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Passionate Customer Service Museum Quality Art Prints Customization Options AvailableThe school of English nature painting in the middle of the 19th century split into two directions: The Academy Painting with classical, academic motifs and the Pre-Raphaelite Painting with its claim to paint nature as it is. John William Inchbold, son of a newspaper publisher from Yorkshire, Great Britain was one of them.
Inchbold's work shows his early, detailed, almost loving preoccupation with nature. During his studies he met a group of painters around the Rosetti brothers. They later called themselves the Pre-Raphaelite Brotherhood. The influence of these young painters can be seen in the aims of this brotherhood, directly in the motif implementation of John William Inchbold's work. The group committed itself to the lifelike, detailed depiction of animated, i.e. living motifs. The academic and artificial representation of subjects was rejected by them. This commitment to naturalness is what the viewers of his first oil painting on display - The Moorland - encounter. The painting is constructed on several levels, the viewer does not know where to look at the first moment. Should the raven in the foreground appear first, or should it be the suggested expanse of the barren landscape up to the horizon? One really feels alive in this scenery. John Ruskin, the leading British art critic of his time, praised him effusively for his depiction of this moorland landscape. Also his companions, the painters Cecil Lawson, James Clarke Hook or Ernest Parton have left admiring words.
However, after he regularly found himself in financial difficulties from his fortieth birthday, he left London and moved to Switzerland. There he had spent regular stays with Ruskin in the mid-1850s. During the Swiss years, almost exclusively mountain motifs of Swiss summits were created. Entirely in keeping with the pre-Raphaelites' claim - "Paint what you see". These motifs finally consolidated his reputation as an outstanding landscape painter. The only change to Switzerland was a trip to Algeria. On his return he was fully loaded with new motifs, sketches and rough drafts for further paintings. However, these were not to be realized, because almost one and a half years after his return, John William Inchbold died of a sudden heart attack. His works can be found in all the famous museums of London: the Royal Academy of Arts, the Victoria and Albert Museum, the Tate Britain and the Leeds Art Gallery.
The school of English nature painting in the middle of the 19th century split into two directions: The Academy Painting with classical, academic motifs and the Pre-Raphaelite Painting with its claim to paint nature as it is. John William Inchbold, son of a newspaper publisher from Yorkshire, Great Britain was one of them.
Inchbold's work shows his early, detailed, almost loving preoccupation with nature. During his studies he met a group of painters around the Rosetti brothers. They later called themselves the Pre-Raphaelite Brotherhood. The influence of these young painters can be seen in the aims of this brotherhood, directly in the motif implementation of John William Inchbold's work. The group committed itself to the lifelike, detailed depiction of animated, i.e. living motifs. The academic and artificial representation of subjects was rejected by them. This commitment to naturalness is what the viewers of his first oil painting on display - The Moorland - encounter. The painting is constructed on several levels, the viewer does not know where to look at the first moment. Should the raven in the foreground appear first, or should it be the suggested expanse of the barren landscape up to the horizon? One really feels alive in this scenery. John Ruskin, the leading British art critic of his time, praised him effusively for his depiction of this moorland landscape. Also his companions, the painters Cecil Lawson, James Clarke Hook or Ernest Parton have left admiring words.
However, after he regularly found himself in financial difficulties from his fortieth birthday, he left London and moved to Switzerland. There he had spent regular stays with Ruskin in the mid-1850s. During the Swiss years, almost exclusively mountain motifs of Swiss summits were created. Entirely in keeping with the pre-Raphaelites' claim - "Paint what you see". These motifs finally consolidated his reputation as an outstanding landscape painter. The only change to Switzerland was a trip to Algeria. On his return he was fully loaded with new motifs, sketches and rough drafts for further paintings. However, these were not to be realized, because almost one and a half years after his return, John William Inchbold died of a sudden heart attack. His works can be found in all the famous museums of London: the Royal Academy of Arts, the Victoria and Albert Museum, the Tate Britain and the Leeds Art Gallery.
 - (MeisterDrucke-285665).jpg "View of a Lake with Trees by John William Inchbold")
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.jpg "Scarborough by John William Inchbold")
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.jpg "Anstey")
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.jpg "The Castle at Chillon by John William Inchbold")
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.jpg "Gate of the Sea, Venice by John William Inchbold")
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.jpg "Ariccia, Italy, 1860 by John William Inchbold")
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 - (MeisterDrucke-219795).jpg "Wooded Slope with Four Figures by John William Inchbold")
 - (MeisterDrucke-219795).jpg)
_-_(MeisterDrucke-901486).jpg "Harvest Field, Stratford-upon-Avon by John William Inchbold")
_-_(MeisterDrucke-901486).jpg)
.jpg "The White Doe of Rylstone by John William Inchbold")
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.jpg "Lake Leman with the Dents du Midi in the Distance by John William Inchbold")
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.jpg "Stonehenge by John William Inchbold")
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.jpg "An Alpine Lake by John William Inchbold")
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.jpg "Springtime in Spain: near Gordella, 1869 by John William Inchbold")
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_-_(MeisterDrucke-1019793).jpg "The Lake of Geneva, c.1880-1882 by John William Inchbold")
_-_(MeisterDrucke-1019793).jpg)
.jpg "In Early Spring: A Study in March by John William Inchbold")
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.jpg "Cuillin Ridge, Skye from Sligechan by John William Inchbold")
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.jpg "Cuillin Ridge, Skye, from Sligachan, 1855 by John William Inchbold")
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_-_(MeisterDrucke-1019609).jpg "Scarborough by John William Inchbold")
_-_(MeisterDrucke-1019609).jpg)
_-_(MeisterDrucke-393165).jpg "An Artist Painting by the Sea by John William Inchbold")
_-_(MeisterDrucke-393165).jpg)
.jpg "Cornfield at Sunset by John William Inchbold")
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.jpg "Springtime in Spain, near Gordella, c. 1869 by John William Inchbold")
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.jpg "Wooded Slope with Four Figures by John William Inchbold")
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.jpg "View of a Lake with Trees by John William Inchbold")
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 - (MeisterDrucke-138939).jpg "Swiss Valley Landscape, 1885 by John William Inchbold")
 - (MeisterDrucke-138939).jpg)
 - (MeisterDrucke-38312).jpg "Unknown Image by John William Inchbold")
 - (MeisterDrucke-38312).jpg)
.jpg "Above Montreux by John William Inchbold")
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 - (MeisterDrucke-110943).jpg "In Richmond Park by John William Inchbold")
 - (MeisterDrucke-110943).jpg)
.jpg "The Thames, Early Morning, Towards St. Paul")
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 - (MeisterDrucke-216533).jpg "The Common, June, 1871 by John William Inchbold")
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.jpg "Ariccia, near Rome, Italy by John William Inchbold")
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_-_(MeisterDrucke-1102448).jpg "On the Road of Sepey, Switzerland by John William Inchbold")
_-_(MeisterDrucke-1102448).jpg)
.jpg "Cornfield at Sunset by John William Inchbold")
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.jpg "In Westminster Abbey by John William Inchbold")
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.jpg "Swiss Valley Landscape by John William Inchbold")
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 - (MeisterDrucke-40042).jpg "The Thames, Early Morning, Toward St. Paul")
 - (MeisterDrucke-40042).jpg)
.jpg "In Richmond Park by John William Inchbold")
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.jpg "Above Montreux by John William Inchbold")
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.jpg "Cornfield at Sunset by John William Inchbold")
_-_(MeisterDrucke-907549).jpg "On the Lagoon, Venice by John William Inchbold")
.jpg "A Study, in March by John William Inchbold")
.jpg "The Lake of Lucerne, Mount Pilatus in the Distance by John William Inchbold")