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George Cruikshank
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Museum Quality Art Prints
Individual Customization Options

George Cruikshank

United Kingdom of Great Britain and Northern Ireland · 1792–1878 · Caricatures, Comics · 1047 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
George Cruikshank
1792–1878
Born August 27, 1792 (London)
Died February 1, 1878 (London) at the age of 85
Nationality United Kingdom of Great Britain and Northern Ireland
Epochs Caricatures, Comics
Profession Karikaturist, Künstler, Illustrator, Fotograf, Maler, Zeichner
Family
Sibling: Robert Cruikshank
Teacher Isaac Cruikshank
Notable works The Good-Natured Dadda, Man and Boy (1857), The Cow Jumps over the Moon (1858), Plate VIII, The Bottle Has Done Its Work (1847), Plate V, Cold, Misery, and Want Destroy Their Youngest Child (1847)
Museums Art Institute of Chicago, Yale Center for British Art, Minneapolis Institute of Art, Los Angeles County Museum of Art (LACMA), Cleveland Museum of Art
George Cruikshank

George Cruikshank

    September 27, 1792   -   February 1, 1878

George Cruikshank was a successful British caricaturist and illustrator. Cruikshank's father Isaac was one of the leading British cartoonists. George Cruikshank discovered his interest in art and illustration quite early. At the tender age of 12 he made his first illustrations. At that time these were still quite small projects, for example for penny dreadfuls, greeting cards, street ballads and lottery tickets. Later George Cruikshank learned the artistic tools of the trade as an apprentice and assistant to his father. At the age of 31 he focused more on book illustrations. Among his successful book illustrations is the illustration of an edition of Grimm's fairy tales. He achieved particular popularity through the illustration of numerous works by Charles Dickens, including Oliver Twist. At times, the artist even played in Dickens' amateur theater group. There was an intense controversy about the creation of Dickens' work in 1871. Cruishank wrote a letter to The Times. ...stating that much of the plot was originally written by Cruishank. Dickens denied that he was not the author of the work. Cruishank was not the first illustrator to cast doubt on Dickens' sole authorship. Shortly afterwards, the friendship that once bound the two of them deteriorated.

The origins of his career as an artist were to be found in his often socially critical caricatures. With drawings about typical English life he gained popularity. In 1819 he illustrated the satire "The political house that Jack built" by William Hone. The "Peterloo Massacre" of August 16, 1819 was the subject of his first major work "Pierce Egans Life in London", which helped him to his breakthrough as an artist. His later political pressures openly attacked the English royal house and leading British politicians. The royal house tried to stop his work by offering him a bribe of 100 pounds if he would stop making caricatures of members of the British Crown in the future. James Gillray was one of the most successful British cartoonists. After his death in 1815, George Cruikshank was socially considered a worthy successor. His father's alcohol-related death in the year was a difficult, if not traumatic experience for Cruikshank. He struggled with it for many years. Probably for this reason he joined a movement in 1847 that advocated the renunciation of alcohol. His personal experience also influenced his artistic work. The tracts "The bottle" and "The drunkards children" became a great success because of his illustrations. Today the private life of the artist is regarded as extremely piquant. 1827 - 1849 he was married to Mary Ann Walker. After her death he married Eliza Widdison two years later. He was not faithful to his wife. With his mistress Adelaide Attree he had eleven illegitimate children. Attree was a former maid to the artist. However, this fact only became known after his death. George Cruikshank died in 1878 in his home town London.

Artworks by George Cruikshank

1047 artworks found
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1.047 artworks found

George Cruikshank
Oliver Twist, c1838.
1838 |

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George Cruikshank
Oliver amazed at the Dodger's mo...
1838 | colour lithograph

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George Cruikshank
The last chance, from 'The Adven...
Undated | engraving

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George Cruikshank
Scene from Oliver Twist by Charl...
1837 | engraving

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George Cruikshank
The King of Rome, 1814 - cartoon...
1814 |

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George Cruikshank
Man with a riding crop
Undated |

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George Cruikshank
A Fairy Gathering
Undated | Watercolor on paper

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George Cruikshank
Mr Bumble and Mrs Corney taking ...
Undated | engraving

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George Cruikshank
Rose Maylie and Oliver, from 'Th...
1838 | engraving

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George Cruikshank
Lowest Life in London: Tom, Jerr...
1823 | colour lithograph

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George Cruikshank
Dustman, from The Gentlemans Poc...
1827 | hand coloured engraving

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George Cruikshank
Mr Bumble and Mrs Corney taking ...
1901 | engraving

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George Cruikshank
Oliver plucks up a spirit, from ...
1838 | engraving

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George Cruikshank
Jack's journey from Newgate to T...
1839 | etching

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George Cruikshank
The Buccaneer's Curse, from 'The...
1887 | lithograph

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George Cruikshank
Oliver Twist received by old Fag...
1878 | engraving

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George Cruikshank
‘Ah’, that’s the way the People’...
1820 | etching

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George Cruikshank
Master Bates explains a professi...
1838 | engraving

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George Cruikshank
Xit wedded to the scavengers dau...
1840 | engraving

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George Cruikshank
Mr John Bull in a Quandary or th...
1845 | engraving

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George Cruikshank
Tell Tale, pub. 1832 (hand colou...
1832 | hand coloured engraving

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George Cruikshank
Death or Liberty! Or Britannia u...
1819 | hand coloured engraving

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George Cruikshank
Jack Gets the Golden Hen away fr...
Undated | colour lithograph

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George Cruikshank
A ballroom, 'Life in London, etc...
1823 | colour lithograph

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George Cruikshank
Sir John Falstaff on a visit to ...
Undated | colour lithograph

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George Cruikshank
Edmund Kean as Richard III, ca. ...
Undated |

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George Cruikshank
Mr. Kean in the Character of Ric...
Undated |

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George Cruikshank
Oliver is collected and cared fo...
1878 | engraving

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George Cruikshank
 
Undated |

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George Cruikshank
'A swarm of English bees hiving ...
1816 | etching

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George Cruikshank
The Elgin Marbles!
Undated |

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George Cruikshank
Tom and Jerry in the Saloon at C...
1821 | coloured aquatint

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George Cruikshank
 
1815 | hand-coloured etching on wove paper

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George Cruikshank
In London, Jack Dawkins called t...
1878 | engraving

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George Cruikshank
Humphrey's Disaster, illustratio...
1831 | engraving

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George Cruikshank
London Going out of Town or 'The...
1829 | hand-coloured engraving

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George Cruikshank
The Bottle, Plate I, The bottle ...
1847 | engraving

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George Cruikshank
Master B, Finding things not exa...
1835 | hand coloured engraving

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George Cruikshank
 
1835 | etching on paper

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George Cruikshank
 
1819 | hand-coloured etching

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George Cruikshank
The Head Ache, February 12, 1819...
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George Cruikshank
 
1830 |

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George Cruikshank
Rose Maylie and Oliver in front ...
1878 | engraving

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George Cruikshank
Oliver is designed to request ex...
1878 | engraving

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George Cruikshank
A Visit to Cockney Farm - Viewin...
1835 | hand coloured engraving

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George Cruikshank
Mayhew's Great Exhibition of 185...
1851 | etching

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George Cruikshank
 
19th century | etching

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George Cruikshank
The Logierian system, or unveili...
1818 | hand coloured engraving

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George Cruikshank
Oliver recovering from the fever...
1838 | engraving

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George Cruikshank
Corporal Punishment, 1829
1829 | etching

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George Cruikshank
The Inconveniences of a Crowded ...
Undated |

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George Cruikshank
Illustration for "Oliver Twist"
1895 | engraving

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George Cruikshank
The Root of Kings Evil, pub. 183...
1835 | hand coloured engraving

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George Cruikshank
 
1818 |

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George Cruikshank
Oliver waxes the Fox's shoes whi...
1878 | engraving

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George Cruikshank
Illustration for "Oliver Twist"
1895 | engraving

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George Cruikshank
A Visit to Cockney Farm - Viewin...
Undated |

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George Cruikshank
Tom, Jerry & Logic tasting wine,...
1823 | colour lithograph

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George Cruikshank
Some of the Drolleries of the Gr...
Undated | etching

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George Cruikshank
The death warrant, 1840
1840 | engraving

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George Cruikshank
Piccadilly during the Great Exhi...
Undated |

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George Cruikshank
Nancy and Sikes kidnap Oliver in...
1878 | engraving

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George Cruikshank
"Crinolina" - and the Consequenc...
Undated | pen and black ink with watercolor and scratching-out (around the ghosts eyes on the right) on wove paper

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George Cruikshank
Scene from Oliver Twist by Charl...
1837 | engraving

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George Cruikshank
Herne's Oak from 'The Merry Wive...
Undated | oil on canvas

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George Cruikshank
Mr Fagin and his pupil recoverin...
1838 | engraving

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George Cruikshank
Vauxhall Gardens by Day, c1900.
19th century | etching

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George Cruikshank
'A swarm of English bees hiving ...
Undated |

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George Cruikshank
Queen Janes flight from the Towe...
1840 | engraving

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George Cruikshank
Oliver surprised and wounded dur...
1878 | engraving

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George Cruikshank
The Rights of Women, or the Effe...
1853 | hand coloured engraving

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George Cruikshank
'I do begin to perceive that I a...
1890 | colour lithograph

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George Cruikshank
All The World Going To See The G...
1851 | engraving

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George Cruikshank
Jack carves his name on a beam i...
1839 | etching

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George Cruikshank
Inconveniences of a Crowded Draw...
1835 | hand coloured etching

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George Cruikshank
Oliver wounds and exhausts asks ...
1878 | engraving

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George Cruikshank
Mr. B promoted to Lieutenant, an...
1835 | hand coloured engraving

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George Cruikshank
The Battle between Cribb and Mol...
Undated | coloured etching

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George Cruikshank
Heaving the Lead, pub, c.1841 (h...
1841 | hand coloured engraving

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George Cruikshank
The Massacre of Peterloo, or Bri...
1819 |

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George Cruikshank
The meeting, from 'The Adventure...
1901 | engraving

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George Cruikshank
 
Undated | pen and ink on paper

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George Cruikshank
 
1821 |

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George Cruikshank
Nearly worried to death by the G...
Undated | engraving

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George Cruikshank
The Dispersion of the Works of a...
Undated | etching

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George Cruikshank
Oh ah! letem ring again!, c1840s.
Undated | engraving

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About the artist

George Cruikshank
George Cruikshank
1792–1878
BornAugust 27, 1792 (London)
DiedFebruary 1, 1878 (London) at the age of 85
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsCaricatures, Comics
ProfessionKarikaturist, Künstler, Illustrator, Fotograf, Maler, Zeichner
Family
Sibling: Robert Cruikshank
TeacherIsaac Cruikshank
Notable worksThe Good-Natured Dadda, Man and Boy (1857), The Cow Jumps over the Moon (1858), Plate VIII, The Bottle Has Done Its Work (1847), Plate V, Cold, Misery, and Want Destroy Their Youngest Child (1847)
MuseumsArt Institute of Chicago, Yale Center for British Art, Minneapolis Institute of Art, Los Angeles County Museum of Art (LACMA), Cleveland Museum of Art

George Cruikshank was a successful British caricaturist and illustrator. Cruikshank's father Isaac was one of the leading British cartoonists. George Cruikshank discovered his interest in art and illustration quite early. At the tender age of 12 he made his first illustrations. At that time these were still quite small projects, for example for penny dreadfuls, greeting cards, street ballads and lottery tickets. Later George Cruikshank learned the artistic tools of the trade as an apprentice and assistant to his father. At the age of 31 he focused more on book illustrations. Among his successful book illustrations is the illustration of an edition of Grimm's fairy tales. He achieved particular popularity through the illustration of numerous works by Charles Dickens, including Oliver Twist. At times, the artist even played in Dickens' amateur theater group. There was an intense controversy about the creation of Dickens' work in 1871. Cruishank wrote a letter to The Times. ...stating that much of the plot was originally written by Cruishank. Dickens denied that he was not the author of the work. Cruishank was not the first illustrator to cast doubt on Dickens' sole authorship. Shortly afterwards, the friendship that once bound the two of them deteriorated.

The origins of his career as an artist were to be found in his often socially critical caricatures. With drawings about typical English life he gained popularity. In 1819 he illustrated the satire "The political house that Jack built" by William Hone. The "Peterloo Massacre" of August 16, 1819 was the subject of his first major work "Pierce Egans Life in London", which helped him to his breakthrough as an artist. His later political pressures openly attacked the English royal house and leading British politicians. The royal house tried to stop his work by offering him a bribe of 100 pounds if he would stop making caricatures of members of the British Crown in the future. James Gillray was one of the most successful British cartoonists. After his death in 1815, George Cruikshank was socially considered a worthy successor. His father's alcohol-related death in the year was a difficult, if not traumatic experience for Cruikshank. He struggled with it for many years. Probably for this reason he joined a movement in 1847 that advocated the renunciation of alcohol. His personal experience also influenced his artistic work. The tracts "The bottle" and "The drunkards children" became a great success because of his illustrations. Today the private life of the artist is regarded as extremely piquant. 1827 - 1849 he was married to Mary Ann Walker. After her death he married Eliza Widdison two years later. He was not faithful to his wife. With his mistress Adelaide Attree he had eleven illegitimate children. Attree was a former maid to the artist. However, this fact only became known after his death. George Cruikshank died in 1878 in his home town London.



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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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