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Feel the passion of Joseph Wolf in our art prints.

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Joseph Wolf
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Joseph Wolf

Joseph Wolf

  January 22, 1820
  April 20, 1899
   •   Art of the 19th century   •   Wikipedia: Joseph Wolf

It is said that Joseph Wolf (1820-1899), the farmer's son from the Eifel, painted in Terra Nullius between art and science. He filled this segment completely with his works and thus he is consistently considered the most important artist in his field. In addition, the painter is one of those personalities who are not so easily labelled - but individualists are sometimes treated stepmotherly by historians. Thus Joseph Wolf initially took part in scientific progress only as a painter whose task it was to illustrate the work of others, and although he was respected in the artistic circles of his time, he had no influence of his own and no successor. Rather, Wolf's paintings were regarded as somewhat too scientific by artists and somewhat too artistic by scientists. Ultimately, the invention of photography also caused a certain disenchantment with his lifelike images. But later his paintings often reported about the drama in nature.

Joseph Wolf possessed an "absolute eye". He roamed the native forests and meadows to chase foxes, wild boars and birds of prey. In the evening he made sketches of his observations from memory. Later, his father sent him to Constance: Joseph Wolf completed an apprenticeship as a printer there, after which he went to the Grand Ducal Natural History Cabinet in Darmstadt. The director of the cabinet then recommended him further as an illustrator for zoologists and researchers. According to this, Joseph Wolf was able to illustrate the important falcon book Traité de Fauconnerie by the zoologist Schlegel - the twelve photographically accurate lithographs are regarded as the basis of his career as an animal illustrator. There was enough work: new species of animals came to Europe from the colonial countries at that time and had to be drawn in detail for the destination books. Among other works, Joseph Wolf also drew the illustrations for the fauna Japonica by Franz von Siebold, thus furthering the progress in zoology of his time.

Joseph Wolf went to London in 1848. Up to the end of his life he remained in the hotspot of natural history. Studies in the big zoos of London with a lot of exotic animals strengthened his artistic reputation. Additionally, he published in scientific magazines. At the latest after Joseph Wolf had created the first lifelike representation of gorillas, which shaped the image of the great ape species over decades, his great reputation was complete. In addition to Wolf's feeling for the behaviour and movement of the animals, his works crystallized an increasing overall ecological understanding. His heart always hung on his own observations, day and night. In the process, he produced detailed sketches and studies that often served the zoological sciences as a basis for further research. When he found it difficult to produce such detailed small formats with increasing age, Joseph Wolf devoted himself more and more to animal painting.

Instead of small scientific formats, the artist produced paintings that told of the struggle for survival in nature - Charles Darwin had characterized this struggle as the "motor of evolution". Wolf had sympathies with the inferior and weak, so his precise and distanced observations of nature were replaced by paintings full of poetically painted love of animals. Ultimately, Wolf's artistic work is considered to be far more significant than photographic snapshots, because they are the result of the most intensive study of the biology of animals.

Joseph Wolf

Joseph Wolf
  January 22, 1820
  April 20, 1899
   •   Art of the 19th century   •   Wikipedia: Joseph Wolf

It is said that Joseph Wolf (1820-1899), the farmer's son from the Eifel, painted in Terra Nullius between art and science. He filled this segment completely with his works and thus he is consistently considered the most important artist in his field. In addition, the painter is one of those personalities who are not so easily labelled - but individualists are sometimes treated stepmotherly by historians. Thus Joseph Wolf initially took part in scientific progress only as a painter whose task it was to illustrate the work of others, and although he was respected in the artistic circles of his time, he had no influence of his own and no successor. Rather, Wolf's paintings were regarded as somewhat too scientific by artists and somewhat too artistic by scientists. Ultimately, the invention of photography also caused a certain disenchantment with his lifelike images. But later his paintings often reported about the drama in nature.

Joseph Wolf possessed an "absolute eye". He roamed the native forests and meadows to chase foxes, wild boars and birds of prey. In the evening he made sketches of his observations from memory. Later, his father sent him to Constance: Joseph Wolf completed an apprenticeship as a printer there, after which he went to the Grand Ducal Natural History Cabinet in Darmstadt. The director of the cabinet then recommended him further as an illustrator for zoologists and researchers. According to this, Joseph Wolf was able to illustrate the important falcon book Traité de Fauconnerie by the zoologist Schlegel - the twelve photographically accurate lithographs are regarded as the basis of his career as an animal illustrator. There was enough work: new species of animals came to Europe from the colonial countries at that time and had to be drawn in detail for the destination books. Among other works, Joseph Wolf also drew the illustrations for the fauna Japonica by Franz von Siebold, thus furthering the progress in zoology of his time.

Joseph Wolf went to London in 1848. Up to the end of his life he remained in the hotspot of natural history. Studies in the big zoos of London with a lot of exotic animals strengthened his artistic reputation. Additionally, he published in scientific magazines. At the latest after Joseph Wolf had created the first lifelike representation of gorillas, which shaped the image of the great ape species over decades, his great reputation was complete. In addition to Wolf's feeling for the behaviour and movement of the animals, his works crystallized an increasing overall ecological understanding. His heart always hung on his own observations, day and night. In the process, he produced detailed sketches and studies that often served the zoological sciences as a basis for further research. When he found it difficult to produce such detailed small formats with increasing age, Joseph Wolf devoted himself more and more to animal painting.

Instead of small scientific formats, the artist produced paintings that told of the struggle for survival in nature - Charles Darwin had characterized this struggle as the "motor of evolution". Wolf had sympathies with the inferior and weak, so his precise and distanced observations of nature were replaced by paintings full of poetically painted love of animals. Ultimately, Wolf's artistic work is considered to be far more significant than photographic snapshots, because they are the result of the most intensive study of the biology of animals.





The most popular works of Joseph Wolf

These artworks are particularly popular with our customers.

African Elephants
Undated | watercolour on paper

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Ocelot, 1851-52
1851 | watercolour on paper

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Spotted Eagle (Aquila clanga), 1...
1856 | watercolour on paper

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Eagle in flight, 1873
1873 | watercolour on paper

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The most popular works of Joseph Wolf

These artworks are particularly popular with our customers.

Undated | watercolour on paper

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1851 | watercolour on paper

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1873 | watercolour on paper

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Discover more artworks by Joseph Wolf

Discover more artworks by Joseph Wolf

144 artworks found
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Joseph Wolf
Leopards, 1851-69
1851 | watercolour on paper

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Joseph Wolf
Cheetah, 1851-52
1851 | watercolour on paper

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Joseph Wolf
The Painted Ocelot (Felis picta)...
1850 | colour lithograph

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Joseph Wolf
Greenland gyrfalcon
Undated | colour lithograph

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Joseph Wolf
Barbary Wild Sheep
Undated | watercolour on paper

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Joseph Wolf
Saker Falcon,
Undated | pencil and watercolour

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Joseph Wolf
Lanner Falcon (Falco lanarius), ...
1856 | watercolour on paper

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Joseph Wolf
Ring-necked Pheasant (Phasianus ...
1852 | watercolour on paper

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Joseph Wolf
Fennec Fox - Canis cerdo
Undated | watercolour on paper

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Joseph Wolf
Manchurian Deer
Undated | watercolour on paper

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Joseph Wolf
Crimson bellied Tragopan, engrav...
Undated | coloured engraving

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Joseph Wolf
Clouded Leopard, 1851-69
1851 | watercolour on paper

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Joseph Wolf
American Bison, 1850
1850 | watercolour on paper

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Joseph Wolf
Shoebilled stork, 1861
1861 | colour lithograph

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Joseph Wolf
Elands, c.1850
1850 | watercolour on paper

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Joseph Wolf
Hoolocks Gibbon, 1869
1869 | watercolour on paper

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Joseph Wolf
Pantagonian Sea Lions, c.1865
1865 | watercolour on paper

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Joseph Wolf
Satin Bowerbird, 1861
1861 | colour lithograph

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Joseph Wolf
Saddle-billed Stork (Xenorhynchu...
1856 | watercolour on paper

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Joseph Wolf
Black-necked Stork (Xenorhynchus...
1856 | watercolour on paper

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Joseph Wolf
Concave casque Hornbill, 1861
1861 | colour lithograph

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Joseph Wolf
Lioness and Young, 1855
1855 | watercolour on paper

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Joseph Wolf
Giraffe and Young, 1852
1852 | watercolour on paper

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Joseph Wolf
Angola Vulture (Gypohierax angol...
1856 | watercolour on paper

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Joseph Wolf
Thar
Undated | watercolour on paper

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Joseph Wolf
Manchurian Crane (Grus viridiros...
1851 | watercolour and pencil on paper

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Joseph Wolf
Vigne's Wild Sheep, 1858
1858 | watercolour on paper

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Willem Bastiaan van Wouw (possibly)
Witte Groenlandse valk Le groën...
Undated | paper

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Willem Bastiaan van Wouw (possibly)
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Joseph Wolf
Lineated Kaleege (Euplpcamus lin...
1851 | watercolour and pencil on paper

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Joseph Wolf
Brush Turkey (Talegalla lathami)...
1851 | watercolour and pencil on paper

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Joseph Wolf
Swinhoe's Pheasant (Euplocamus s...
1852 | watercolour on paper

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Joseph Wolf
Ashy-headed Goose (Chloephaga po...
1852 | watercolour on paper

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Joseph Wolf
 
1862 | hand-coloured lithograph

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Joseph Wolf
Hairy Eared Rhinoceros
Undated | watercolour on paper

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Joseph Wolf
The Red-river Hog, 1865
1865 | colour lithograph

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Willem Bastiaan van Wouw
Valk Le sacre hagard (title on ...
Undated | paper

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Willem Bastiaan van Wouw
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Joseph Wolf
Iceland Falcon (Hierofalco islan...
1856 | watercolour and pencil on paper

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Joseph Wolf
Azara's Fox - Canis azarae
Undated | watercolour on paper

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Joseph Wolf
Row in the Jungle, 1863
1863 | watercolour on paper

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Joseph Wolf
Elliot"s Pheasant, 1865
1865 | hand-coloured lithograph

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Willem Bastiaan van Wouw
Giervalk met sneeuwhoen Le gerf...
Undated | paper

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Joseph Wolf
American Skunk
Undated | watercolour on paper

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Joseph Wolf
Javan Rhinoceros, 1874
1874 | watercolour on paper

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Joseph Wolf
Aye-aye, 1861
1861 | colour lithograph

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Joseph Wolf
California Deer, c.1850
1850 | watercolour on paper

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Joseph Wolf
Kiwi Mantells, 1852
1852 | watercolour on paper

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Joseph Wolf
Japanese Pheasants, 1865
1865 | watercolour on paper

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Joseph Wolf
The Canadian Lynx (Felis canaden...
1852 | watercolour on paper

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Joseph Wolf
Clouded Leopard, 1861
1861 | colour lithograph

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Joseph Wolf
Snowy Owl, Nyctea Nivea (waterco...
Undated | watercolour

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Joseph Wolf
Persian Deer
Undated | watercolour on paper

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Joseph Wolf
Tapir, 1880
1880 | watercolour on paper

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Joseph Wolf
Persian Gazelle
Undated | watercolour on paper

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Joseph Wolf
Black-necked swan (Cygnus nigric...
1852 | watercolour on paper

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Joseph Wolf
Ocelot, 1851-52
1851 | watercolour on paper

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Joseph Wolf
A Night Attack
1872 | engraving

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Joseph Wolf
Egyptian Cat, 1851-69
1851 | watercolour on paper

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Joseph Wolf
Walrus - Tricherchus rosmarus
Undated | watercolour on paper

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Joseph Wolf
Norwegian gyrfalcon, 1866
Undated | oil on canvas

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Joseph Wolf
The Leucoryx Antelope, Oryx Leuc...
1850 | watercolour on paper

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Joseph Wolf
Ptarmigan, Winter, 1873 (wc)
1873 | watercolour on paper

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Joseph Wolf
Upland Goose (Bernicla magellani...
1852 | watercolour on paper

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Joseph Wolf
Manatee, 1879
1879 | watercolour on paper

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Joseph Wolf
Rufous-tailed Pheasant (Euplocam...
1852 | watercolour on paper

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Joseph Wolf
A Snow Leopard Stalking Ovis Poli,
Undated | pencil and watercolour heightened with white

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Joseph Wolf
Horned Tragopan (Ceriornis satyr...
1851 | watercolour and pencil on paper

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Joseph Wolf
Ocelot, 1851
1851 | watercolour on paper

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Joseph Wolf
Egrets (Ardea candidissima: Arda...
1867 | watercolour and pencil on paper

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Joseph Wolf
Bennett's Cassowary (Casuarius b...
1851 | watercolour and pencil on paper

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Joseph Wolf
Yaguarundi Cat, 1851-69
1851 | watercolour on paper

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Joseph Wolf
Tapir, 1880
1880 | watercolour on paper

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Joseph Wolf
Caspian Snow-partridge (Tetraoga...
1852 | watercolour on paper

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Joseph Wolf
Wapiti, c.1850
1850 | watercolour on paper

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Joseph Wolf
African Tantalus (Pseudotantalus...
1856 | watercolour and pencil on paper

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Joseph Wolf
Wagati Cat, 1851-69
1851 | watercolour on paper

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Joseph Wolf
Saker Falcon (Falco sacer), 1856...
1856 | watercolour on paper

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Joseph Wolf
Soemmerring's Pheasant (Phasianu...
1852 | watercolour on paper

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Joseph Wolf
Ocelot, 1851-52
1851 | watercolour on paper

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Joseph Wolf
Kiwi, c.1850
1850 | watercolour on paper

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Joseph Wolf
Stranger's Monkey, colour plate ...
1851 | watercolour on paper

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Joseph Wolf
Kagu (Rhinochetus jubatus), c.18...
1851 | watercolour and pencil on paper

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Joseph Wolf
Yaguarundi Cat (Felis yaguarundi)
Undated | watercolour on paper

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Joseph Wolf
Ocelot, 1851-52
1851 | watercolour on paper

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Joseph Wolf
Obaysch, c.1850
1850 | watercolour on paper

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Joseph Wolf
Gyr falcons on a rocky ledge
1899 | Oil on canvas

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Joseph Wolf
Rasse - Vivericula malaccensis
Undated | watercolour on paper

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Joseph Wolf
Siamese Pheasant (Euplocamus pra...
1852 | watercolour on paper

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Joseph Wolf
'Kestrel', 1862, 1942.
1942 |

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Joseph Wolf
Scimitar Horned Oryx Calves, c.1...
1850 | watercolour on paper

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Joseph Wolf
African Rhinoceros
Undated | watercolour on paper

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Joseph Wolf
Ashy-black Macaque (Macacus ocre...
1869 | watercolour on paper

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Joseph Wolf
Norwegian Lynx, 1851-69
1851 | watercolour on paper

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Joseph Wolf
Bar-tailed Pheasant (Phasianus r...
1852 | watercolour on paper

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Joseph Wolf
Caracal, 1851-69
1851 | watercolour on paper

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Joseph Wolf
Vieillot's Fireback (Euplocamus ...
1852 | watercolour on paper

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Joseph Wolf
Winter
Undated | engraving

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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
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        support@meisterdrucke.com
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