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George Cruikshank
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Museum Quality Art Prints
Individual Customization Options

George Cruikshank

United Kingdom of Great Britain and Northern Ireland · 1792–1878 · Caricatures, Comics · 1053 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
George Cruikshank
1792–1878
Born August 27, 1792 (London)
Died February 1, 1878 (London) at the age of 85
Nationality United Kingdom of Great Britain and Northern Ireland
Epochs Caricatures, Comics
Profession caricaturist, illustrator, photographer, painter, draftsperson
Family
Teacher Isaac Cruikshank
Notable works The Good-Natured Dadda, Man and Boy (1857), The Cow Jumps over the Moon (1858), Plate VIII, The Bottle Has Done Its Work (1847), Plate V, Cold, Misery, and Want Destroy Their Youngest Child (1847)
Museums Art Institute of Chicago, Yale Center for British Art, Minneapolis Institute of Art, Los Angeles County Museum of Art (LACMA), Cleveland Museum of Art
George Cruikshank

George Cruikshank

    September 27, 1792   -   February 1, 1878

George Cruikshank was a successful British caricaturist and illustrator. Cruikshank's father Isaac was one of the leading British cartoonists. George Cruikshank discovered his interest in art and illustration quite early. At the tender age of 12 he made his first illustrations. At that time these were still quite small projects, for example for penny dreadfuls, greeting cards, street ballads and lottery tickets. Later George Cruikshank learned the artistic tools of the trade as an apprentice and assistant to his father. At the age of 31 he focused more on book illustrations. Among his successful book illustrations is the illustration of an edition of Grimm's fairy tales. He achieved particular popularity through the illustration of numerous works by Charles Dickens, including Oliver Twist. At times, the artist even played in Dickens' amateur theater group. There was an intense controversy about the creation of Dickens' work in 1871. Cruishank wrote a letter to The Times. ...stating that much of the plot was originally written by Cruishank. Dickens denied that he was not the author of the work. Cruishank was not the first illustrator to cast doubt on Dickens' sole authorship. Shortly afterwards, the friendship that once bound the two of them deteriorated.

The origins of his career as an artist were to be found in his often socially critical caricatures. With drawings about typical English life he gained popularity. In 1819 he illustrated the satire "The political house that Jack built" by William Hone. The "Peterloo Massacre" of August 16, 1819 was the subject of his first major work "Pierce Egans Life in London", which helped him to his breakthrough as an artist. His later political pressures openly attacked the English royal house and leading British politicians. The royal house tried to stop his work by offering him a bribe of 100 pounds if he would stop making caricatures of members of the British Crown in the future. James Gillray was one of the most successful British cartoonists. After his death in 1815, George Cruikshank was socially considered a worthy successor. His father's alcohol-related death in the year was a difficult, if not traumatic experience for Cruikshank. He struggled with it for many years. Probably for this reason he joined a movement in 1847 that advocated the renunciation of alcohol. His personal experience also influenced his artistic work. The tracts "The bottle" and "The drunkards children" became a great success because of his illustrations. Today the private life of the artist is regarded as extremely piquant. 1827 - 1849 he was married to Mary Ann Walker. After her death he married Eliza Widdison two years later. He was not faithful to his wife. With his mistress Adelaide Attree he had eleven illegitimate children. Attree was a former maid to the artist. However, this fact only became known after his death. George Cruikshank died in 1878 in his home town London.

Artworks by George Cruikshank

1053 artworks found
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1.053 artworks found

George Cruikshank
The last chance, from 'The Adven...
Undated | engraving

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George Cruikshank
Oliver Twist, c1838.
1838 |

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George Cruikshank
Oliver amazed at the Dodger's mo...
1838 | colour lithograph

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George Cruikshank
The King of Rome, 1814 - cartoon...
1814 |

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George Cruikshank
Rose Maylie and Oliver, from 'Th...
1838 | engraving

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George Cruikshank
Mr Bumble and Mrs Corney taking ...
1901 | engraving

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George Cruikshank
A Visit to Cockney Farm - Viewin...
1835 | hand coloured engraving

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George Cruikshank
Flight of Bonaparte from the Fie...
1816 | lithograph

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George Cruikshank
John Bull Taking a Clear View of...
1826 |

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George Cruikshank
A Visit to Cockney Farm - Viewin...
Undated |

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George Cruikshank
'Radical Parliament !!' or 'A Pl...
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George Cruikshank
Flight of Buonaparte from the fi...
1816 | coloured engraving

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George Cruikshank
The Opening of the Great Industr...
Undated | etching

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George Cruikshank
Brewer's Drayman from The Gentle...
1827 | hand coloured engraving

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George Cruikshank
Death or Liberty! Or Britannia u...
1819 | hand coloured engraving

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George Cruikshank
Plate VI, Fearful quarrels and b...
1848 |

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George Cruikshank
 
1815 | hand-coloured etching on laid paper

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George Cruikshank
The Head of the Great Nation in ...
1813 | hand coloured etching

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George Cruikshank
Home in Shadow, illustration fro...
1852 | engraving

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George Cruikshank
Every Dog has his Day, or Black ...
1818 |

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George Cruikshank
The last chance, from 'The Adven...
1838 | engraving

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George Cruikshank
Xit wedded to the scavengers dau...
1840 | engraving

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George Cruikshank
The Afterpiece (sic) to the Trag...
1815 | Etching on wove paper

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George Cruikshank
The Last Shilling, from 'Songs, ...
1841 | hand coloured engraving

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George Cruikshank
Spotprent op koning George IV en...
Undated | paper

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George Cruikshank
Masque in the palace garden of t...
1840 | engraving

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George Cruikshank
The Corsican Shuttlecock, 1814 (...
1814 | coloured lithograph

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George Cruikshank
The Bottle, Plate II, He is disc...
1847 | engraving

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George Cruikshank
The Dispersion of the Works of a...
Undated | etching

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George Cruikshank
The Dispersion of the Works of A...
1851 | engraving

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George Cruikshank
The Gin-Crazed Girl Commits Suic...
1848 | engraving

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George Cruikshank
Oliver surprised and wounded dur...
1878 | engraving

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George Cruikshank
London going out of Town - or Th...
1829 | etching

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George Cruikshank
Sykes attempting to destroy his ...
1901 | engraving

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George Cruikshank
Oliver waxes the Fox's shoes whi...
1878 | engraving

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George Cruikshank
Recollections of the Court of Co...
1834 | hand coloured engraving

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George Cruikshank
Boney Beating Mack - And Nelson ...
1805 | coloured etching

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George Cruikshank
The British Beehive, 1867
1867 | lithograph

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George Cruikshank
Master Bates explains a professi...
1838 | engraving

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George Cruikshank
Fagin in the condemned cell, fro...
1838 | engraving

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George Cruikshank
Dustman, from The Gentlemans Poc...
1827 | hand coloured engraving

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George Cruikshank
Squire Western's Rage with Tom J...
1853 | engraving

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George Cruikshank
Dick Jenkins, The Captain, Lady ...
1822 | coloured engraving

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George Cruikshank
The Head Ache, February 12, 1819...
Undated |

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George Cruikshank
Pretty Bob, Poor Bob, Bandy Bob,...
1819 | engraving

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George Cruikshank
 
Undated |

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George Cruikshank
‘Ah’, that’s the way the People’...
1820 | etching

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George Cruikshank
Xit, now Sir Narcissus le Grand,...
1840 | engraving

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George Cruikshank
Lowest Life in London: Tom, Jerr...
1823 | colour lithograph

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George Cruikshank
Oliver recovering from the fever...
1838 | engraving

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George Cruikshank
The Gin shop, c.1836
1836 | lithograph

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George Cruikshank
Illustration for "Oliver Twist"
1895 | engraving

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George Cruikshank
The Burglary, from 'The Adventur...
1838 | engraving

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William Heinemann Ltd
'The Death of Uncle Tom', From U...
1923 | engraving

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George Cruikshank
The Gin Shop, plate 1 of 'The Dr...
1848 | engraving

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George Cruikshank
Waiting Room at the Admiralty, f...
1835 | hand coloured engraving

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George Cruikshank
Elizabeth Brought Prisoner to th...
1840 | coloured engraving

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George Cruikshank
Squire Western and his Lady Cous...
1853 | engraving

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George Cruikshank
The Merry Wives of Windsor, Act ...
Undated | watercolour on paper

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George Cruikshank
Princess Elizabeth brought as a ...
1840 | engraving

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George Cruikshank
Oliver Twist at Mrs Maylie's doo...
1838 | engraving

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George Cruikshank
Le Retour de Paris, or, the Niec...
1816 | hand-coloured engraving

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George Cruikshank
John Bull's three stages, or, Fr...
1815 | hand-coloured engraving

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George Cruikshank
 
1830 |

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George Cruikshank
'Falstaff sweats to death and la...
1890 | colour lithograph

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George Cruikshank
The Arrest of the Boy, plate 4 f...
1848 | engraving

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George Cruikshank
The Logierian system, or unveili...
1818 | hand coloured engraving

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George Cruikshank
Noe Claypole spying on the secre...
1878 | engraving

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George Cruikshank
Oliver plucks up a spirit, from ...
1838 | engraving

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George Cruikshank
Probable Effects of Over Female ...
1844 |

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George Cruikshank
 
1819 | coloured engraving

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George Cruikshank
The Buccaneer's Curse, from 'The...
1887 | lithograph

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George Cruikshank
'Monstrosities' of 1824, 1835 (h...
1835 | hand-coloured engraving

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George Cruikshank
The Boy Dies on the Transportati...
1848 | engraving

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George Cruikshank
Dispersion of the Jacobite Club,...
Undated |

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George Cruikshank
The Cat Did It, from The Greates...
Undated | engraving

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George Cruikshank
Queen Mary at the instance of Si...
1840 | engraving

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George Cruikshank
AT HOME in the NURSERY, or The M...
1835 |

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George Cruikshank
The Head Ache, pub. 1835 (hand c...
1835 | hand coloured engraving

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George Cruikshank
Oliver Plucks Up a Spirit, 1837
1837 | lithograph

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George Cruikshank
Master B finding things not exac...
1835 | coloured aquatint

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George Cruikshank
Amelia's Unexpected Visit, from ...
1853 | engraving

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About the artist

George Cruikshank
George Cruikshank
1792–1878
BornAugust 27, 1792 (London)
DiedFebruary 1, 1878 (London) at the age of 85
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsCaricatures, Comics
Professioncaricaturist, illustrator, photographer, painter, draftsperson
Family
TeacherIsaac Cruikshank
Notable worksThe Good-Natured Dadda, Man and Boy (1857), The Cow Jumps over the Moon (1858), Plate VIII, The Bottle Has Done Its Work (1847), Plate V, Cold, Misery, and Want Destroy Their Youngest Child (1847)
MuseumsArt Institute of Chicago, Yale Center for British Art, Minneapolis Institute of Art, Los Angeles County Museum of Art (LACMA), Cleveland Museum of Art

George Cruikshank was a successful British caricaturist and illustrator. Cruikshank's father Isaac was one of the leading British cartoonists. George Cruikshank discovered his interest in art and illustration quite early. At the tender age of 12 he made his first illustrations. At that time these were still quite small projects, for example for penny dreadfuls, greeting cards, street ballads and lottery tickets. Later George Cruikshank learned the artistic tools of the trade as an apprentice and assistant to his father. At the age of 31 he focused more on book illustrations. Among his successful book illustrations is the illustration of an edition of Grimm's fairy tales. He achieved particular popularity through the illustration of numerous works by Charles Dickens, including Oliver Twist. At times, the artist even played in Dickens' amateur theater group. There was an intense controversy about the creation of Dickens' work in 1871. Cruishank wrote a letter to The Times. ...stating that much of the plot was originally written by Cruishank. Dickens denied that he was not the author of the work. Cruishank was not the first illustrator to cast doubt on Dickens' sole authorship. Shortly afterwards, the friendship that once bound the two of them deteriorated.

The origins of his career as an artist were to be found in his often socially critical caricatures. With drawings about typical English life he gained popularity. In 1819 he illustrated the satire "The political house that Jack built" by William Hone. The "Peterloo Massacre" of August 16, 1819 was the subject of his first major work "Pierce Egans Life in London", which helped him to his breakthrough as an artist. His later political pressures openly attacked the English royal house and leading British politicians. The royal house tried to stop his work by offering him a bribe of 100 pounds if he would stop making caricatures of members of the British Crown in the future. James Gillray was one of the most successful British cartoonists. After his death in 1815, George Cruikshank was socially considered a worthy successor. His father's alcohol-related death in the year was a difficult, if not traumatic experience for Cruikshank. He struggled with it for many years. Probably for this reason he joined a movement in 1847 that advocated the renunciation of alcohol. His personal experience also influenced his artistic work. The tracts "The bottle" and "The drunkards children" became a great success because of his illustrations. Today the private life of the artist is regarded as extremely piquant. 1827 - 1849 he was married to Mary Ann Walker. After her death he married Eliza Widdison two years later. He was not faithful to his wife. With his mistress Adelaide Attree he had eleven illegitimate children. Attree was a former maid to the artist. However, this fact only became known after his death. George Cruikshank died in 1878 in his home town London.



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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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