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Feel the passion of Stebbing Shaw in our art prints.

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Stebbing Shaw
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

Stebbing Shaw

    1762   -   1802
Illustration   •   Wikipedia: Stebbing Shaw

The biography of Stebbing Shaw traces a course of life which is probably to be called average. The exact day of his birth is not known, and is assumed to be in the spring of the year of his birth. His namesake father was a rector of an ecclesiastical institution and lived in a rectory in Hartshorne. Stebbing's mother bore the surname Hyatt and was a woman who had property of her own in Staffordshire, which she passed on to her son. There is no information about the closeness of family ties. Stebbing Shaw begins studying at Queens College, Cambridge, at the age of 18, graduates with a degree in art after a few years there, and goes on to further study. Stebbing ends up leaving college with the highest degree possible, a Bachelor of Divinity. The requirement for this degree is an outstanding achievement in the fields of religion and theology. Shaw becomes a member of the Church of England and takes over his father's ministry when he dies shortly before entering the 19th century.

It is likely that Stebbing Shaw took a position as a private tutor while still a student. He looked after the education of a boy in the home of a senior politician. With his protégé, Shaw undertook his first travels. He visited the western Highlands of Scotland and later the mines of Cornwall. Accompanied by a close friend from student days, Sir Egerton Brydges, he toured the counties of Derby and Leicester. Shaw concluded his first long period of travel with a visit to Sussex. The scholar retired to quiet Hartshorne and sifted through the souvenirs of his journey. At his father's rectory the idea matured of combining his collected sketches into a book. With great talent for drawing, his great general education, much diligence and even more ambition, Shaw set to work on his first book. His outstanding illustrations attracted the attention of publishers and pressmen, and are a special gem of topography.

Art scholars evaluate a topographical drawing as a descriptive work. The topographer is concerned with the depiction of localities that lend something special to the landscape. Mountains, rivers, and lakes are among them, as are structures and horticultural plants. A traditional form of landscape recording, it was refined into an appealing art form in the 18th century. The term monument became a common description of landscape features of historic value. Toward the end of the 18th century, an awareness of the value of monuments was awakening in middle-class society. Stebbing Shaw, along with Brydges, published several titles to which Shaw added his illustrations. Shaw's life revolved almost entirely around his artistic pursuits and an intense search for information. Contemporaries reported that he had lost his mind over this intense work and had completely withdrawn into the world of books and painting.

Stebbing Shaw

    1762   -   1802
Illustration   •   Wikipedia: Stebbing Shaw

The biography of Stebbing Shaw traces a course of life which is probably to be called average. The exact day of his birth is not known, and is assumed to be in the spring of the year of his birth. His namesake father was a rector of an ecclesiastical institution and lived in a rectory in Hartshorne. Stebbing's mother bore the surname Hyatt and was a woman who had property of her own in Staffordshire, which she passed on to her son. There is no information about the closeness of family ties. Stebbing Shaw begins studying at Queens College, Cambridge, at the age of 18, graduates with a degree in art after a few years there, and goes on to further study. Stebbing ends up leaving college with the highest degree possible, a Bachelor of Divinity. The requirement for this degree is an outstanding achievement in the fields of religion and theology. Shaw becomes a member of the Church of England and takes over his father's ministry when he dies shortly before entering the 19th century.

It is likely that Stebbing Shaw took a position as a private tutor while still a student. He looked after the education of a boy in the home of a senior politician. With his protégé, Shaw undertook his first travels. He visited the western Highlands of Scotland and later the mines of Cornwall. Accompanied by a close friend from student days, Sir Egerton Brydges, he toured the counties of Derby and Leicester. Shaw concluded his first long period of travel with a visit to Sussex. The scholar retired to quiet Hartshorne and sifted through the souvenirs of his journey. At his father's rectory the idea matured of combining his collected sketches into a book. With great talent for drawing, his great general education, much diligence and even more ambition, Shaw set to work on his first book. His outstanding illustrations attracted the attention of publishers and pressmen, and are a special gem of topography.

Art scholars evaluate a topographical drawing as a descriptive work. The topographer is concerned with the depiction of localities that lend something special to the landscape. Mountains, rivers, and lakes are among them, as are structures and horticultural plants. A traditional form of landscape recording, it was refined into an appealing art form in the 18th century. The term monument became a common description of landscape features of historic value. Toward the end of the 18th century, an awareness of the value of monuments was awakening in middle-class society. Stebbing Shaw, along with Brydges, published several titles to which Shaw added his illustrations. Shaw's life revolved almost entirely around his artistic pursuits and an intense search for information. Contemporaries reported that he had lost his mind over this intense work and had completely withdrawn into the world of books and painting.

Artworks by Stebbing Shaw

Artworks by Stebbing Shaw

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Stebbing Shaw
Shugborough Hall: engraving, nd ...
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Stebbing Shaw
Brewood - Black Ladies Priory: e...
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Stebbing Shaw
Patshull House: water colour pai...
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Stebbing Shaw
Himley Hall: engraving, nd [1762...
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Stebbing Shaw
Batchacre Park: tinted drawing, ...
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Stebbing Shaw
Batchacre Park House: engraving
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Stebbing Shaw
Drayton Bassett - "Drayton Manor...
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Stebbing Shaw
Tixall Hall and Gatehouse: water...
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Stebbing Shaw
Walsall Church: engraving
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Stebbing Shaw
Wednesbury Church: engraving, nd...
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Stebbing Shaw
Wolverhampton - Tombs of Thomas ...
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Stebbing Shaw
Drayton Bassett - "Drayton Manor...
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Stebbing Shaw
Burton-upon-Trent Abbey: water c...
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Stebbing Shaw
Dudley Castle: engraving, nd [17...
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Stebbing Shaw
Somerford Hall: engraving, nd [1...
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Stebbing Shaw
Norton Canes - Little Wyrley Hal...
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Stebbing Shaw
Madeley - [?Mr Young"s] House: p...
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Stebbing Shaw
Statfold Hall: engraving, nd [17...
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Stebbing Shaw
Bescot Hall: engraving, nd [late...
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Stebbing Shaw
Wolverhampton - Pulpit, Pillar a...
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Stebbing Shaw
Brewood - Black Ladies Priory: e...
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Stebbing Shaw
Alton Castle: water colour paint...
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Stebbing Shaw
Hagley Hall: water colour painti...
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Stebbing Shaw
Yoxall Church: water colour pain...
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Stebbing Shaw
Great Barr Hall: water colour pa...
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Stebbing Shaw
Penkridge Church: engraving, nd ...
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Stebbing Shaw
Little Onn Hall: line-engraving,...
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Stebbing Shaw
Patshull Church: pencil drawing,...
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Stebbing Shaw
Lichfield - St. John's Hospital ...
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Stebbing Shaw
Stafford - St. Mary's Church: en...
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Stebbing Shaw
Bushbury - Moseley Old Hall: aqu...
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Stebbing Shaw
Blithfield Hall: water colour pa...
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Stebbing Shaw
Mavesyn Ridware Hall - Gatehouse...
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Stebbing Shaw
Great Barr Village - Old Tudor H...
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Stebbing Shaw
Himley Hall: water colour painti...
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Stebbing Shaw
Penn Hall: engraving, nd [late 1...
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Stebbing Shaw
Sandon Church - Tomb of Sampson ...
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Stebbing Shaw
Forton - Aqualate Hall: water co...
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Stebbing Shaw
Hamstall Ridware - Church and Ma...
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Stebbing Shaw
Bescot Hall: engraving, nd [late...
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Stebbing Shaw
Dilhorne Hall: water colour pain...
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Stebbing Shaw
Drayton Bassett Church: water co...
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Stebbing Shaw
Moss House (Shenstone): engraving
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Stebbing Shaw
Wolverhampton - Statue of Admira...
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Stebbing Shaw
Fisherwick Hall: water colour pa...
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Stebbing Shaw
Wednesbury - Old House: water co...
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Stebbing Shaw
Himley Hall: water colour painti...
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Stebbing Shaw
Fradswell - Apostle Spoon: penci...
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Stebbing Shaw
Tamworth Castle: engraving
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Stebbing Shaw
Wolseley - Colwich Church and Oa...
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Stebbing Shaw
Eccleshall Church: water colour ...
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Stebbing Shaw
Stafford - County Gaol: water co...
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Stebbing Shaw
Himley Hall: engraving
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Stebbing Shaw
Trentham Hall: water colour pain...
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Stebbing Shaw
Burton-upon-Trent Abbey: engravi...
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Stebbing Shaw
Tutbury Priory Church: water col...
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Stebbing Shaw
Wolverhampton - St. Peter"s Chur...
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Stebbing Shaw
Etruria - Factory: water colour ...
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Stebbing Shaw
Sandon Church - Tomb of Sampson ...
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Stebbing Shaw
Wednesbury - Old House: engravin...
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Stebbing Shaw
Armitage Church: water colour pa...
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Stebbing Shaw
Freeford Hall: water colour pain...
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Stebbing Shaw
Kings Bromley Hall: engraving, [...
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Stebbing Shaw
Tutbury Castle: pencil drawing, ...
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Stebbing Shaw
Wootton Lodge: water colour pain...
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Stebbing Shaw
Wolverhampton - Monuments of Col...
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Stebbing Shaw
Elford Church - 'The Stanley Mon...
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Stebbing Shaw
Wolverhampton - St. John"s Churc...
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Stebbing Shaw
Tutbury Priory Church - West Doo...
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Stebbing Shaw
Bushbury Church: engraving, nd [...
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Stebbing Shaw
Hamstead Hall: engraving, nd [17...
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Stebbing Shaw
Clifton Campville Church - Verno...
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Stebbing Shaw
Drayton Bassett Church: engravin...
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Stebbing Shaw
Kings Bromley Church: water colo...
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Stebbing Shaw
Patshull House: pencil drawing, ...
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Stebbing Shaw
Ranton Abbey [Priory]: engraving...
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Stebbing Shaw
Burton-upon-Trent Abbey: engravi...
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Stebbing Shaw
Clifton Campville Church: engrav...
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Stebbing Shaw
Drayton Bassett - 'Drayton Manor...
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Stebbing Shaw
Lichfield Cathedral - Tomb of Wi...
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Stebbing Shaw
Soho Manufactory: coloured aquat...
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Stebbing Shaw
Tutbury Priory Church: aquatint ...
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Stebbing Shaw
Sandon Church and Parsonage: eng...
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Stebbing Shaw
Burton-upon-Trent Abbey: water c...
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Stebbing Shaw
Aldridge Church: engraving, nd [...
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Stebbing Shaw
Stafford - Ancient 'High House':...
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Stebbing Shaw
Longdon Church: engraving
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Stebbing Shaw
Pillaton Hall: engraving
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Stebbing Shaw
Lichfield Cathedral - Monument t...
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Stebbing Shaw
Lichfield Cathedral - Effigies a...
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Stebbing Shaw
Checkley Church: water colour pa...
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Stebbing Shaw
Streethay Hall: engraving, nd [l...
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Stebbing Shaw
Adbaston Church: line and stippl...
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Stebbing Shaw
Lapley Church: engraving
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Stebbing Shaw
Wednesbury Church: water colour ...
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Stebbing Shaw
Stafford - Ancient "High House":...
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Stebbing Shaw
Weston-under-Lizard - Hall: engr...
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Stebbing Shaw
Leigh Church: water colour paint...
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Stebbing Shaw
 
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Stebbing Shaw
Thorpe Constantine Church and Ha...
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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