He was the "tailor who advanced to scientist" and was distinguished by his keen pictorial sense. His extraordinarily skillful and detailed maps served as the basis for the production of world maps until the middle of the 18th century and made John Speed one of the most famous English cartographers of the early modern period. Thanks to his membership in a tailors' guild, John Speed entered educated circles where his intellect was recognized and appreciated: with the help of his patrons, he received a scholarship that enabled him to give up tailoring and devote himself to his passion: Cartography. The Queen herself provided him with a room in the London Custom House for this work and regarded his works with great interest.
Speed drew historical maps of the invasion of England and Ireland and representations of the English Middle Ages and the period. With an atlas called The Theatre of the Empire of Great Britaine, he published in 1611 a collection of maps of the counties of England, Wales and Ireland and a general map of Scotland. For this, he had analyzed vast amounts of data from landscape surveys and translated the results into artful maps. Although he also surveyed landscapes himself, he was supplied with most of the data for his maps. By letter, he asked Sir Robert Cotton for help in obtaining the information. One of his sons also assisted him in this way by obtaining surveys of English communities. Many British towns were visually depicted here for the first time, making Speed's maps an indispensable source for historians. Yet Speed's depictions were by no means objective. His ideological convictions flowed into his work. For example, he depicted James I as the unifier of the British Isles. A committed Christian, he published a map of Biblical Canaan in 1595 and in 1611 published several Biblical genealogies intended to depict the ancestral line from Adam to the Virgin Mary.
Speed engraved his maps and images on copper plates. Not an easy craft, considering that all the designs and lettering had to be mirror images and accurately placed. They were duplicated by printing and then colored. The result was prints of the highest precision craftsmanship and appealing aesthetics. His depictions of historical and contemporary scenes and of British society's garb were also very popular and were popular decorative pieces in British households. Speed's work, however, was not limited to the British Isles and Christian motifs; he also mapped the Channel Islands, Poland, and America. Shortly before his death, he was the first Englishman to publish a world atlas entitled A Prospect of the Most Famous Parts of the World. For 40 shillings, well-heeled contemporaries could purchase this atlas, which can still be found in many private libraries.
He was the "tailor who advanced to scientist" and was distinguished by his keen pictorial sense. His extraordinarily skillful and detailed maps served as the basis for the production of world maps until the middle of the 18th century and made John Speed one of the most famous English cartographers of the early modern period. Thanks to his membership in a tailors' guild, John Speed entered educated circles where his intellect was recognized and appreciated: with the help of his patrons, he received a scholarship that enabled him to give up tailoring and devote himself to his passion: Cartography. The Queen herself provided him with a room in the London Custom House for this work and regarded his works with great interest.
Speed drew historical maps of the invasion of England and Ireland and representations of the English Middle Ages and the period. With an atlas called The Theatre of the Empire of Great Britaine, he published in 1611 a collection of maps of the counties of England, Wales and Ireland and a general map of Scotland. For this, he had analyzed vast amounts of data from landscape surveys and translated the results into artful maps. Although he also surveyed landscapes himself, he was supplied with most of the data for his maps. By letter, he asked Sir Robert Cotton for help in obtaining the information. One of his sons also assisted him in this way by obtaining surveys of English communities. Many British towns were visually depicted here for the first time, making Speed's maps an indispensable source for historians. Yet Speed's depictions were by no means objective. His ideological convictions flowed into his work. For example, he depicted James I as the unifier of the British Isles. A committed Christian, he published a map of Biblical Canaan in 1595 and in 1611 published several Biblical genealogies intended to depict the ancestral line from Adam to the Virgin Mary.
Speed engraved his maps and images on copper plates. Not an easy craft, considering that all the designs and lettering had to be mirror images and accurately placed. They were duplicated by printing and then colored. The result was prints of the highest precision craftsmanship and appealing aesthetics. His depictions of historical and contemporary scenes and of British society's garb were also very popular and were popular decorative pieces in British households. Speed's work, however, was not limited to the British Isles and Christian motifs; he also mapped the Channel Islands, Poland, and America. Shortly before his death, he was the first Englishman to publish a world atlas entitled A Prospect of the Most Famous Parts of the World. For 40 shillings, well-heeled contemporaries could purchase this atlas, which can still be found in many private libraries.
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