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Where to begin, with this Leonardo da Vinci of the 19th century, who pursued such wide-ranging interests and left such a clear mark on the history of art? In his memoirs, John Ruskin mentions that he taught himself to read and write while still at pre-school age. He accompanied his parents on business trips first to the British Isles, later to France, Belgium, Germany and Switzerland. He visited stately homes, gardens, galleries and other culturally interesting institutions with them. Thus the foundation for his interest in architecture, history and art was laid at an early age. The Alps and other extraordinary views of nature made an equally lasting impression on him. Rather unmotivated, he graduated from Oxford and worked for nearly 20 years on his "History of Modern Painting," which produced a close encouragement and attachment to the British painter William Turner. Ruskin was one of the most prominent members of the Arts and Crafts movement, the English counterpart to continental Art Nouveau. He defended the painting style of the Pre-Raphaelite John Everett Millais, although the latter stole his wife. In general, he was unlucky in his relationships with women. He had to settle for platonic friendships or rejected marriage proposals.
All the more enthusiastically Ruskin pursued his art historical studies. With the treatises "The Seven Lamps of Architecture" and "The Stones of Venice" he presented milestones of architectural theory. He laid the foundations for dealing with contemporary architecture as well as for theory and practice in the preservation of historical monuments. The latter were at odds with the views of the Frenchman Eugène Viollet-le-Duc, as Ruskin advocated the preservation of historical transformations in architectural monuments, while Viollet-le-Duc advocated restoring historic buildings to their original condition. Ruskin paid particular attention to the Gothic period, which was readily reinterpreted as neo-Gothic in the 19th century and found its way into architecture as well as decorative arts and painting. He held a chair of art history at Oxford, and for over half a century Ruskin was publicly concerned with nature, geology, architecture, art and literature. He considered economic aspects, contributed to the field of mythology, and discussed ethical, historical, or religious issues. His scepticism about increasing industrialization, his concerns about the loss of manual skills and last but not least his social criticism of capitalism and Marxism influenced numerous personalities, below you for example Mahatma Gandhi.
As a writer, art historian and social philosopher, his work in the field of painting and graphic art concentrated on detailed architectural views, realistic landscape impressions and selected nature studies, which reflect his wide-ranging interests. With his self-portraits, on the other hand, he seemed to have explored purely himself and his manifold interests.
Where to begin, with this Leonardo da Vinci of the 19th century, who pursued such wide-ranging interests and left such a clear mark on the history of art? In his memoirs, John Ruskin mentions that he taught himself to read and write while still at pre-school age. He accompanied his parents on business trips first to the British Isles, later to France, Belgium, Germany and Switzerland. He visited stately homes, gardens, galleries and other culturally interesting institutions with them. Thus the foundation for his interest in architecture, history and art was laid at an early age. The Alps and other extraordinary views of nature made an equally lasting impression on him. Rather unmotivated, he graduated from Oxford and worked for nearly 20 years on his "History of Modern Painting," which produced a close encouragement and attachment to the British painter William Turner. Ruskin was one of the most prominent members of the Arts and Crafts movement, the English counterpart to continental Art Nouveau. He defended the painting style of the Pre-Raphaelite John Everett Millais, although the latter stole his wife. In general, he was unlucky in his relationships with women. He had to settle for platonic friendships or rejected marriage proposals.
All the more enthusiastically Ruskin pursued his art historical studies. With the treatises "The Seven Lamps of Architecture" and "The Stones of Venice" he presented milestones of architectural theory. He laid the foundations for dealing with contemporary architecture as well as for theory and practice in the preservation of historical monuments. The latter were at odds with the views of the Frenchman Eugène Viollet-le-Duc, as Ruskin advocated the preservation of historical transformations in architectural monuments, while Viollet-le-Duc advocated restoring historic buildings to their original condition. Ruskin paid particular attention to the Gothic period, which was readily reinterpreted as neo-Gothic in the 19th century and found its way into architecture as well as decorative arts and painting. He held a chair of art history at Oxford, and for over half a century Ruskin was publicly concerned with nature, geology, architecture, art and literature. He considered economic aspects, contributed to the field of mythology, and discussed ethical, historical, or religious issues. His scepticism about increasing industrialization, his concerns about the loss of manual skills and last but not least his social criticism of capitalism and Marxism influenced numerous personalities, below you for example Mahatma Gandhi.
As a writer, art historian and social philosopher, his work in the field of painting and graphic art concentrated on detailed architectural views, realistic landscape impressions and selected nature studies, which reflect his wide-ranging interests. With his self-portraits, on the other hand, he seemed to have explored purely himself and his manifold interests.
 - (MeisterDrucke-208986).jpg "Apse of the Duomo, Pisa by John Ruskin")
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.jpg "The Ducal Palace, Renaissance Capitals of the Loggia, from")
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.jpg "Tracery from the Campanile of Giotto, Florence, from")
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_-_(MeisterDrucke-568748).jpg "Study of Rocks and Ferns in a Wood at Crossmount, Perthshire, 1843 by John Ruskin")
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.jpg "The Palazzo Contarini-Fasan, Venice by John Ruskin")
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 - (MeisterDrucke-56825).jpg "Aiguilles de Chamonix by John Ruskin")
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.jpg "A Wild Strawberry Plant by John Ruskin")
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.jpg "The Cascade of Madness, Chamonix by John Ruskin")
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_-_(MeisterDrucke-568579).jpg "Dawn Coniston by John Ruskin")
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.jpg "Study of Dawn: Purple Clouds by John Ruskin")
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.jpg "Pilaster on the Facade of Sant Anastasia, Verona, June 1869 by John Ruskin")
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_-_(MeisterDrucke-568752).jpg "Rocks of Lanfon, Lake Annecy, c.1860 by John Ruskin")
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.jpg "Study of a Velvet Crab, probably autumn 1870 by John Ruskin")
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.jpg "Apse of the Duomo, Pisa, April 28, 1872 by John Ruskin")
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.jpg "The Ponte della Pietra, Verona by John Ruskin")
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.jpg "The Tomb of Ilaria del Caretto in the Duomo, Lucca by Jacopo della Quercia"){kind=icon}
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.jpg "The Tomb of Frederick II, Palermo Cathedral, Sicily by John Ruskin")
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 - (MeisterDrucke-206645).jpg "Study of Rock with Quartz veining, 19th century by John Ruskin")
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.jpg "The Tomb of Frederick II in the Cathedral of Palermo, 23 - 30 April 1874 by John Ruskin")
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.jpg "Drawing of Abraham Parting from the Angels from Benozzo Gozzoli by John Ruskin")
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 - (MeisterDrucke-145035).jpg "Afternoon in Spring, with south Wind, at Neuchâtel, 30 April 1869 by John Ruskin")
 - (MeisterDrucke-145035).jpg)
 - (MeisterDrucke-264859).jpg "Fondaco dei Turchi, Venice by John Ruskin")
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.jpg "Lake Lugano by John Ruskin")
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.jpg "Part of Saint Mark")
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.jpg "Abraham Parting from the Angels (detail) by John Ruskin")
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.jpg "Entrance to South Transept of Rouen Cathedral by John Ruskin")
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.jpg "The Forum, Rome, 19th century by John Ruskin")
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.jpg "Sunset at Herne Hill through the Smoke of London by John Ruskin")
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.jpg "Study of Gneiss Rock, Glenfinlas by John Ruskin")
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.jpg "Naples, 1841 by John Ruskin")
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.jpg "Drawing of Carpaccio")
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.jpg "A Dilapidated Cottage by John Ruskin")
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.jpg "Study for Detail of the Market-Place, Abbeville by John Ruskin")
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.jpg "The Valley of Lauterbrunnen, Switzerland by John Ruskin")
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.jpg "Part of the Facade of the destroyed Church of San Michele in Foro, Lucca, as it appeared in 1845 by John Ruskin")
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_-_(MeisterDrucke-1453284).jpg "Chestnut Leaves by John Ruskin")
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.jpg "Mont Blanc from Saint-Martin-sur-Arve, October 1874 by John Ruskin")
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.jpg "A Gothic Stairway in Chester Cathedral by John Ruskin")
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.jpg "Arabian Windows, In Campo Santa Maria Mater Domini, from")
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.jpg "Fondaco De Turchi, Venice, c. 1853 by John Ruskin")
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.jpg "Stilted Archivolts, from a Ruin in the Rio di Ca")
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.jpg "Ca")
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.jpg "Aiguilles of Chamonix, 1849 by John Ruskin")
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.jpg "Drawing of Tintoretto")
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.jpg "Part of the Facade of the Destroyed Church of San Michele in Foro, Lucca, 1846 by John Ruskin")
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.jpg "The Bridge of Rheinfelden, Switzerland by John Ruskin")
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.jpg "Study of Gneiss Rock, Glenfinlas, 1853-54 by John Ruskin")
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.jpg "Study of Dawn: purple Clouds, March 1868 by John Ruskin")
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.jpg "The Glacier des Bossons, Chamonix by John Ruskin")
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.jpg "The Northern Arch of the West Entrance of Amiens Cathedral, 17 - 18 May or 23 September 1856 by John Ruskin")
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.jpg "The Garden of San Miniato near Florence by John Ruskin")
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_-_(MeisterDrucke-568754).jpg "Study of a Dragon")
_-_(MeisterDrucke-568754).jpg)
 - (MeisterDrucke-168458).jpg "The Tomb of Frederick II in the Cathedral of Palermo, 23 - 30 April 1874 by John Ruskin")
 - (MeisterDrucke-168458).jpg)
.jpg "Stormy Sunset from Brantwood, Ruskin")
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 - (MeisterDrucke-72085).jpg "Mountain Landscape, Macugnaga by John Ruskin")
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.jpg "Exterior of Ducal Palace, Venice by John Ruskin")
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.jpg "Loggia of the Ducal Palace, Venice, 1849-50 by John Ruskin")
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.jpg "The Duomo of San Martino, Lucca by John Ruskin")
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.jpg "The Gryphon Bearing the North Shaft of the West Entrance of the Duomo, Verona by John Ruskin")
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.jpg "Study of the Marble Inlay on Front of the Casa Loredan, Venice, September-October 1845 by John Ruskin")
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.jpg "The Gates of the Hills, Version of J.M.W. Turner")
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_-_(MeisterDrucke-643428).jpg "Fragment of the Alps by John Ruskin")
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.jpg "Rheinfelden Bridge, 1858 by John Ruskin")
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.jpg "Cornice Moulding, From a Tomb in the Church of S.S. Giovanni e Paolo, from")
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 - (MeisterDrucke-147610).jpg "Study of the Marble Inlaying on the Front of the Casa Loredan, Venice, September - October 1845 by John Ruskin")
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.jpg "Gryphon, Verona, 19th century by John Ruskin")
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.jpg "Detail of the facade of San Michele in Foro by John Ruskin")
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 - (MeisterDrucke-297875).jpg "Mountains of Savoy seen from the Brezon by John Ruskin")
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.jpg "The Baptistery, Florence: Study of the upper Part of the right-hand Compartment on the south-west Fa by John Ruskin")
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.jpg "Study of a Peacock Feather by John Ruskin")
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.jpg "Mont Blanc from Saint-Martin-sur-Arve, October 1874 by John Ruskin")
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 - (MeisterDrucke-59455).jpg "The Rocky Bank of a River - Verso: Sketch of Foliage by John Ruskin")
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.jpg "The Head of a Miser: enlarged Drawing from Lützelburger")
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.jpg "Study for Detail of the Piazza delle Erbe, Verona, May 19, 1841 by John Ruskin")
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.jpg "Tree Study by John Ruskin")
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.jpg "The Palazzo della Ragione and Piazza delle Erbe, Padua by John Ruskin")
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.jpg "Kapelbrucke, Lucerne by John Ruskin")
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.jpg "Study for Detail of the Piazza delle Erbe, Verona by John Ruskin")
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 - (MeisterDrucke-75694).jpg "Moonlight, Chamonix by John Ruskin")
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_-_(MeisterDrucke-568753).jpg "Chamonix, Mt Blanc by John Ruskin")
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.jpg "Byzantine Column Capital by John Ruskin")
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.jpg "A Window of the Broletto, Como: Rapid Sketch in Colour, Showing Method of Inlaying Marbles, 1869 by John Ruskin")
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.jpg "The Northern Arch of the West Entrance of Amiens Cathedral, 17-18 May or 23 September 1856 by John Ruskin")
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.jpg "Bridge at Croyland by John Ruskin")
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.jpg "The Head of a Common Golden Eagle, from Life, 8 - 11 September 1870 by John Ruskin")
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_-_(MeisterDrucke-568750).jpg "View of Bellinzona by John Ruskin")
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.jpg "The Tomb of Cangrande I della Scala, Verona by John Ruskin")
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_-_(MeisterDrucke-1466001).jpg "The Staubbach, Switzerland by John Ruskin")
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 - (MeisterDrucke-167286).jpg "Under-surface of a dried Spray of Olive, gathered at Verona by John Ruskin")
 - (MeisterDrucke-167286).jpg)
.jpg "Moss and Wild Strawberry by John Ruskin")
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.jpg "The Highest House in England by John Ruskin")
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.jpg "Fribourg, Switzerland: Pen sketch, July or August - September 1856 by John Ruskin")
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.jpg "The Gryphon Bearing the North Shaft of the West Entrance of the Duomo, Verona by John Ruskin")
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.jpg "Garden at San Miniato by John Ruskin")
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.jpg "Peacock Feather by John Ruskin")
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.jpg "Study for Detail of the Sarcophagus and Canopy of the Tomb of Mastino II della Scala at Verona by John Ruskin")
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.jpg "Part of Saint Mark")
.jpg "The Duomo of San Martino, Lucca, July - August 1874 by John Ruskin")
.jpg "The Matterhorn, Switzerland, from the Northeast by John Ruskin")
.jpg "Study of a Kingfisher, with dominant Reference to Colour by John Ruskin")