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Passionate Customer Service Museum Quality Art Prints Customization Options AvailableThe Ottoman Empire of the 19th century was characterized by ethnic and religious diversity, lined with cultural influences from the Orient and Occident. This diverse lifestyle was particularly evident in the arts: art forms such as architecture, weaving, literature and painting were strongly influenced by adaptations of various elements from other regions, such as Persian, Arabic and European styles. The painter Osman Hamdi Bey embodied this essence of his time like hardly any other artist. As director of the Archaeological Museum and founder of an art institute, he left his mark on the cultural life of Constantinople as much as he did as a passionate artist. The motifs of his works reflect his position between the cultural - modern as well as traditional - influences of his time.
A brief look at Hamdi's life story can contribute to a better understanding of his choice of motifs: he already had a strong connection to Europe through his father, where he eventually studied himself and discovered his passion for painting at the Academy of Fine Arts in Paris under such famous painters as Jean-Léon Gérôme and Gustave Boulanger. He followed this passion throughout his life in addition to his work in the administration of the Ottoman Empire. Even in this professional capacity, however, he was concerned with art and culture, whether as a commissioner for Ottoman representation at the Vienna World's Fair in 1873 or as the leader of an archaeological expedition in Sidon. His appointment as museum director gave him access to more cultural artifacts, which he examined and used as inspiration for his artistic work. His influence on the development of art in the Ottoman Empire was clearly evident in his involvement with the Institute of Fine Arts in Istanbul, which was the first school there dedicated to modern painting.
In this way, French modernism as well as the Western style of painting strongly influenced Osman Hamdi Bey's artistic work, and among later historians his position as a cultural messenger became his defining characteristic. In the motifs of his works, there are also many influences from his work in the Ottoman administration. While he initially painted mainly landscapes and family portraits, objects from the museum's Islamic collection appear in later drawings, as do details of Ottoman architecture and traditional costumes, which he studied as part of his study of Ottoman cultural heritage for the World's Fair. In contrast to the often very orientalist motifs of Western painters such as Gérôme, however, Hamdi always depicted Ottoman culture and the everyday life of the people in a respectful and realistic manner, for example when he depicted scenes of prayer or music-making.
The Ottoman Empire of the 19th century was characterized by ethnic and religious diversity, lined with cultural influences from the Orient and Occident. This diverse lifestyle was particularly evident in the arts: art forms such as architecture, weaving, literature and painting were strongly influenced by adaptations of various elements from other regions, such as Persian, Arabic and European styles. The painter Osman Hamdi Bey embodied this essence of his time like hardly any other artist. As director of the Archaeological Museum and founder of an art institute, he left his mark on the cultural life of Constantinople as much as he did as a passionate artist. The motifs of his works reflect his position between the cultural - modern as well as traditional - influences of his time.
A brief look at Hamdi's life story can contribute to a better understanding of his choice of motifs: he already had a strong connection to Europe through his father, where he eventually studied himself and discovered his passion for painting at the Academy of Fine Arts in Paris under such famous painters as Jean-Léon Gérôme and Gustave Boulanger. He followed this passion throughout his life in addition to his work in the administration of the Ottoman Empire. Even in this professional capacity, however, he was concerned with art and culture, whether as a commissioner for Ottoman representation at the Vienna World's Fair in 1873 or as the leader of an archaeological expedition in Sidon. His appointment as museum director gave him access to more cultural artifacts, which he examined and used as inspiration for his artistic work. His influence on the development of art in the Ottoman Empire was clearly evident in his involvement with the Institute of Fine Arts in Istanbul, which was the first school there dedicated to modern painting.
In this way, French modernism as well as the Western style of painting strongly influenced Osman Hamdi Bey's artistic work, and among later historians his position as a cultural messenger became his defining characteristic. In the motifs of his works, there are also many influences from his work in the Ottoman administration. While he initially painted mainly landscapes and family portraits, objects from the museum's Islamic collection appear in later drawings, as do details of Ottoman architecture and traditional costumes, which he studied as part of his study of Ottoman cultural heritage for the World's Fair. In contrast to the often very orientalist motifs of Western painters such as Gérôme, however, Hamdi always depicted Ottoman culture and the everyday life of the people in a respectful and realistic manner, for example when he depicted scenes of prayer or music-making.
.jpg "The Tortoise Trainer by Osman Hamdi Bey")
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.jpg "Quran reciting by Osman Hamdi Bey")
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.jpg "Meditating on the Quran by Osman Hamdi Bey")
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.jpg "Public Scribe by Osman Hamdi Bey")
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.jpg "Kökenoglu Riza Efendi by Osman Hamdi Bey")
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.jpg "Persian Carpet Dealer on the Street by Osman Hamdi Bey")
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.jpg "Door of the Grand Mosque of Bursa by Osman Hamdi Bey")
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.jpg "Flowers in a White Vase by Osman Hamdi Bey")
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.jpg "A Lady of Constantinople by Osman Hamdi Bey")
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.jpg "Two Musician Girls by Osman Hamdi Bey")
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.jpg "An Ottoman Butcher by Osman Hamdi Bey")
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.jpg "The Tortoise Trainer by Osman Hamdi Bey")
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.jpg "Girl with Pink Cap by Osman Hamdi Bey")
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.jpg "The Tomb of Mehmed I, Yesil Turbe, Bursa by Osman Hamdi Bey")
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.jpg "The Fountain of Life by Osman Hamdi Bey")
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_-_1910_-_Oil_on_canvas_-_-_(MeisterDrucke-1031397).jpg "Public Scribe by Osman Hamdi Bey")
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.jpg "Quran Reciting by Osman Hamdi Bey")
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.jpg "Çoban Mustafa Pasa Complex in Gebze by Osman Hamdi Bey")
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.jpg "Portrait of Naile Hanım by Osman Hamdi Bey")
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.jpg "Portrait of Naile Hanim by Osman Hamdi Bey")
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_-_1910_-_Oil_o_-_(MeisterDrucke-1014844).jpg "Portrait of Naile Hanim by Osman Hamdi Bey")
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.jpg "A Lady from Constantinople by Osman Hamdi Bey")
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.jpg "Flowers in a White Vase by Osman Hamdi Bey")
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.jpg "Flowers in a White Vase by Osman Hamdi Bey")
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.jpg "The Tortoise Trainer by Osman Hamdi Bey")
.jpg "The Tortoise Trainer by Osman Hamdi Bey")
.jpg "Two Musician Girls, Second Half of the 19th Century by Osman Hamdi Bey")
.jpg "Reciting the Quran by Osman Hamdi Bey")