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Feel the passion of Mark Catesby in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Mark Catesby
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

Mark Catesby

  March 24, 1683
  December 23, 1749
   •   Naturalism   •   Wikipedia: Mark Catesby

The theologian and naturalist John Ray is considered the father of English botany. Ray observed animals and plants with a special devotion. John Ray was a close friend of the Catesby family, who, like the theologian, had their centre of life in Essex, England. John Ray's thirst for knowledge and research had a great influence on the son of the house. Mark Catesby could not resist the subject and studied natural history in London. In the 18th century the British Crown was in possession of some colonies in America. Particularly on the east coast of the country there were lands claimed by the United Kingdom. A period of emigration began. The reasons were many and varied. People who were persecuted because of their political opinions or religious affiliations sought protection in the colonies. But poverty or economic hardship also forced many Europeans to seek happiness on the other side of the great ocean. With colonization, a lively exchange of plants among botanists began. Especially British plant hunters of the time were obsessed with the idea of owning foreign plants and displaying them in their gardens.

Mark Catesby had inherited his late father's fortune after graduation and moved with his sister to Williamsburg, Virginia. The reason for this move was probably the fever that had gripped the scientist with regard to the flora and fauna of America. Exploring the plant world was not just about discovery and scientific description. The absolutely exact illustration of the plant parts was of an equally great importance. Mark Catesby collected and sent his treasures to a collector in London. His drawings, however, he did not give out of his hand. In his opinion, the danger was too great that an unsophisticated artist would falsify his observations. Mark Catesby learned the technique of copperplate printing and transferred his scientific findings to the copper plates with his own hands. Little by little, Catesby developed an artistic flair. Works that had been filled in all over became works of art with a background and elements that determined the picture. The plants and animals became the focus of attention and the natural scientist became an artist of Botanical Art. For his first collection on the fauna and flora of North America, Catesby produced over 220 etchings, some of which were hand-colored.

The botanist maintained ties with his homeland. Catesby became a member of the Royal Society and found patrons in this elite circle who provided him with the financial means for further travel. Catesby traveled the east coast of America and the Caribbean. His furthest journey took Catesby to the West Indies. He sent his collections to Hans Sloane, a collector whose extensive herbarium formed the basis of the British Museum's collection. With his experience, Catesby developed a perfect pictorial style and created unique art alongside his outstanding research.

Mark Catesby

  March 24, 1683
  December 23, 1749
   •   Naturalism   •   Wikipedia: Mark Catesby

The theologian and naturalist John Ray is considered the father of English botany. Ray observed animals and plants with a special devotion. John Ray was a close friend of the Catesby family, who, like the theologian, had their centre of life in Essex, England. John Ray's thirst for knowledge and research had a great influence on the son of the house. Mark Catesby could not resist the subject and studied natural history in London. In the 18th century the British Crown was in possession of some colonies in America. Particularly on the east coast of the country there were lands claimed by the United Kingdom. A period of emigration began. The reasons were many and varied. People who were persecuted because of their political opinions or religious affiliations sought protection in the colonies. But poverty or economic hardship also forced many Europeans to seek happiness on the other side of the great ocean. With colonization, a lively exchange of plants among botanists began. Especially British plant hunters of the time were obsessed with the idea of owning foreign plants and displaying them in their gardens.

Mark Catesby had inherited his late father's fortune after graduation and moved with his sister to Williamsburg, Virginia. The reason for this move was probably the fever that had gripped the scientist with regard to the flora and fauna of America. Exploring the plant world was not just about discovery and scientific description. The absolutely exact illustration of the plant parts was of an equally great importance. Mark Catesby collected and sent his treasures to a collector in London. His drawings, however, he did not give out of his hand. In his opinion, the danger was too great that an unsophisticated artist would falsify his observations. Mark Catesby learned the technique of copperplate printing and transferred his scientific findings to the copper plates with his own hands. Little by little, Catesby developed an artistic flair. Works that had been filled in all over became works of art with a background and elements that determined the picture. The plants and animals became the focus of attention and the natural scientist became an artist of Botanical Art. For his first collection on the fauna and flora of North America, Catesby produced over 220 etchings, some of which were hand-colored.

The botanist maintained ties with his homeland. Catesby became a member of the Royal Society and found patrons in this elite circle who provided him with the financial means for further travel. Catesby traveled the east coast of America and the Caribbean. His furthest journey took Catesby to the West Indies. He sent his collections to Hans Sloane, a collector whose extensive herbarium formed the basis of the British Museum's collection. With his experience, Catesby developed a perfect pictorial style and created unique art alongside his outstanding research.





The most popular works of Mark Catesby

These artworks are particularly popular with our customers.

 
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The Crested Flycatcher Muscicapa...
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The yellow-bellied Woodpecker. T...
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The Hog-nose Snake (Boa contortrix)
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The most popular works of Mark Catesby

These artworks are particularly popular with our customers.


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Discover more artworks by Mark Catesby

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Mark Catesby
The larger red-crested Woodpecke...
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Mark Catesby
Dogwood: Cornus florida, and Moc...
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Mark Catesby
The red-bellied Woodpecker. The ...
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Mark Catesby
The largest white-bill Woodpecke...
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Mark Catesby
Pigeon Plum and a Great Horned C...
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Mark Catesby
 
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Mark Catesby
The red Curlew, 1749-73
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Mark Catesby
‘The Parrot of Paradise’, from T...
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Mark Catesby
The Ribbon Snake (Coluber saurita)
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Mark Catesby
The red-headed Woodpecker, 1749-73
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Mark Catesby
The gold-winged Woodpecker, 1749...
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Mark Catesby
The Yellow and Black Pye (Oriolu...
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Mark Catesby
The Wood Pelican, 1749-73
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Mark Catesby
 
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Mark Catesby
The Logger-head Turtle (Testudo ...
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Mark Catesby
The Coach-whip Snake (Coluber fl...
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Mark Catesby
The Razor-billed Black-bird of J...
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Mark Catesby
The Whip-Poor-Will, 1749-73
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Mark Catesby
The Rock Fish (Perca venenosa)
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Mark Catesby
 
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Mark Catesby
The Swallow-tail Hawk, 1749-73
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Mark Catesby
Boladora'. A flying fish.
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Mark Catesby
Centipede Scolopendra morsitans,...
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Mark Catesby
The painted Finch, 1749-73
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Mark Catesby
The Parrot of Paradise, 1771
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Mark Catesby
The Kingfisher, 1749-73
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Mark Catesby
The Laughing Gull, 1749-73
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Mark Catesby
Add. 5267, f.144 Drawings of tw...
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Mark Catesby
 
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Mark Catesby
The Bahama Finch, 1749-73
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Mark Catesby
The Hawks-bill Turtle Testudo ca...
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Mark Catesby
The blue Heron, 1749-73
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Mark Catesby
The Green Lizard of Jamaica (Lac...
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Mark Catesby
The American Partridge, 1749-73
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Mark Catesby
The Round Crested Duck (Mergus c...
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Mark Catesby
The Goat-Sucker of Carolina, 174...
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Mark Catesby
The Cat Fish Silurus catus, publ...
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Mark Catesby
The Pole Cat (Viverra putorius)
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Mark Catesby
Anguis, the Wampum Snake, plate ...
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Mark Catesby
Plumeria obtusa L. Singapore Fra...
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Mark Catesby
The little Hawk, 1749-73
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Mark Catesby
Laurel Tree, 1731-1743
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Mark Catesby
Viper Caudison Snake, Rattlesnak...
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Mark Catesby
The Parrot of Carolina, 1749-73
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Mark Catesby
The fishing Hawk, 1749-73
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Mark Catesby
The little Owl, 1749-73
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Mark Catesby
The Swallow Tail Hawk (Falco fur...
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Mark Catesby
The little brown Duck, 1749-73
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Mark Catesby
The Chatterer, 1749-73
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Mark Catesby
The Wood Pelican Tantalus Locula...
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Mark Catesby
The Turkey Buzzard, 1749-73
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Mark Catesby
The Ground Dove, 1749-73
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Mark Catesby
The white Curlew, 1749-73
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Mark Catesby
The Logger-head Turtle Testudo C...
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Mark Catesby
The Hawks-bill Turtle (Testudo c...
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Mark Catesby
The Red Mottled Rock-crab (Cance...
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Mark Catesby
 
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Mark Catesby
The yellow breasted Chat, 1749-73
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Mark Catesby
The Viper-mouth Silurus cataphra...
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Mark Catesby
The Yellow-Rump, 1749-73
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Mark Catesby
The Golden-crested Wren, 1749-73
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Mark Catesby
 
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Mark Catesby
The Soree, 1749-73
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Mark Catesby
The Finch-Creeper, 1749-73
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Mark Catesby
 
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Mark Catesby
The Green Lizard of Jamaica (Lac...
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Mark Catesby
 
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Mark Catesby
 
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Mark Catesby
The Summer Duck, 1749-73
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Mark Catesby
The Pole Cat Viverra putorius, p...
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Mark Catesby
The blue Gross-beak, 1749-73
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Mark Catesby
The Vanelloe (Epidendrum Vanilla)
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Mark Catesby
The Fishing Hawk (Falco haliaetus)
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Mark Catesby
Cross-vine Bignonia capreolata, ...
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Mark Catesby
The Tropick Bird. The Storm-Finc...
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Mark Catesby
The small Bittern, 1749-73
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Mark Catesby
The Sole Pleuronectes lunatus, p...
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Mark Catesby
The Coach-whip Snake Coluber fla...
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Mark Catesby
The Glass Snake (Anguis ventralis)
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Mark Catesby
 
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Mark Catesby
The largest crested Heron, 1749-73
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Mark Catesby
The Lark, 1749-73
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Mark Catesby
The Lane-snapper Sparus synagris...
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Mark Catesby
Red Frangipanni Plumeria rubra, ...
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Mark Catesby
The Green Lizard of Jamaica Lace...
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Mark Catesby
The Parrot of Paradise of Cuba, ...
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Mark Catesby
The Cat Fish (Silurus catus)
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Mark Catesby
The Red Bird, 1749-73
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Mark Catesby
The Java Hare, 1749-73
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Mark Catesby
The yellow Titmouse, 1749-73
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Mark Catesby
The Blue-wing Teal, 1749-73
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Mark Catesby
The crested Bittern, 1749-73
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Mark Catesby
The purple Martin, 1749-73
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Mark Catesby
The Round Crested Duck Mergus cu...
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Mark Catesby
The Croker (Perca undulata)
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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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