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Feel the passion of Otto H. Bacher in our art prints.

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Otto H. Bacher
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Otto H. Bacher

Otto H. Bacher

  May 31, 1856
  August 16, 1909
   •   Illustration   •   Wikipedia: Otto H. Bacher

Otto Henry Bacher was born in Ohio. He spent his childhood in Cleveland, living on a river that flows into Lake Erie. Lured by the ships and bustle of the harbor, Otto spent many hours here. To pass the time, Bacher began sketching the scenes of harbor life. Bacher earned his first money as a painter by painting inscriptions on merchant ships. His interest in art awakened in his teens, and so the young American decided to study art. The painter De Scott Evans was one of the first teachers of the dedicated artist. Bacher spent a short time at the art school in Pennsylvania, but broke off his studies and devoted himself to learning the etching technique. From this point on, he also began a lively exchange with the European art world. Bacher regularly visited Europe. Artistic development was very progressive in Europe and especially in the art centers of the time in Munich, Paris and Florence. American art was subject to this influence with a delay. Otto Bacher used his stays in Europe to refine his education. His life was one of constant learning and he was one of the driving forces for the advancement of American art.

Otto Bacher made a name for himself for his etchings and illustrations. The artist also produced paintings in oil, but the success of these works remained moderate. Bacher developed into a sought-after illustrator. He produced pictures for books and magazines and was a founding member of the Society of Illustrators. Incredibly impressive is the circle of his closer contacts within the art scene. Bacher was in close exchange with fellow artists in America and Europe. There were rarely phases in his creative life when he was not in collaboration. The European art scene inspired Bacher and he adopted the approaches of the French Impressionists and is considered one of the first Impressionists in the American art world.

Bacher had an unusually intense creative period for the 19th century. At exhibitions, the artist often showed his first etchings, from his time in Cleveland. European audiences were fascinated by the insights Bacher offered them. The artist spent a remarkably long time in Venice. The city seemed to captivate him. Together with the artist friend Frank Duveneck Otto Bacher set up a studio in the city. He had his etching equipment brought there and together the artists captured impressions of the city. During their collaboration, the artists produced some early works that are counted as modern monotypes. This printing technique allows only a single impression of the original. The artist spent the last two decades of his life in New York. In addition to making illustrations, he worked on paintings for exhibitions in America and Europe.

Otto H. Bacher

Otto H. Bacher
  May 31, 1856
  August 16, 1909
   •   Illustration   •   Wikipedia: Otto H. Bacher

Otto Henry Bacher was born in Ohio. He spent his childhood in Cleveland, living on a river that flows into Lake Erie. Lured by the ships and bustle of the harbor, Otto spent many hours here. To pass the time, Bacher began sketching the scenes of harbor life. Bacher earned his first money as a painter by painting inscriptions on merchant ships. His interest in art awakened in his teens, and so the young American decided to study art. The painter De Scott Evans was one of the first teachers of the dedicated artist. Bacher spent a short time at the art school in Pennsylvania, but broke off his studies and devoted himself to learning the etching technique. From this point on, he also began a lively exchange with the European art world. Bacher regularly visited Europe. Artistic development was very progressive in Europe and especially in the art centers of the time in Munich, Paris and Florence. American art was subject to this influence with a delay. Otto Bacher used his stays in Europe to refine his education. His life was one of constant learning and he was one of the driving forces for the advancement of American art.

Otto Bacher made a name for himself for his etchings and illustrations. The artist also produced paintings in oil, but the success of these works remained moderate. Bacher developed into a sought-after illustrator. He produced pictures for books and magazines and was a founding member of the Society of Illustrators. Incredibly impressive is the circle of his closer contacts within the art scene. Bacher was in close exchange with fellow artists in America and Europe. There were rarely phases in his creative life when he was not in collaboration. The European art scene inspired Bacher and he adopted the approaches of the French Impressionists and is considered one of the first Impressionists in the American art world.

Bacher had an unusually intense creative period for the 19th century. At exhibitions, the artist often showed his first etchings, from his time in Cleveland. European audiences were fascinated by the insights Bacher offered them. The artist spent a remarkably long time in Venice. The city seemed to captivate him. Together with the artist friend Frank Duveneck Otto Bacher set up a studio in the city. He had his etching equipment brought there and together the artists captured impressions of the city. During their collaboration, the artists produced some early works that are counted as modern monotypes. This printing technique allows only a single impression of the original. The artist spent the last two decades of his life in New York. In addition to making illustrations, he worked on paintings for exhibitions in America and Europe.





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July, 1893.
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Pitcher and a Glass on a Table, ...
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Standing Nude Model.
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Standing Female Nude, probably 1...
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The most popular works of Otto H. Bacher

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Otto H. Bacher
Church of the Holy Sepulchre, Je...
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Otto H. Bacher
Arachne, 19th century.
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Otto H. Bacher
Etchings of Venice: Castello Qua...
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Otto H. Bacher
Cleveland, Woodland Avenue and E...
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Otto H. Bacher
Regensburg, 1879.
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Otto H. Bacher
Etchings of Venice: Ponte del Pi...
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Otto H. Bacher
Mary Holland Bacher, 1891.
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Otto H. Bacher
River Pier, 1878.
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Otto H. Bacher
The Bridge, Schleissheim.
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Otto H. Bacher
The Square, 1878.
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Otto H. Bacher
Ponte del Pistor.
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Otto H. Bacher
 
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Otto H. Bacher
Schwabel Weiss, 1879.
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Otto H. Bacher
Cathedral, Milan.
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Otto H. Bacher
Bridge, Schleissheim, 1879.
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Otto H. Bacher
Self-Portrait in Costume, 1880.
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Otto H. Bacher
Ship and Elevator, 1878.
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Otto H. Bacher
Self-Portrait in Costume, 1880.
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Otto H. Bacher
Diving Cormorant, 1900.
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Otto H. Bacher
An Old House, Cleveland.
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Otto H. Bacher
Etchings of Venice: Net Makers, ...
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Otto H. Bacher
Catalogue, 1878.
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Otto H. Bacher
Danube at Walhalla, 1879.
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Otto H. Bacher
Two Boats, Venice, 1880.
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Otto H. Bacher
Etchings of Venice: Beautiful Vi...
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Otto H. Bacher
Trees, 1878.
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Otto H. Bacher
Ponte del Pistor, Venice, 1880.
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Otto H. Bacher
Chioggia, 1880.
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Otto H. Bacher
River Pier, 1890.
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Otto H. Bacher
The Lido, 1880.
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Otto H. Bacher
Auf Stauf a-Bruck, 1879.
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Otto H. Bacher
Venice, 1880.
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Otto H. Bacher
Old Sycamore, 1877.
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Otto H. Bacher
Via Garibaldi, late 19th-early 2...
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Otto H. Bacher
View in Venice, 1880.
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Otto H. Bacher
Southwest Corner, Public Square,...
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Otto H. Bacher
Roofs and Trees, 1879.
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Otto H. Bacher
On the Bronx, 1906.
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Otto H. Bacher
Sailing Boats, Venice, 1880.
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Otto H. Bacher
Shipping and the Ducal Palace, 1...
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Otto H. Bacher
On the Bronx, 1906.
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Otto H. Bacher
Street Scene, Cleveland.
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Otto H. Bacher
Interior of St. Marks, Venice.
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Otto H. Bacher
Woods by the Lake, 1878.
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Otto H. Bacher
Gaube, 1879.
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Otto H. Bacher
Fondamenta della Zattere, 1880.
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Otto H. Bacher
Etchings of Venice: Pozzo San Vi...
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Otto H. Bacher
West Pier, Cleveland, 1878.
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Otto H. Bacher
Lustheim.
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Otto H. Bacher
Venetian Models, late 19th-early...
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Otto H. Bacher
Tower of the Chimes, 1878.
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Otto H. Bacher
The Gate, Schleissheim, 1879.
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Otto H. Bacher
Cottages, Cleveland, 1878.
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Otto H. Bacher
West Pier 1878, 1878.
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Otto H. Bacher
Etchings of Venice: St. Marks, 1...
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Otto H. Bacher
Etchings of Venice, 1881.
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Otto H. Bacher
On the Bronx, 1906.
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Otto H. Bacher
Old Market, Florence, 19th-20th ...
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Otto H. Bacher
Etchings of Venice: Bridge of Si...
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Otto H. Bacher
Worth: A Lane, 1879.
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Otto H. Bacher
Cornfield, 1879.
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Otto H. Bacher
Old Passenger Depot, Cleveland.
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Otto H. Bacher
Sketch from Nature, 1879.
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Otto H. Bacher
Etchings of Venice: The Lace Mak...
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Otto H. Bacher
Entrance to the Grand Canal, Ven...
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Otto H. Bacher
West Pier, 1878.
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Otto H. Bacher
The Rialto, Venice, 1880.
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Otto H. Bacher
Spring Street, 1878.
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Otto H. Bacher
The Gate, Lustheim, 1879.
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Otto H. Bacher
Canal in Venice, 1880.
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Otto H. Bacher
Etchings of Venice: Bead Stringe...
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Otto H. Bacher
Bridge in Moonlight, late 19th-e...
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Otto H. Bacher
Three Ships, Venice, 1880.
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Otto H. Bacher
Lustheim, 1879.
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Otto H. Bacher
Etchings of Venice: Laundry, 1881.
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Otto H. Bacher
House Over Water, 1878.
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Otto H. Bacher
St. Clair Street, Cleveland.
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Otto H. Bacher
Looking toward the Salute, Venic...
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Otto H. Bacher
Tree on Top of a Stone Wall, Cle...
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Otto H. Bacher
Footbridge, Worth, 1879.
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Otto H. Bacher
The Lock, Schleissheim, 1879.
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Otto H. Bacher
Etchings of Venice: Traghetto Sa...
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Otto H. Bacher
Rainy Night, Venice, 1880.
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Otto H. Bacher
Ponte Tolentine, 1880.
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Otto H. Bacher
Spring Street, September 1878, 1...
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Otto H. Bacher
Shipping and the Ducal Palace, 1...
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Otto H. Bacher
Lake Shore, Cleveland, 20th cent...
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Otto H. Bacher
Old Mill on the Danube, 1879.
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Otto H. Bacher
Downtown, Cleveland.
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Otto H. Bacher
Poplars, Royal Garden, Schleissh...
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Otto H. Bacher
Catalogue of My Paintings at J. ...
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Otto H. Bacher
Ferry at Schwabel Weiss, 1879.
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Otto H. Bacher
Small Study of Trees, 19th-20th ...
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Otto H. Bacher
Eagle Street and Woodland Avenue...
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Otto H. Bacher
Small Head with Mob Cap, 1878.
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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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