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Feel the passion of Giovanni Fattori in our art prints.

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Giovanni Fattori
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Giovanni Fattori

Giovanni Fattori

  October 25, 1825
  August 30, 1908
   •   Nonclassified artists   •   Wikipedia: Giovanni Fattori

Different times, different customs: in the middle of the 19th century, when war was still seen as a legitimate "continuation of politics by other means", an artist's career could start by winning a competition for a battle painting. Giovanni Fattori achieved this in 1861 with the "Battlefield of Magenta", which celebrates the victory of Piedmont-Sardinia over the Austrians in 1895. A few years later the Kingdom of Piedmont-Sardinia was the driving force behind the "Risorgimento", the unification of Italy as one nation. Fattori's painting hangs today in the "Galleria d'Arte moderne" in Florence.

Giovanni Fattori was born in Livorno, where he was also trained as a painter by Giuseppe Baldini before studying in Florence at the "Accademia di belli Arti". Fattori generally had a non-conformist streak: in 1848/49 he took part in the independence movement that wanted to liberate Veneto from Austrian rule. As an artist, he was co-founder of a movement that turned away from the "academic" style of painting and turned towards realism. Because of their preference for natural landscapes, these deviants were initially scornfully called "Macchiaioli", undergrowth painters, by the established. However, this soon became a concept of quality that the group proudly adopted.

It is no accident that Camille Corot and Édouard Manet were his declared role models. His speciality were landscape paintings, preferably rural scenes, and his later battle scenes also turned out to be very real, such as "The fallen horseman" or "Mary Stuart at Crookston", which deals with the capture of the Scottish queen after a lost battle. Another of Fattori's specialities were "sketches", pictures on small wooden boards, preferably cigar-lid boxes. His paintings were never as colourful as the works of Impressionism, for example, but rather in delicate sepia, grey and brown tones.

Fattori dared to take the step from a purely academic to a realistic painting style, but remained attached to the classical style of painting and strictly rejected other "rebellious" styles of the time. Throughout his life he was an opponent of Impressionism and caused a great stir in 1891 when he sharply attacked the art movement of "Pointilism" (a painting style that used color theory to assemble picture compositions from small spots - the most famous representative was certainly Paul Signac) in a polymite manner. Four years later Fattori, who had been teaching at his "Accademia di Bella Arti" since 1869, advanced to full professor: he taught landscape painting at the Alma Mater in Florence, where he had once studied himself. The last years of his life were overshadowed by the death of his second wife, as well as by disappointment over the social development in unified Italy on the one hand and the "betrayal" of some of his students who turned to post-impressionism and pointilism on the other. Fattori died in 1908 at the age of 83.

Giovanni Fattori

Giovanni Fattori
  October 25, 1825
  August 30, 1908
   •   Nonclassified artists   •   Wikipedia: Giovanni Fattori

Different times, different customs: in the middle of the 19th century, when war was still seen as a legitimate "continuation of politics by other means", an artist's career could start by winning a competition for a battle painting. Giovanni Fattori achieved this in 1861 with the "Battlefield of Magenta", which celebrates the victory of Piedmont-Sardinia over the Austrians in 1895. A few years later the Kingdom of Piedmont-Sardinia was the driving force behind the "Risorgimento", the unification of Italy as one nation. Fattori's painting hangs today in the "Galleria d'Arte moderne" in Florence.

Giovanni Fattori was born in Livorno, where he was also trained as a painter by Giuseppe Baldini before studying in Florence at the "Accademia di belli Arti". Fattori generally had a non-conformist streak: in 1848/49 he took part in the independence movement that wanted to liberate Veneto from Austrian rule. As an artist, he was co-founder of a movement that turned away from the "academic" style of painting and turned towards realism. Because of their preference for natural landscapes, these deviants were initially scornfully called "Macchiaioli", undergrowth painters, by the established. However, this soon became a concept of quality that the group proudly adopted.

It is no accident that Camille Corot and Édouard Manet were his declared role models. His speciality were landscape paintings, preferably rural scenes, and his later battle scenes also turned out to be very real, such as "The fallen horseman" or "Mary Stuart at Crookston", which deals with the capture of the Scottish queen after a lost battle. Another of Fattori's specialities were "sketches", pictures on small wooden boards, preferably cigar-lid boxes. His paintings were never as colourful as the works of Impressionism, for example, but rather in delicate sepia, grey and brown tones.

Fattori dared to take the step from a purely academic to a realistic painting style, but remained attached to the classical style of painting and strictly rejected other "rebellious" styles of the time. Throughout his life he was an opponent of Impressionism and caused a great stir in 1891 when he sharply attacked the art movement of "Pointilism" (a painting style that used color theory to assemble picture compositions from small spots - the most famous representative was certainly Paul Signac) in a polymite manner. Four years later Fattori, who had been teaching at his "Accademia di Bella Arti" since 1869, advanced to full professor: he taught landscape painting at the Alma Mater in Florence, where he had once studied himself. The last years of his life were overshadowed by the death of his second wife, as well as by disappointment over the social development in unified Italy on the one hand and the "betrayal" of some of his students who turned to post-impressionism and pointilism on the other. Fattori died in 1908 at the age of 83.





The most popular works of Giovanni Fattori

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Plow and oxen - Painting
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Marshland herds, 1893
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Avenue with Oxen and Stonebreake...
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Perché non dirlo?
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The most popular works of Giovanni Fattori

These artworks are particularly popular with our customers.


Discover more artworks by Giovanni Fattori

Discover more artworks by Giovanni Fattori

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Giovanni Fattori
The Italian Camp at the Battle o...
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Giovanni Fattori
St. John the Baptist rebuking Herod
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Giovanni Fattori
 
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Giovanni Fattori
The lookout (The white wall) Hor...
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Giovanni Fattori
Garibaldi at Palermo
Undated | oil on canvas

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Giovanni Fattori
Tramonto sul mare
1880 | painting

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Giovanni Fattori
Carica di cavalleria [Calvary Ch...
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Giovanni Fattori
The South-West Wind
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Giovanni Fattori
Römische Lastkarren
1873 | painting

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Giovanni Fattori
 
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Giovanni Fattori
Lanciere di vedetta presso un fi...
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Giovanni Fattori
 
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Giovanni Fattori
Battle of Magenta, 1860
1860 | oil on canvas

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Giovanni Fattori
Episode of campaign against brig...
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Giovanni Fattori
Holy Cow [Pio bove]
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Giovanni Fattori
Il Salto delle Pecore
2015 | Unknown

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Giovanni Fattori
White road, by Giovanni Fattori ...
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Giovanni Fattori
The Rotunda at Palmieri, 1866
1866 | oil on canvas

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Giovanni Fattori
Mary Queen of Scots, at the Batt...
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Giovanni Fattori
Cavalry charge in Montebello
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Giovanni Fattori
 
1887 | oil on canvas

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Giovanni Fattori
Portrait of the Step Daughter, 1889
1889 | oil on canvas

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Giovanni Fattori
Peasant macchiaiole in the field...
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Giovanni Fattori
The battle of Custoza
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Giovanni Fattori
Cart with bulls and peasant - Pa...
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Giovanni Fattori
The foot in the horse (Lo staffa...
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Giovanni Fattori
An old woman in a armchair weari...
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Giovanni Fattori
 
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Giovanni Fattori
 
1861 | painting

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Giovanni Fattori
The mortuary or the indifferent ...
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Giovanni Fattori
Oxen Yoked to the Cart (Maremma)...
Undated | etching on wove paper [proof before reduction of the plate]

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Giovanni Fattori
Cousin Argia, 1861
1861 | oil on canvas

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Giovanni Fattori
Brown cow - Painting
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Giovanni Fattori
La rotunda de Palmieri (La Roton...
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Giovanni Fattori
 
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Giovanni Fattori
Self Portrait, 1854
1854 | oil on canvas

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Giovanni Fattori
La rotunda de Palmieri (La Roton...
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Giovanni Fattori
Italy, Biella, painting of Light...
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Giovanni Fattori
 
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Giovanni Fattori
 
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Giovanni Fattori
The Path Between Olives Painting...
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Giovanni Fattori
The Battle Lines, 1884
1884 | oil on canvas

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Giovanni Fattori
Village road (oil on canvas
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Giovanni Fattori
Hay Stack, 1867-70
1867 | oil on canvas

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Giovanni Fattori
The Mantua massacres, by Giovann...
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Giovanni Fattori
Italy, Florence, Portrait of Mar...
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Giovanni Fattori
Tip of Romito with boat and fish...
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Giovanni Fattori
Italy, Florence, The Italian Fie...
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Giovanni Fattori
Portrait of a Young Man
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Giovanni Fattori
Acquaiole livornesi
1865 | painting

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Giovanni Fattori
Seated lady in Landscape
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Giovanni Fattori
Pio Bove (Pious or Peaceful Ox) ...
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Giovanni Fattori
Liegende Kühe
1908 | oil on canvas

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Giovanni Fattori
Signora Martelli in Castiglionce...
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Giovanni Fattori
 
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Giovanni Fattori
"La boscaiola"
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Giovanni Fattori
The Waiting (oil on panel)
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Giovanni Fattori
Effect of the sun, by Giovanni F...
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Giovanni Fattori
The Camp
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Giovanni Fattori
 
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Giovanni Fattori
Woman of the Gabbro [Donna al ga...
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Giovanni Fattori
Ritratto della figliastra
1889 | painting

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Giovanni Fattori
Livorno Countryside and Tamarisk...
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Giovanni Fattori
 
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Giovanni Fattori
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Giovanni Fattori
 
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Giovanni Fattori
Maremma Tuscany, Giovanni Fattor...
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Giovanni Fattori
Stopping in Maremma or scene of ...
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Giovanni Fattori
 
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Giovanni Fattori
Branding of young bulls in Marem...
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Giovanni Fattori
Market in Tuscan Apennines, engr...
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Giovanni Fattori
 
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Giovanni Fattori
 
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Giovanni Fattori
 
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Giovanni Fattori
Campaign of Italy 1859: “” The c...
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Giovanni Fattori
The Woodcutter
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Giovanni Fattori
Portrait of Miss Soccoli. Painti...
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Giovanni Fattori
The Tower of Marzocco, or Red To...
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Giovanni Fattori
Italy, Florence, Sunset on the Sea
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Giovanni Fattori
Italy, Florence, Lancer
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Giovanni Fattori
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Giovanni Fattori
 
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Giovanni Fattori
Portrait of cowboy, ca 1882 (oil...
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Giovanni Fattori
Tuscan Maremma, detail (oil on c...
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Giovanni Fattori
Two soldiers riding under the tr...
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Giovanni Fattori
Branding of young bulls in Marem...
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Giovanni Fattori
Italy, Florence, Maremma Toscana...
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Giovanni Fattori
Oxen in yard, by Giovanni Fattor...
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Giovanni Fattori
 
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Giovanni Fattori
Lo Staffato
2015 | Unknown

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Giovanni Fattori
 
Undated | Soft ground etching, with plate tone, in black on cream wove paper

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Giovanni Fattori
Bauco near Rome [Bauco presso Roma]
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Giovanni Fattori
Artillery maneuver. Painting by ...
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Giovanni Fattori
Silvestro Lega painted image on ...
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Giovanni Fattori
Passing Mincio River, by Giovann...
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Giovanni Fattori
Self Portrait, 1874
1874 | oil on canvas

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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
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