Bessa was commonly known as the painter of flowers. Because he specialized in scientific and lifelike representations of various plants, he also worked with the most important French horticulturists and botanists. Especially in this period, when many new plants were discovered and were to be catalogued, the pictures of plants and also some animals Bessa made were of great importance. Mainly he painted plants. When he painted animals, he mainly painted insects. Coloured engravings of a raven or a kangaroo are therefore rather the exception. His pictures stand out strongly because they are so detailed and vivid. His entire oeuvre comprises several hundred pictures.
Bessa was often the first of the newly discovered plants from America, Asia or Africa to be realistically illustrated. Occasionally he also worked together with other painters. For example with his teacher Pierre-Joseph Redouté. Thanks to the engraving technique developed by Bessa himself, the so-called point engraving, a large number of his works could be reproduced and published in various professional journals such as Mordant de Launay's Herbier Général de l'Amateur. However, most of the plant pictures were originally painted with watercolour and show in iridescent colours the plants that grew in the gardens of Paris.
Born in Paris on 1 January 1772, Bessa also completed his studies in Paris at the Muséum National d'Histoire Naturelle. His art was influenced above all by the plant painters Gérard van Spaendonck and Pierre-Joseph Redouté. Maria Karolina of Naples-Sicily, the Duchess of Berry, daughter-in-law of Charles X, was an important supporter of Bessa. This patronage expanded in the following years to such an extent that Bessa gave art lessons to the ducal family, especially to the Duchess herself. Before his death in 1864 Bessa produced his last work of art, Flore des Jardiniers. An eye for detail, a love of the world of plants and colourful illustrations make Bessa a very special painter of the time.
Bessa was commonly known as the painter of flowers. Because he specialized in scientific and lifelike representations of various plants, he also worked with the most important French horticulturists and botanists. Especially in this period, when many new plants were discovered and were to be catalogued, the pictures of plants and also some animals Bessa made were of great importance. Mainly he painted plants. When he painted animals, he mainly painted insects. Coloured engravings of a raven or a kangaroo are therefore rather the exception. His pictures stand out strongly because they are so detailed and vivid. His entire oeuvre comprises several hundred pictures.
Bessa was often the first of the newly discovered plants from America, Asia or Africa to be realistically illustrated. Occasionally he also worked together with other painters. For example with his teacher Pierre-Joseph Redouté. Thanks to the engraving technique developed by Bessa himself, the so-called point engraving, a large number of his works could be reproduced and published in various professional journals such as Mordant de Launay's Herbier Général de l'Amateur. However, most of the plant pictures were originally painted with watercolour and show in iridescent colours the plants that grew in the gardens of Paris.
Born in Paris on 1 January 1772, Bessa also completed his studies in Paris at the Muséum National d'Histoire Naturelle. His art was influenced above all by the plant painters Gérard van Spaendonck and Pierre-Joseph Redouté. Maria Karolina of Naples-Sicily, the Duchess of Berry, daughter-in-law of Charles X, was an important supporter of Bessa. This patronage expanded in the following years to such an extent that Bessa gave art lessons to the ducal family, especially to the Duchess herself. Before his death in 1864 Bessa produced his last work of art, Flore des Jardiniers. An eye for detail, a love of the world of plants and colourful illustrations make Bessa a very special painter of the time.
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