James Abbott McNeill Whistler | Page 22

James Abbott McNeill Whistler | Page 22

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James Abbott McNeill Whistler
Return to Tilbury.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Churchyard, 1887.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Drouet, 1859.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A Sketch from Billingsgate, 1878...
1878 | drypoint

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James Abbott McNeill Whistler
The Limehouse, 1871.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Furnace Nocturne, 1886, 1904
1886 | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Early Morning, 1878, 1904
1878 | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Old Battersea Bridge, 1879, publ...
1879 | Lithograph, in black ink, with scraping, on white plate paper

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James Abbott McNeill Whistler
Early Morning, Battersea Batters...
Undated | etching

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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in dark gray on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in brown ink on cream laid paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream wove proofing paper

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James Abbott McNeill Whistler
[76] Impressions from cancelled ...
Undated | Etchings and drypoints; bound, small folio, half calf, paper: van Gelder

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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithotint in black ink with scraping and roulette on grayish ivory wove proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithograph, in black ink, with scraping, on cream wove Japanese vellum

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph, with scraping in black on cream laid paper

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink with foul biting on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream wove Japanese vellum

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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in black ink on cream laid paper

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James Abbott McNeill Whistler
Lady in an armchair
Undated | Drypoint, with drypoint and scraped cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
 
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
[76] Impressions from cancelled ...
Undated | Etchings and drypoints; bound, small folio, half calf, paper: van Gelder

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James Abbott McNeill Whistler
The Manager's Window, Gaiety The...
Undated | lithograph

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James Abbott McNeill Whistler
The Palaces, 1879-1880.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Etching plate: Millbank, 1861.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Lagoon-Noon, 1879-1880.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Street at Saverne, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Battersea: Dawn, 1875.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Velvet Dress Mrs. Leyland, 1...
Undated | drypoint

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James Abbott McNeill Whistler
Ramparts, Sandwich, c. 1887.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Lime-Burner, 1859.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
San Giorgio, 1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Old Smith's Story, 1895.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Staircase panel, 1876.
Undated | oil painting

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
 
Undated | oil on wood panel

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
 
Undated | etching in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A man reclining on a bed
Undated | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on pale green laid paper

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James Abbott McNeill Whistler
 
Undated | lithograph in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on Asian laid paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | oil on canvas

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James Abbott McNeill Whistler
 
Undated | Pastel on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream Japanese gampi paper hinged at top margin to cream laid Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on cream Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory Japanese paper

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James Abbott McNeill Whistler
Lady in Gray, ca. 1883.
Undated |

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
'The Adam and Eve' Old Chelsea
Undated | etching

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James Abbott McNeill Whistler
 
Undated | oil on canvas

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James Abbott McNeill Whistler
Figures by a fountain, 1858.
Undated | pencil

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Two figures, 1858.
Undated | pencil

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Jo, 1861.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Wild West: Indians, 1887.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Annie, Seated, 18581859.
Undated | drypoint/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne: Salute, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Master Smith, 1895.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Forge, Liverpool, 1875.
Undated | drypoint

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James Abbott McNeill Whistler
The Bridge, 18791880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
San Biagio, 18791880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Church Doorway, Edgemere.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Kitchen, 1858.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Annie, Seated, 18581859.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
La Salute: Dawn, 18791880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Canal, Ostend, 1887.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Miser, c. 1861.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Long Balcony, 1894.
Undated | lithograph

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James Abbott McNeill Whistler
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Page 22 / 47



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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
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        support@meisterdrucke.com
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