
1650 | etching/etching

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Stefano della Bella
Plate 1: A horse drawn cart carr...
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Stefano della Bella
Hippomenes and Atalanta, from 'G...
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Stefano della Bella
Views of the Villa of Pratolino:...
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Stefano della Bella
The Medici vase, a large vase to...
1656 | etching/etching

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Stefano della Bella
Conduite de Canons
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Stefano della Bella
Plate 18: camel viewed from behi...
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Stefano della Bella
An Old Turk Seated on a Stone, c...
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Stefano della Bella
A child and a satyr child playin...
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Stefano della Bella
View of the Amsterdam seaport Ve...
1647 | etching

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Stefano della Bella
The Battle of the Amalekites, ca...
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Stefano della Bella
 
Undated | etching and engraving

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Stefano della Bella
Soldier in Armor and a Cannon, c...
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Stefano della Bella
Siege of Saint-Omer, 1638.
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Stefano della Bella
Hounds Chasing a Stag and a Doe,...
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Stefano della Bella
Young Woman Trying to Stop a Bul...
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Stefano della Bella
Views of the Villa of Pratolino:...
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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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