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Passionate Customer Service Museum Quality Art Prints Customization Options AvailableAlthough active as a painter and architect, Binet became known mainly for his architectural work in the French capital Paris. In recognition of his achievements, he was awarded the title of Knight of the Legion of Honour in 1901 and the Medal of Honour of the French Architectural Association in 1910. Binet had attracted attention with several buildings in Paris and had helped shape the appearance of Paris at the turn of the century before he died at the age of only 45.
His main work was linked to an event that fascinated Paris and the whole world in 1900: the World Exhibition. Planned as a review of a century of progress, the 1900 World Fair represented the conclusion and culmination of the 19th century's enthusiasm for science and technology. At the heart of the exhibition was a new form of energy that captured all the hopes of the time and promised to revolutionize life and production: electricity. Binet shared the fascination for the new energy and especially for the possibilities of electric light. The play of light from the Electricity Palace and the artificial waterfall at night attracted the masses. Binet was commissioned in December 1886 to design and build the central entrance gate to the World Exhibition in Place de la Concorde. The result was a monumental portal that welcomed visitors from all over the world. The more than 48 million visitors to the exhibition passed through this structure, known as the Binet Gate, into the new world of technology.
Binet was inspired by the architecture of Venice, Goethe's theory of colours and the biology of Ernst Haeckel. He also took up elements of Orientalism, popular at the time, and created minaret-like structures. The revolutionary aspect of the portal, however, was the integration of electric light into the architectural composition. Binet wanted to create an architecture of colour and light. His entrance gate to the World Exhibition retains its value as the first attempt to integrate the new possibilities of the medium of electric light into the building as a stylistic element. In addition, his second contribution to the exhibition, the agricultural pavilion, faded away. His contribution to the design of Paris at the turn of the century lay in the attempt to combine art and modern technology in a new architectural language. His subjects were functional buildings such as the Pont Notre Dames bridge or the Madeleine and Maison Dorée post offices and the telephone exchange in Rue Gutenberg. However, the new era was not only evident in the architectural translation of the new medium of the telephone, but also in his latest major project. At the turn of the century, the department store stood for the central vision of progress. The temples of consumption celebrated luxury in the world's metropolises. Binet was in charge of the conversion and redesign of the Printemps department store in downtown Paris until his death, thus giving the unconditional belief in technology and progress of the time a further expression in the cityscape before World War I revealed the dark sides of technology.
Although active as a painter and architect, Binet became known mainly for his architectural work in the French capital Paris. In recognition of his achievements, he was awarded the title of Knight of the Legion of Honour in 1901 and the Medal of Honour of the French Architectural Association in 1910. Binet had attracted attention with several buildings in Paris and had helped shape the appearance of Paris at the turn of the century before he died at the age of only 45.
His main work was linked to an event that fascinated Paris and the whole world in 1900: the World Exhibition. Planned as a review of a century of progress, the 1900 World Fair represented the conclusion and culmination of the 19th century's enthusiasm for science and technology. At the heart of the exhibition was a new form of energy that captured all the hopes of the time and promised to revolutionize life and production: electricity. Binet shared the fascination for the new energy and especially for the possibilities of electric light. The play of light from the Electricity Palace and the artificial waterfall at night attracted the masses. Binet was commissioned in December 1886 to design and build the central entrance gate to the World Exhibition in Place de la Concorde. The result was a monumental portal that welcomed visitors from all over the world. The more than 48 million visitors to the exhibition passed through this structure, known as the Binet Gate, into the new world of technology.
Binet was inspired by the architecture of Venice, Goethe's theory of colours and the biology of Ernst Haeckel. He also took up elements of Orientalism, popular at the time, and created minaret-like structures. The revolutionary aspect of the portal, however, was the integration of electric light into the architectural composition. Binet wanted to create an architecture of colour and light. His entrance gate to the World Exhibition retains its value as the first attempt to integrate the new possibilities of the medium of electric light into the building as a stylistic element. In addition, his second contribution to the exhibition, the agricultural pavilion, faded away. His contribution to the design of Paris at the turn of the century lay in the attempt to combine art and modern technology in a new architectural language. His subjects were functional buildings such as the Pont Notre Dames bridge or the Madeleine and Maison Dorée post offices and the telephone exchange in Rue Gutenberg. However, the new era was not only evident in the architectural translation of the new medium of the telephone, but also in his latest major project. At the turn of the century, the department store stood for the central vision of progress. The temples of consumption celebrated luxury in the world's metropolises. Binet was in charge of the conversion and redesign of the Printemps department store in downtown Paris until his death, thus giving the unconditional belief in technology and progress of the time a further expression in the cityscape before World War I revealed the dark sides of technology.
.jpg "The Labyrinth, Statue of Minerva, Versailles by Rene Binet")
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.jpg "Fountain at the Grand Trianon, Versailles by Rene Binet")
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.jpg "Ceramics: designs for tiled wall schemes, from")
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.jpg "Central Facade, fronting the Parterre d")
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.jpg "Bronze Group on the Parterre d")
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.jpg "Grand Gallery, or Galerie des Glaces, Versailles by Rene Binet")
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.jpg "Marble Staircase, Versailles by Rene Binet")
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.jpg "Royal Court, with Statue of Louis XIV, Versailles by Rene Binet")
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.jpg "Car of Apollo at Sunset, Versailles by Rene Binet")
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.jpg "Salon of Peace, Versailles by Rene Binet")
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.jpg "Church of Notre Dame at Versailles, Versailles by Rene Binet")
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.jpg "Petit Trianon, Flower Garden, Versailles by Rene Binet")
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.jpg "The Marble Court, Versailles by Rene Binet")
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.jpg "Basin of Apollo, Versailles by Rene Binet")
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.jpg "Louis XV")
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.jpg "Parterre d")
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.jpg "Anteroom known as the Oeil de Boeuf, Versailles by Rene Binet")
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.jpg "Bronze Amorine in the Allee d")
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.jpg "Designs for Printed Fabrics, from")
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.jpg "Archway in Galerie des Glaces, Versailles by Rene Binet")
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.jpg "The Grand Stables, Versailles by Rene Binet")
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.jpg "The King")
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.jpg "Designs for Carpets or Rugs, from")
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.jpg "Statue of General Hoche, Versailles by Rene Binet")
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.jpg "Steps of Latona, Versailles by Rene Binet")
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.jpg "Two Shop-Front Designs: A Perfume Seller")
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.jpg "The Dying Gaul, Versailles by Rene Binet")
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.jpg "Palace of Versailles, Side Facing the Courts, Versailles by Rene Binet")
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.jpg "Caffieri")
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.jpg "Petit Trianon, The Orangery, Versailles by Rene Binet")
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.jpg "Parterre of Latona, Versailles by Rene Binet")
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 - (MeisterDrucke-159864).jpg "Design for door ornamentation, from")
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.jpg "Designs for Wallpapers and Friezes, from Esquisses Decoratives by Rene Binet, published by Librairie Centrale des Beaux-Arts, Paris c.1895 by Rene Binet")
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.jpg "Gateway of Palace, and Grand Stables, Versailles by Rene Binet")
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.jpg "Decor Champetre, graphic design depicting a pool with festive decorations by Rene Binet")
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 Versailles - (MeisterDrucke-123095).jpg "The Lawn (Tapis Vert), Versailles by Rene Binet")
 Versailles - (MeisterDrucke-123095).jpg)
.jpg "Garden of the Petit Trianon, Versailles by Rene Binet")
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.jpg "Southern Parterre, Versailles by Rene Binet")
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.jpg "The Allee d")
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.jpg "Grove of the Colonnade, Versailles by Rene Binet")
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.jpg "Hamlet of the Petit Trianon, Versailles by Rene Binet")
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.jpg "Parterre of Latona, Versailles by Rene Binet")
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.jpg "Madame Adelaide")
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.jpg "Petit Trianon, Flower Garden, Versailles by Rene Binet")
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.jpg "Petit Trianon, Versailles by Rene Binet")
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.jpg "Northern Parterre and Chapel, Versailles by Rene Binet")
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.jpg "Southern Parterre, Versailles by Rene Binet")
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.jpg "The Chapel, Versailles by Rene Binet")
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.jpg "Basin of Latona, Versailles by Rene Binet")
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.jpg "Dauphin")
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.jpg "Sgraffito, illustration from")
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.jpg "Choir of the Chapel, Versailles by Rene Binet")
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.jpg "Basin of Latona, Versailles by Rene Binet")
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.jpg "Designs for Chairs and Stools by Rene Binet")
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.jpg "Grand Trianon, Versailles by Rene Binet")
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.jpg "Palace from the Southern Parterre, Versailles by Rene Binet")
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.jpg "Basin of Latona, Versailles by Rene Binet")
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.jpg "Petit Trianon, Versailles by Rene Binet")
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.jpg "Palace from the Southern Parterre, Versailles by Rene Binet")
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.jpg "Basin of Latona, Versailles by Rene Binet")
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.jpg "The Walk of Ceres, Versailles by Rene Binet")
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.jpg "Design for a garden, The garden of a Ceramicist, from")
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.jpg "Flight of Steps, Northern Parterre, Versailles by Rene Binet")
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.jpg "Altar in the Chapel, Versailles by Rene Binet")
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.jpg "Decor champetre by Rene Binet")
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.jpg "Design for a House for a Mosaicist by Rene Binet")
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.jpg "Grand Entrance of the 1900 Universal Exhibition in Paris by Rene Binet by Rene Binet")
.jpg "Stained glass window designs, from")
.jpg "Louis XV")
.jpg "Lantern fittings for electric lighting, from")