Born Lev Samoylovich Rosenberg into a middle-class Jewish family in Russia, he later adopted a pseudonym derived from his grandmother's surname, Baxter. Leon Bakst was educated in St. Petersburg, where he attended the gymnasium and the Academy of Arts. He began his professional life as a copyist and illustrator of educational materials, but quickly switched to portrait painting and illustrated popular magazines. But these jobs didn't pay much and he took a job teaching art to the children of Grand Duke Vladimir. He studied in Paris with a number of well-known artists and with a Finnish landscape painter. One day he came into contact with Aleksandr Benua and his circle, an encounter that would shape Leon Bakst's taste and expand his artistic vision. Together with Benua and Sergey Diagilev, he founded the influential group World of Art and was largely responsible for the technical excellence of their influential magazine. The very first issue of World of Art stunned its readers, who had never seen anything like it in Russia. The magazine itself was a work of art. Its emblem was a lone eagle on a mountain. Leon Bakst designed it and said the emblem represented art itself. A dedicated professional who could absorb stylistic developments even in mid-career, Bakst was arguably the most accomplished painter and designer in the World of Art group. His early preferences were for realistic painters and old masters such as Rembrandt and Velazquez. The moving line and relaxed postures in his portraits also suggest the influence of his close friend Valentin Serov. Later he turned to portraiture and painted, among others, the artist Filipp Malyavin, the philosopher Vasily Rozanov, the poet Andrei Bely and the poetess Zinaida Gippius. Through Benois and his circle, Leon Bakst was attracted to the Oriental style. Motifs from ancient Greece and Egypt became signatures of his painting and theoretical work. The Benua circle also introduced him to symbolism and Art Nouveau. Bakst influenced and developed Art Nouveau by bringing in a curvy line as well as bright colors, oriental prints and flowing draperies.
The portrait of the dancer Isadora Duncan in brush and ink is typical of his drawing art in its sensual and flowing movement. Bakst also practiced mainly book design, interior decoration, held exhibitions and focused on theater. He made his theatrical debut with designs for stage productions at the theaters of St. Petersburg. Subsequently, he was commissioned to stage several works in theaters. Leon Bakst also collaborated in the staging of the Ballets Russes. Here he acted as artistic director and his stage designs quickly brought him international fame. Leon Bakst worked on more theater productions than any other artist and thus his name became permanently associated with the Ballets Russes. The designs for the ballet caused a great stir in the scene. Leon Bakst was particularly influenced by exotic and oriental fantasies. The sensual use of color led to new fashions in clothing and interiors, and soon fashionable ladies in oriental-inspired clothing were seen sitting on huge floor cushions in rooms with curtains. In addition, his designs for Greek ballets were an inspiration in their use of hot tones and geometric patterns. In addition, he also created beautiful dresses, such as his Victorian designs or the designs for different productions. Leon Bakst's designs emerged from the style and choreography of a particular ballet. He integrated vertical space with sensual movement on stage. His chic costumes encouraged smooth movement without constricting the body. The sets enclosed the action, but still left maximum space for dancing. Leon Bakst's exotic and sensual designs are sought after, but the success was in how they were presented on stage
Born Lev Samoylovich Rosenberg into a middle-class Jewish family in Russia, he later adopted a pseudonym derived from his grandmother's surname, Baxter. Leon Bakst was educated in St. Petersburg, where he attended the gymnasium and the Academy of Arts. He began his professional life as a copyist and illustrator of educational materials, but quickly switched to portrait painting and illustrated popular magazines. But these jobs didn't pay much and he took a job teaching art to the children of Grand Duke Vladimir. He studied in Paris with a number of well-known artists and with a Finnish landscape painter. One day he came into contact with Aleksandr Benua and his circle, an encounter that would shape Leon Bakst's taste and expand his artistic vision. Together with Benua and Sergey Diagilev, he founded the influential group World of Art and was largely responsible for the technical excellence of their influential magazine. The very first issue of World of Art stunned its readers, who had never seen anything like it in Russia. The magazine itself was a work of art. Its emblem was a lone eagle on a mountain. Leon Bakst designed it and said the emblem represented art itself. A dedicated professional who could absorb stylistic developments even in mid-career, Bakst was arguably the most accomplished painter and designer in the World of Art group. His early preferences were for realistic painters and old masters such as Rembrandt and Velazquez. The moving line and relaxed postures in his portraits also suggest the influence of his close friend Valentin Serov. Later he turned to portraiture and painted, among others, the artist Filipp Malyavin, the philosopher Vasily Rozanov, the poet Andrei Bely and the poetess Zinaida Gippius. Through Benois and his circle, Leon Bakst was attracted to the Oriental style. Motifs from ancient Greece and Egypt became signatures of his painting and theoretical work. The Benua circle also introduced him to symbolism and Art Nouveau. Bakst influenced and developed Art Nouveau by bringing in a curvy line as well as bright colors, oriental prints and flowing draperies.
The portrait of the dancer Isadora Duncan in brush and ink is typical of his drawing art in its sensual and flowing movement. Bakst also practiced mainly book design, interior decoration, held exhibitions and focused on theater. He made his theatrical debut with designs for stage productions at the theaters of St. Petersburg. Subsequently, he was commissioned to stage several works in theaters. Leon Bakst also collaborated in the staging of the Ballets Russes. Here he acted as artistic director and his stage designs quickly brought him international fame. Leon Bakst worked on more theater productions than any other artist and thus his name became permanently associated with the Ballets Russes. The designs for the ballet caused a great stir in the scene. Leon Bakst was particularly influenced by exotic and oriental fantasies. The sensual use of color led to new fashions in clothing and interiors, and soon fashionable ladies in oriental-inspired clothing were seen sitting on huge floor cushions in rooms with curtains. In addition, his designs for Greek ballets were an inspiration in their use of hot tones and geometric patterns. In addition, he also created beautiful dresses, such as his Victorian designs or the designs for different productions. Leon Bakst's designs emerged from the style and choreography of a particular ballet. He integrated vertical space with sensual movement on stage. His chic costumes encouraged smooth movement without constricting the body. The sets enclosed the action, but still left maximum space for dancing. Leon Bakst's exotic and sensual designs are sought after, but the success was in how they were presented on stage
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