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Passionate Customer Service Museum Quality Art Prints Customization Options Available.jpg "Detail, portrait of the Tenth King (Yeonsangun) by Korean School")
.jpg "Byeonseong, the Sixth King of Hell by Korean School")
_-_(MeisterDrucke-911642).jpg "Moon jar, Choson Period by Korean School")
_-_(MeisterDrucke-519198).jpg "Bowl with celadon glaze by Korean School")
.jpg "Vase with Dragon and Phoenix by Korean School")
_Late_13th_or_early_14th_century_(ink_col_-_(MeisterDrucke-1411506).jpg "Bodhisattva Kshitigarbha (Jijang bosal), Late 13th or early 14th century by Korean School")
_Late_13th_or_early_14th_century_(ink_col_-_(MeisterDrucke-1411506).jpg)
_1798_-_(MeisterDrucke-640584).jpg "Byeonseong, the Sixth King of Hell (detail), 1798 by Korean School")
.jpg "Versoir in the form of a lotus flower (Koryo period) by Korean School")
_-_(MeisterDrucke-519606).jpg "Processional Scene, Choson dynasty by Korean School")
.jpg "Grave ornament, zodiac horse on agalmatolite, 8th century under the period of the Northern and Southern Kingdoms, Korea. Photography, Seoul National Museum, Republic of Korea by Korean School")
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.jpg "Three of the Ten Kings of Hell by Korean School")
_-_(MeisterDrucke-519609).jpg "Landscape Scenes, Choson dynasty by Korean School")
_-_(MeisterDrucke-519603).jpg "Processional Scene, Choson dynasty by Korean School")
_-_(MeisterDrucke-519610).jpg "Landscape Scenes, Choson dynasty by Korean School")
_1798_-_(MeisterDrucke-640586).jpg "Ogwan, the Fourth King of Hell (detail), 1798 by Korean School")
_-_(MeisterDrucke-519607).jpg "Processional Scene, Choson dynasty by Korean School")
_-_(MeisterDrucke-519604).jpg "Processional Scene, Choson dynasty by Korean School")
_Print_from_1758_Pr_-_(MeisterDrucke-960289).jpg "Korean art: Portrait of a geisha by Korean School")
_-_(MeisterDrucke-519618).jpg "Jar, Silla dynasty, 55 BC-935 by Korean School")
_-_(MeisterDrucke-519222).jpg "Landscape by Korean School")
_(wc_on_paper)_-_(MeisterDrucke-519235).jpg "Hunting Scene (3 riders and boar) by Korean School")
_-_(MeisterDrucke-440511).jpg "Circular Roof End-tile, United Silla Period by Korean School")
.jpg "Tea bowl, Choson period, second half 16th century by Korean School")
_-_(MeisterDrucke-519605).jpg "Processional Scene, Choson dynasty by Korean School")
_-_(MeisterDrucke-519617).jpg "Bottle with floral design, Yi dynasty by Korean School")
.jpg "Celadon Maebyong from the Goryeo Dynasty by Korean School")
_-_(MeisterDrucke-519611).jpg "Landscape Scenes, Choson dynasty by Korean School")
_-_(MeisterDrucke-519619).jpg "Box with lid, Silla dynasty, 55 BC-935 by Korean School")
.jpg "Cinerary urn with impressed decoration, late 7th century by Korean School")
.jpg "Unknown Image by Korean School")
.jpg "Sŏgwŏng-sa Temple, Kosan County, Kangwon Province, North Korea, detail of the roof (photo) by Korean School")
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.jpg "Temple of Pusok-sa by Korean School")
.jpg "Conversation between a fisherman and woodman (detail) by Korean School")
.jpg "Bowl by Korean School")
_1798_-_(MeisterDrucke-640585).jpg "Byeonseong, the Sixth King of Hell (detail), 1798 by Korean School")
.jpg "Grave Ornament, Zodiac Rabbit on Agalmatolite, 8th Century, Korea by Korean School")
_-_(MeisterDrucke-519633).jpg "Manjushri by Korean School")
_-_(MeisterDrucke-907038).jpg "Tea bowl (hakeme chawan) by Korean School")
_-_(MeisterDrucke-427476).jpg "A Figure of the Seated Buddha by Korean School")
.jpg "Detail, portrait of the Seventh King (Sejo) by Korean School")
_-_(MeisterDrucke-519620).jpg "Box with lid, Silla dynasty, 55 BC-935 by Korean School")
.jpg "Ogwan, the Fourth King of Hell, 1798 by Korean School")
.jpg "Portable Buddhist Shrine with Two Standing Bodhisattvas, a Buddhist Triad and Guardian Figure, Koryo Dynasty by Korean School")
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.jpg "Korean art: representation of an Apsara in golden bronze, being Celeste. Silla period (7th-10th century). National Museum of Korea by Korean School")
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.jpg "Aquatic Dragon Pitcher by Korean School")
_-_(MeisterDrucke-519608).jpg "Processional Scene, Choson dynasty by Korean School")
_-_(MeisterDrucke-519616).jpg "Bottle with floral design, Yi dynasty by Korean School")
.jpg "Detail of the portrait of the Sixth King (Danjong) by Korean School")
.jpg "Tumulus of King Muryong by Korean School")
.jpg "Coreen Art: Buddha statuette in gold. Silla period, 8th-10th century by Korean School")
_-_(MeisterDrucke-907037).jpg "Tea bowl, Goki type, early 18th century by Korean School")
.jpg "Bowl with Molded Peony Vinescroll Design by Korean School")
.jpg "Bottle, Second Half of 16th Century by Korean School")
_-_(MeisterDrucke-1350005).jpg "Kyŏnggi-do, from")
_-_(MeisterDrucke-1012954).jpg "Bowl, Early 12th Century by Korean School")
_-_(MeisterDrucke-519614).jpg "Jar with floral design, Yi dynasty, 1392-1910 by Korean School")
_-_(MeisterDrucke-943371).jpg "Portrait of Yi Haeung (or")
.jpg "Leys Jar or Spittoon by Korean School")
_-_(MeisterDrucke-436439).jpg "Deep bowl, Pusan, Kyongsang Namdo province, Choson period by Korean School")
.jpg "Representation of the Buddha Amitabha, gold statuette. Silla period. 7th-8th century. National Museum of Korea by Korean School")
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_Seated_in_a_Paradise_G_-_(MeisterDrucke-657678).jpg "Willow-Branch Bodhisattva Avalokiteshvara (Kwanseum Posal) Seated in a Paradise Garden, Koryo Dynasty by Korean School")
_Seated_in_a_Paradise_G_-_(MeisterDrucke-657678).jpg)
_-_(MeisterDrucke-906709).jpg "Bride")
 - (MeisterDrucke-51502).jpg "Devil Posts by Korean School")
_-_(MeisterDrucke-416022).jpg "Seated Sakyamuni Buddha from Chungung-ni by Korean School")
.jpg "Bowl by Korean School")
.jpg "Jar with design of a dragon, Choson period, second half of 17th century by Korean School")
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_-_(MeisterDrucke-519266).jpg "Jug by Korean School")
.jpg "Tea bowl, second half of 16th century by Korean School")
_part_of_the_Pulkuk-sa_Temple_complex_first_co_-_(MeisterDrucke-420512).jpg "Tabo-tap (Pagoda of Prabhutaratna), part of the Pulkuk-sa Temple complex by Korean School")
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.jpg "Tea bowl, in style of hakeme by Korean School")
.jpg "Hanging Scroll of Kshitigarbha by Korean School")
_-_(MeisterDrucke-1459251).jpg "Tathagata Buddha by Korean School")
.jpg "Buddha statuette in golden bronze (Silla period) by Korean School")
.jpg "Chogang, the Second King of Hell by Korean School")
.jpg "Box for Official Seal, last half of 18th century by Korean School")
_-_(MeisterDrucke-1019773).jpg)
_-_(MeisterDrucke-519265).jpg "Jug by Korean School")
.jpg "Ewer with Bamboo-shaped Spout, Fluting, and Leaves by Korean School")
_-_(MeisterDrucke-906773).jpg "Tea bowl by Korean School")
 - (MeisterDrucke-84287).jpg "Kyemi Character Print Blocks, c.1403 by Korean School")
_-_(MeisterDrucke-657830).jpg "Chonhado (World Map) by Korean School")
.jpg "Punwon ware bottle, Kyonggido province, Chosan period by Korean School")
_-_(MeisterDrucke-1007047).jpg "Portrait of Yi Gilbo (or “Yeonan”) by Korean School")
.jpg "Dish, mid 15th century by Korean School")
_-_(MeisterDrucke-519615).jpg "Jar with floral design, Yi dynasty, 1392-1910 by Korean School")
_-_(MeisterDrucke-436525).jpg "Box, Koryo period, second half of 12th century by Korean School")
_-_(MeisterDrucke-1030705).jpg "Bowl with cranes and clouds by Korean School")
.jpg "Ewer by Korean School")
.jpg "Bowl by Korean School")
.jpg "Two Guardians, from the Pagoda of Pun Hwangsa by Korean School")
_-_(MeisterDrucke-658865).jpg "Genre Scene, 1 of 4 by Korean School")
 - (MeisterDrucke-638762).jpg "The Banquet of Seowangmo, c.1800 by Korean School")
.jpg "Bowl with Stamp-Impressed Relief Designs, 16th-17th Century by Korean School")
.jpg "Cup and stand, late 12th-early 13th century by Korean School")
.jpg "Bowl by Korean School")
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The development of Korean art can be traced back to the time of the origin of petroglyphs. The first artists were painters whose canvases were the rocky undergrounds in caves. From the cave paintings, an art developed that approximates the predominant art forms of East Asia. For the sake of clear delineation, Korean art groups together all works made on a surface in Korea or by a Korean artist in another country. This clear formulation draws a line to Japanese and Chinese art development, which are as similar as they are different to art development in Korea. Splinters of both art schools are present in Korean art, and yet painting has developed separately from influences on society and religion. The Japanese school is present through the art of everyday objects. Chinese art can be seen in ink painting, landscape depictions and portrait painting.
An important concept in Korean painting is the strict separation of monochromatic representation and a colorful work. Calligraphy is rarely combined with oil painting, showing the two branches of art. Socially, the art directions can be based on the structure of a class system. Monochrome painting with brush and ink is often attributed to a learned social class in Korean art. Monochrome paintings are seen as an artistic reference to the teachings of Confucius. Learned artists can discern a colorfulness between the gradations of black inks. The color gradations are not based on the perception of the eye, but on an emotional recognition. This theory perceives a loss of subtlety in the actual use of color and a limitation of the viewer's individual imagination. Ancient folk painting serves decorative purposes and is a reflection of various beliefs.
Korean folk art is an antithesis to ink drawing. Colorful works are decorated with ritual reference or funerary art. Each art style is subject to the influences of foreign cultures. Colorful everyday art was first infused with the Buddhist use of rich thalo and primary colors. Early imprints can be traced back to India. This raises expectations of a Buddhist orientation, which can be found in statues, depictions of monks, and the tranquil atmosphere of mountain landscapes. Complementing the colors, Korean works represent a deep symbolic language. The tiger is the most significant symbol in folk painting. Tigers are often depicted as lovable and somewhat simple-minded. The notion of the ferocious predator is not supported by art. Dragons and mountain spirits are among the symbols that spring from the country's legends. Bamboo, pine, crane, sun and the mountain landscapes are a sign of longevity. Confucian painting focuses on social values. Loyalty, reverence and a high level of achievement are considered to be the highest good in the interaction. Career and success are symbolized by a carp that turns into a dragon.
The development of Korean art can be traced back to the time of the origin of petroglyphs. The first artists were painters whose canvases were the rocky undergrounds in caves. From the cave paintings, an art developed that approximates the predominant art forms of East Asia. For the sake of clear delineation, Korean art groups together all works made on a surface in Korea or by a Korean artist in another country. This clear formulation draws a line to Japanese and Chinese art development, which are as similar as they are different to art development in Korea. Splinters of both art schools are present in Korean art, and yet painting has developed separately from influences on society and religion. The Japanese school is present through the art of everyday objects. Chinese art can be seen in ink painting, landscape depictions and portrait painting.
An important concept in Korean painting is the strict separation of monochromatic representation and a colorful work. Calligraphy is rarely combined with oil painting, showing the two branches of art. Socially, the art directions can be based on the structure of a class system. Monochrome painting with brush and ink is often attributed to a learned social class in Korean art. Monochrome paintings are seen as an artistic reference to the teachings of Confucius. Learned artists can discern a colorfulness between the gradations of black inks. The color gradations are not based on the perception of the eye, but on an emotional recognition. This theory perceives a loss of subtlety in the actual use of color and a limitation of the viewer's individual imagination. Ancient folk painting serves decorative purposes and is a reflection of various beliefs.
Korean folk art is an antithesis to ink drawing. Colorful works are decorated with ritual reference or funerary art. Each art style is subject to the influences of foreign cultures. Colorful everyday art was first infused with the Buddhist use of rich thalo and primary colors. Early imprints can be traced back to India. This raises expectations of a Buddhist orientation, which can be found in statues, depictions of monks, and the tranquil atmosphere of mountain landscapes. Complementing the colors, Korean works represent a deep symbolic language. The tiger is the most significant symbol in folk painting. Tigers are often depicted as lovable and somewhat simple-minded. The notion of the ferocious predator is not supported by art. Dragons and mountain spirits are among the symbols that spring from the country's legends. Bamboo, pine, crane, sun and the mountain landscapes are a sign of longevity. Confucian painting focuses on social values. Loyalty, reverence and a high level of achievement are considered to be the highest good in the interaction. Career and success are symbolized by a carp that turns into a dragon.
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.jpg "Korean Art: Scenes in the House of a Geisha by Korean School")
.jpg "Hanging Scroll depicting a willow-branch Bodhisattva Avalokiteshvara (Kwanseum Posal) seated in a Paradise Garden, Koryo dynasty by Korean School")
.jpg "Detail, Portrait of the Tenth King (Yeonsangun) by Korean School")
_second_half_16th_century_(porcelain_with_transparent_glaze_-_(MeisterDrucke-907901).jpg "Tea bowl (koraijawan) by Korean School")
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.jpg "Chogang, the Second King of Hell by Korean School")
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