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Feel the passion of Giovanni Francesco Barbieri in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Giovanni Francesco Barbieri
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

Giovanni Francesco Barbieri

  February 8, 1591
  December 22, 1666
   •   Baroque   •   Wikipedia: Giovanni Francesco Barbieri

The baroque painter Giovanni Francesco Barbieri became famous under the name of Guercino, which in Italian means squinting. He received this nickname at a young age due to a malposition of the eyes. Guercino was the son of a simple farming family from Cento in the region of Emilia-Romagna. His brother was Paolo Antonio Barbieri, who also became a famous painter. At the age of 16, Guercino began an apprenticeship in his home town of Cento in the workshop of the early Baroque painter Benedetto Gennari. Although Guercino learned much from his master, he was mainly a self-taught painter. Especially the style from Bologna and the works of Lodovico Cerraci exerted a strong influence on Guercino's paintings. In his works, the play of light and shadow stands out, as can be found in the works of Caravaggio. However, it is highly unlikely that Guercino adopted this method from Caravaggio, as their paths did not cross. It is more probable that the two developed independently of each other. For Guercino became acquainted with similar methods on his study trips to Bologna and Venice.

At the age of 30 Guercino travelled to Rome. The Marquis of Bologna had warmly recommended Guercino's skills to the then newly elected Pope. The years in Rome were very productive. Among other things, some frescoes, altarpieces and a portrait of the Pope were created during this time. When the Pope died two years later, Guercino returned to his home town of Cento. There he opened a workshop and worked for the next decades on various projects, paintings and frescos. Only after the death of his rival Guido Reni in 1642 was Guercino able to move his workshop to Bologna. For Reni was more fully recognized as the leading painter of sacred motifs and successor of Annibale Carracci in Bologna. Reni's death opened up the possibility for Guercino to take over this role. For the next 22 years, until his death, Guercino lived and worked in Bologna with great success.

Guercino was a very productive artist who also possessed a remarkable speed. During his active creative period he created 106 large altarpieces and over 140 paintings. With this he was able to build up a considerable fortune. Since Guercino never married and had no children of his own, his pupils and nephews Benedetto and Cesare Gennari inherited his fortune and the workshop. They were the sons of his sister Lucia. She married Ercole Gennari, the son of Guercino's former teacher Benedetto Gennari. Guercino had many students during his life, including Giulio Coralli, Sebastiano Ghezzi, Lorenzo Bergonzoni, Francesco Paglia and Bartolomeo Caravoglia.

Giovanni Francesco Barbieri

  February 8, 1591
  December 22, 1666
   •   Baroque   •   Wikipedia: Giovanni Francesco Barbieri

The baroque painter Giovanni Francesco Barbieri became famous under the name of Guercino, which in Italian means squinting. He received this nickname at a young age due to a malposition of the eyes. Guercino was the son of a simple farming family from Cento in the region of Emilia-Romagna. His brother was Paolo Antonio Barbieri, who also became a famous painter. At the age of 16, Guercino began an apprenticeship in his home town of Cento in the workshop of the early Baroque painter Benedetto Gennari. Although Guercino learned much from his master, he was mainly a self-taught painter. Especially the style from Bologna and the works of Lodovico Cerraci exerted a strong influence on Guercino's paintings. In his works, the play of light and shadow stands out, as can be found in the works of Caravaggio. However, it is highly unlikely that Guercino adopted this method from Caravaggio, as their paths did not cross. It is more probable that the two developed independently of each other. For Guercino became acquainted with similar methods on his study trips to Bologna and Venice.

At the age of 30 Guercino travelled to Rome. The Marquis of Bologna had warmly recommended Guercino's skills to the then newly elected Pope. The years in Rome were very productive. Among other things, some frescoes, altarpieces and a portrait of the Pope were created during this time. When the Pope died two years later, Guercino returned to his home town of Cento. There he opened a workshop and worked for the next decades on various projects, paintings and frescos. Only after the death of his rival Guido Reni in 1642 was Guercino able to move his workshop to Bologna. For Reni was more fully recognized as the leading painter of sacred motifs and successor of Annibale Carracci in Bologna. Reni's death opened up the possibility for Guercino to take over this role. For the next 22 years, until his death, Guercino lived and worked in Bologna with great success.

Guercino was a very productive artist who also possessed a remarkable speed. During his active creative period he created 106 large altarpieces and over 140 paintings. With this he was able to build up a considerable fortune. Since Guercino never married and had no children of his own, his pupils and nephews Benedetto and Cesare Gennari inherited his fortune and the workshop. They were the sons of his sister Lucia. She married Ercole Gennari, the son of Guercino's former teacher Benedetto Gennari. Guercino had many students during his life, including Giulio Coralli, Sebastiano Ghezzi, Lorenzo Bergonzoni, Francesco Paglia and Bartolomeo Caravoglia.





The most popular works of Giovanni Francesco Barbieri

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Joseph and the Wife of Potiphar,...
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The Betrayal of Christ, c.1621
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The most popular works of Giovanni Francesco Barbieri

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Giovanni Francesco Barbieri
St. Paul the Hermit being fed by...
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Giovanni Francesco Barbieri
The Death of Dido, 1631
1631 | oil on canvas

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
An angel appearing to Hagar and ...
1653 | red chalk

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Giovanni Francesco Barbieri
The Incredulity of St. Thomas
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Giovanni Francesco Barbieri
Two Horsemen Fighting (pen und i...
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
Padre Eterno
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
The Persian Sibyl
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
1647 | oil on canvas

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
Shepherd of Arcadia, c.1618-22
1618 | oil on canvas

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Giovanni Francesco Barbieri
The Sala di Aurora Hall of the D...
1621 | tempera on panel

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Giovanni Francesco Barbieri
 
1622 | oil on canvas

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Giovanni Francesco Barbieri
Susanna and the Elders
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
Apollo flaying Marsyas, c.1618
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Giovanni Francesco Barbieri
The Resurrection of Lazarus, c.1...
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Giovanni Francesco Barbieri
The Return of the Prodigal Son
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Giovanni Francesco Barbieri
Salome Receiving the Head of St....
1637 | oil on canvas

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Giovanni Francesco Barbieri
 
1648 |

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
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Giovanni Francesco Barbieri
St. Francis (1182-1226) in Ecsta...
1620 | oil on canvas

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Giovanni Francesco Barbieri
St. Peter Freed by an Angel
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Giovanni Francesco Barbieri
St. Sebastian succoured by two a...
1617 | oil on copper

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Giovanni Francesco Barbieri
The Death of Saint Petronilla, 1...
1621 | oil on canvas

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Giovanni Francesco Barbieri
The Glory of the Saints, 1645-47
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Giovanni Francesco Barbieri
 
1623 | oil on canvas

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Giovanni Francesco Barbieri
Cleopatra (oil)
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
1621 | oil on canvas

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Giovanni Francesco Barbieri
Samian Sibyl, 1644
1644 | oil on canvas

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
The Sala di Aurora Hall of the D...
1621 | tempera on panel

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Giovanni Francesco Barbieri
Et in arcadia ego (oil on cavas)
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
Self Portrait, or Portrait of a ...
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Giovanni Francesco Barbieri
 
1620 |

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Giovanni Francesco Barbieri
 
1630 | oil on canvas

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
Volumnia before Coriolanus, 1643
1643 | oil on canvas

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Giovanni Francesco Barbieri
Jesus Mourned by the Virgin
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Giovanni Francesco Barbieri
Christian Charity, c.1625-26
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
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Giovanni Francesco Barbieri
The Immaculate Conception
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Giovanni Francesco Barbieri
 
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Giovanni Francesco Barbieri
Assumption of the Virgin, 1650
1650 | oil on canvas

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Giovanni Francesco Barbieri
 
1622 | oil on canvas

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Giovanni Francesco Barbieri
Mary Magdalene in Penitence
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Giovanni Francesco Barbieri
The Prodigal Son
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
Erminia and the Shepherds, 1648
1648 | oil on canvas

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Giovanni Francesco Barbieri
A Putto, 1620 - 1624 (red chalk ...
1620 | red chalk on greyish paper

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
Pope Gregory XV (1554-1623)
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Giovanni Francesco Barbieri
An Angel (pen and brown ink with...
Undated | pen and brown ink with brown wash on off-white paper

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
The flagellation of Christ
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Giovanni Francesco Barbieri
Jacob Receiving Joseph's Coat
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Giovanni Francesco Barbieri
 
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
Undated | colour lithograph

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
Head of a Young Woman, 1650 - 16...
1650 | Red chalk on white paper

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
The Return of the Prodigal Son, ...
Undated | oil on canvas

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Giovanni Francesco Barbieri
Samson Offering His Parents a Ho...
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Giovanni Francesco Barbieri
The Vision of St. Jerome, 1619-20
1619 | oil on canvas

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Giovanni Francesco Barbieri
St. Luke
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
1620 |

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
The Woman taken in Adultery
1621 | oil on canvas

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Giovanni Francesco Barbieri
 
1640 |

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
1623 | oil on canvas

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Giovanni Francesco Barbieri
 
Undated | oil on canvas

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Giovanni Francesco Barbieri
 
Undated | Pen and brown ink, brush and brown wash on off-white laidpaper, laid down

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Giovanni Francesco Barbieri
 
1650 | oil on canvas

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Giovanni Francesco Barbieri
Two Women in Conversation, 17th ...
Undated | red chalk on paper

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Giovanni Francesco Barbieri
The Emblem of the City of Bologn...
1625 | pen and brown ink with brown wash on white paper

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Giovanni Francesco Barbieri
The Burial of Saint Petronilla
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Giovanni Francesco Barbieri
 
1649 | oil on canvas

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Giovanni Francesco Barbieri
Christ and the Woman of Samaria,...
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Giovanni Francesco Barbieri
 
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Giovanni Francesco Barbieri
Hercules, 1555 - 1666 (black cha...
1555 | black chalk on off-white paper

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
A Woman Painting (An allegory of...
1618 | red chalk touched with pen and brown ink on off-white paper

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Giovanni Francesco Barbieri
A Witch, Two Bats, and a Demon i...
Undated | pen and brown ink with brown wash on laid paper

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Giovanni Francesco Barbieri
 
1649 | oil on canvas

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Giovanni Francesco Barbieri
The Denial of St. Peter (detail...
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Giovanni Francesco Barbieri
Dice Players (pen und ink and wa...
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
Concert Champetre, 1617
1617 | oil on wood

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Giovanni Francesco Barbieri
 
Undated | oil on canvas

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Giovanni Francesco Barbieri
Aurora, c.1620 (red chalk on paper)
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Giovanni Francesco Barbieri
Hunting Hares, 1615
1615 | fresco

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
1621 |

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
1639 | oil on canvas

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Giovanni Francesco Barbieri
 
Undated | oil on canvas

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Giovanni Francesco Barbieri
Caricature of Fra Bonaventura Bi...
1655 | pen and brown ink on off-white paper

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Giovanni Francesco Barbieri
Self-Portrait before a Painting ...
1655 | oil on canvas

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
Figure Subject (ink (sepia) on p...
Undated | ink (sepia) on paper (on card)

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
The Denial of St. Peter
Undated | oil on canvas

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Giovanni Francesco Barbieri
An Astrological Subject, 1640s (...
1640 | iron gall ink and wash on paper

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Giovanni Francesco Barbieri
 
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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
 
Undated | colour lithograph

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Giovanni Francesco Barbieri
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Giovanni Francesco Barbieri
St Jerome, c.1622 - 1624 (pen an...
1622 | pen and brown ink with brown wash on white paper

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Giovanni Francesco Barbieri
 
Undated | oil on canvas

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Giovanni Francesco Barbieri
A Woman Seated, 1640 - 1649 (pen...
1640 | pen and brown ink with brown wash on white paper

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Giovanni Francesco Barbieri
Samson and Delilah
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Giovanni Francesco Barbieri
 
1640 |

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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
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