Jean-Étienne Liotard was an eccentric painter who, in addition to his appearance, became famous for his portraits in pastel. His family were French Protestants who had to leave France in 1685 and flee to Geneva. His first teachers were Daniel Gardelle and Jean Louis Petitot. From 1725 he went to Paris, where he continued his studies under the instruction of Jean-Baptiste Massé and François Lemoyne. On the recommendation of his teachers Liotard was allowed to travel to Naples with the Marquis of Puysieux. About 10 years later he was allowed to portray Pope Clement XII and some of his cardinals in Rome. Some years later he was invited by the British Lord Duncannon to accompany him to Constantinople. Altogether Liotard stayed for five years in the capital of the Ottoman Empire and produced numerous portraits and scenes of everyday life. Since it was so recommended to the Western European travellers at that time, Liotard also dressed like the local population. He retained this style of dress even after his return from Constantinople. This rather unusual appearance earned him the nickname of the Turkish painter.
Around 1643 Liotard went to Vienna and painted various portraits of the imperial family around Empress Maria Theresa. In the years that followed he travelled a lot and was a much sought-after portraitist for various noble houses. He painted Marie Antoinette, the Empress of Russia or the Prince and Princess of Wales, among others. At that time, many people, whether or not they were ever outside Europe, liked to be portrayed in the exotic-looking Turkish costumes. Liotard was able to offer such services well because of his longer stay in the country. For example, he painted Madame Pompadur, Marie Adelaide von Franken or the philosopher Jean Jacques Rousseau in oriental dress. Another striking feature of Liotard's portraits was that he always depicted his models with a light smile. This was rather unusual at that time, as many artists chose a neutral to serious facial expression. In this way Liotard showed his closeness to the views of the Enlightenment.
In Holland Liotard married Marie Fargues, the daughter of a merchant of Huguenot descent, in 1757. At her request, he finally shaved off his full beard, which he had allowed to grow for many years in the manner of the Ottoman tradition. From 1758 on, they finally settled in Geneva. Liotard, however, undertook repeated trips to various European metropolises. In his later years he painted, inspired by Jean Simeon Chardin, various still lifes and landscape scenes. In 1781, at the age of 79, he published a treatise on the principles and rules of painting. Among other things, he explained that, in his opinion, painting should be a mirror of nature.
Jean-Étienne Liotard was an eccentric painter who, in addition to his appearance, became famous for his portraits in pastel. His family were French Protestants who had to leave France in 1685 and flee to Geneva. His first teachers were Daniel Gardelle and Jean Louis Petitot. From 1725 he went to Paris, where he continued his studies under the instruction of Jean-Baptiste Massé and François Lemoyne. On the recommendation of his teachers Liotard was allowed to travel to Naples with the Marquis of Puysieux. About 10 years later he was allowed to portray Pope Clement XII and some of his cardinals in Rome. Some years later he was invited by the British Lord Duncannon to accompany him to Constantinople. Altogether Liotard stayed for five years in the capital of the Ottoman Empire and produced numerous portraits and scenes of everyday life. Since it was so recommended to the Western European travellers at that time, Liotard also dressed like the local population. He retained this style of dress even after his return from Constantinople. This rather unusual appearance earned him the nickname of the Turkish painter.
Around 1643 Liotard went to Vienna and painted various portraits of the imperial family around Empress Maria Theresa. In the years that followed he travelled a lot and was a much sought-after portraitist for various noble houses. He painted Marie Antoinette, the Empress of Russia or the Prince and Princess of Wales, among others. At that time, many people, whether or not they were ever outside Europe, liked to be portrayed in the exotic-looking Turkish costumes. Liotard was able to offer such services well because of his longer stay in the country. For example, he painted Madame Pompadur, Marie Adelaide von Franken or the philosopher Jean Jacques Rousseau in oriental dress. Another striking feature of Liotard's portraits was that he always depicted his models with a light smile. This was rather unusual at that time, as many artists chose a neutral to serious facial expression. In this way Liotard showed his closeness to the views of the Enlightenment.
In Holland Liotard married Marie Fargues, the daughter of a merchant of Huguenot descent, in 1757. At her request, he finally shaved off his full beard, which he had allowed to grow for many years in the manner of the Ottoman tradition. From 1758 on, they finally settled in Geneva. Liotard, however, undertook repeated trips to various European metropolises. In his later years he painted, inspired by Jean Simeon Chardin, various still lifes and landscape scenes. In 1781, at the age of 79, he published a treatise on the principles and rules of painting. Among other things, he explained that, in his opinion, painting should be a mirror of nature.
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