The English artist Pietro Fabris, who was of Italian origin, is considered the first painter of the 18th century to use gouache as a painting material for his works. Fabris spent most of his life in Naples. There he mainly painted landscapes and genre paintings, which were particularly popular with the wealthy European social class. The talented painter was the favourite artist of the British Consul in Naples, Sir William Hamilton. He commissioned Fabris to accompany him on his travels to study volcanoes. The hobby geologist wanted to publish a book about the volcanic area around Vesuvius, Etna and Stromboli. The rich Englishman granted financial support to his talented artist friend. In return, Hamilton created several dozen illustrations for his patron. These Goauche paintings are Fabris' most famous works. Fabris captured contemporary volcanic activity for eternity in numerous engravings. The team produced another book together, also about volcanoes in Europe.
Hamilton, who liked to arrange decadent concert parties, also hired Fabris to paint scenes of the celebration. Fabris' painting showing a young Mozart at the harpsichord is particularly interesting. Fabris was able to magically transform the events at the royal court into wonderful paintings and thus depict the Neapolitan life of the elite. But Fabris was not only Hamilton's personal artist. The gifted painter also earned his living by selling other works. The main motif of his genre paintings was the local and simple population in local costume at work or play. In this way Fabris created a varied oeuvre that shows the different milieus of Naples at that time.
The private life of the artist is hardly documented. Probably born in England as the son of a stage designer named Jacobo Fabris, who was trained in Venice, Fabris was taken under the wings of Hamilton's diplomat at a young age. Nothing is known about Fabris' artistic teaching. In 1768 his paintings and drawings were shown in an exhibition of the London Free Society and four years later in the exhibition of the London Society of Artists of Great Britain. In Naples Fabris met the Italian painter and engraver Antonio Joli. Although Fabris was also Italian by birth, it was very important to him to be considered British. He often added a signature to his works with the additional expression "English painter".
The English artist Pietro Fabris, who was of Italian origin, is considered the first painter of the 18th century to use gouache as a painting material for his works. Fabris spent most of his life in Naples. There he mainly painted landscapes and genre paintings, which were particularly popular with the wealthy European social class. The talented painter was the favourite artist of the British Consul in Naples, Sir William Hamilton. He commissioned Fabris to accompany him on his travels to study volcanoes. The hobby geologist wanted to publish a book about the volcanic area around Vesuvius, Etna and Stromboli. The rich Englishman granted financial support to his talented artist friend. In return, Hamilton created several dozen illustrations for his patron. These Goauche paintings are Fabris' most famous works. Fabris captured contemporary volcanic activity for eternity in numerous engravings. The team produced another book together, also about volcanoes in Europe.
Hamilton, who liked to arrange decadent concert parties, also hired Fabris to paint scenes of the celebration. Fabris' painting showing a young Mozart at the harpsichord is particularly interesting. Fabris was able to magically transform the events at the royal court into wonderful paintings and thus depict the Neapolitan life of the elite. But Fabris was not only Hamilton's personal artist. The gifted painter also earned his living by selling other works. The main motif of his genre paintings was the local and simple population in local costume at work or play. In this way Fabris created a varied oeuvre that shows the different milieus of Naples at that time.
The private life of the artist is hardly documented. Probably born in England as the son of a stage designer named Jacobo Fabris, who was trained in Venice, Fabris was taken under the wings of Hamilton's diplomat at a young age. Nothing is known about Fabris' artistic teaching. In 1768 his paintings and drawings were shown in an exhibition of the London Free Society and four years later in the exhibition of the London Society of Artists of Great Britain. In Naples Fabris met the Italian painter and engraver Antonio Joli. Although Fabris was also Italian by birth, it was very important to him to be considered British. He often added a signature to his works with the additional expression "English painter".
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