Feel the passion of George Cruikshank in our art prints.

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Feel the passion of George Cruikshank in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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George Cruikshank
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available


The most popular works of George Cruikshank

These artworks are particularly popular with our customers.

Oliver Asking for More, illustra...
Undated | colour lithograph

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Oliver amazed at the Dodger's mo...
1901 | colour lithograph

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Scene from Oliver Twist by Charl...
1837 | engraving

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Oliver Twist, c1838.
1838 |

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The most popular works of George Cruikshank

These artworks are particularly popular with our customers.


Discover more artworks by George Cruikshank

Discover more artworks by George Cruikshank

1281 artworks found
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George Cruikshank
The last chance, from 'The Adven...
Undated | engraving

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George Cruikshank
The King of Rome, 1814 - cartoon...
1814 |

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George Cruikshank
In London, Jack Dawkins called t...
Undated | engraving

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George Cruikshank
The British Beehive, 1867
1867 | lithograph

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George Cruikshank
Rose Maylie and Oliver, from 'Th...
1901 | engraving

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George Cruikshank
 
Undated | Pen and brown ink and graphite on medium, slightly textured, cream laid paper

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George Cruikshank
Man carrying a large tree trunk ...
1792 | engraving

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George Cruikshank
Oliver is collected and cared fo...
Undated | engraving

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George Cruikshank
London Going out of Town or 'The...
1829 | hand-coloured engraving

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George Cruikshank
Mr Bumble and Mrs Corney taking ...
Undated | engraving

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George Cruikshank
Magogs courtship, 1840
1840 | engraving

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George Cruikshank
The Loving Ballad of Lord Bateman
Undated | colour lithograph

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George Cruikshank
Jack Sheppard having his portrai...
Undated | engraving

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George Cruikshank
Oliver Twist received by old Fag...
Undated | engraving

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George Cruikshank
Courtenay's escape from the Towe...
Undated | engraving

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George Cruikshank
The Massacre of Peterloo, or Bri...
1904 |

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George Cruikshank
Prinses Charlotte uitgespeeld me...
Undated | paper

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George Cruikshank
Oliver Asking for More, illustra...
Undated | colour lithograph

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George Cruikshank
Xit wedded to the "Scavenger's D...
Undated | engraving

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George Cruikshank
Mr Bumble and Mrs Corney taking ...
1901 | engraving

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George Cruikshank
The Battle of Waterloo
Undated | coloured engraving

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George Cruikshank
Oliver waxes the Fox's shoes whi...
Undated | engraving

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George Cruikshank
Oliver surprised and wounded dur...
Undated | engraving

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George Cruikshank
Fagin in the Condemned Cell, ill...
1838 | engraving

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George Cruikshank
Alcohol, Death and the Devil, 18...
1830 | watercolour

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George Cruikshank
Nancy and Sikes kidnap Oliver in...
Undated | engraving

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George Cruikshank
The night before the execution, ...
1840 | engraving

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William Heinemann Ltd
'The Death of Uncle Tom', From U...
1923 | engraving

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George Cruikshank
A flogging on a British Warship
Undated | engraving

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George Cruikshank
School flogging
Undated | engraving

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George Cruikshank
November - Old Style - Hover thr...
Undated |

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George Cruikshank
Montpellier Rotunda, Cheltenham,...
1833 | hand coloured etching

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George Cruikshank
'Death or Liberty! or, Britannia...
1819 | coloured etching

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George Cruikshank
 
Undated | colour lithograph

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George Cruikshank
Francis Osbaldistone at Squire I...
1842 | lithograph

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George Cruikshank
Queen Jane and Lord Guilford Dud...
Undated | engraving

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George Cruikshank
The Gin Shop, 1829
1829 | engraving

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George Cruikshank
Sykes attempting to destroy his ...
1901 | engraving

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George Cruikshank
Snuffing out Boney, 1814 (colour...
1814 | coloured lithograph

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George Cruikshank
Noe Claypole spying on the secre...
Undated | engraving

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George Cruikshank
Monsieur Bumble and Madame Corne...
Undated | engraving

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George Cruikshank
A Sailor's Description of a Chas...
1822 | hand coloured engraving

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George Cruikshank
The Gin-Crazed Girl Commits Suic...
1848 | engraving

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George Cruikshank
'Falstaff sweats to death and la...
1890 | colour lithograph

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George Cruikshank
The Blessings of Paper Money or ...
1811 | coloured engraving

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George Cruikshank
Queen Jane and Lord Guilford Dud...
1840 | engraving

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George Cruikshank
The Jew and Morris Bolter begin ...
1901 | engraving

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George Cruikshank
The Buccaneer's Curse, from 'The...
1887 | lithograph

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George Cruikshank
Oliver pleaded with the children...
Undated | engraving

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George Cruikshank
Death of Black Bess, illustratio...
1836 | engraving

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George Cruikshank
Galvanism; or the Miraculous Rec...
1807 | hand coloured engraving

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George Cruikshank
Monks and the Jew Discover Olive...
1838 | engraving

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George Cruikshank
Lady Jane Grey imploring Queen M...
1840 | engraving

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George Cruikshank
Execution of the Duke of Northum...
Undated | engraving

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George Cruikshank
Ignorance is Bliss (engraving)
Undated | engraving

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George Cruikshank
I dreamt I slept at Madam Tussauds
Undated | engraving

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George Cruikshank
Oliver introduced to the respect...
1901 | engraving

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George Cruikshank
Public Dinners, c1900
19th century | etching

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George Cruikshank
The dancing lesson: the sailor's...
Undated | engraving

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George Cruikshank
Mr Bumble degraded in the eyes o...
1901 | engraving

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George Cruikshank
Spotprent op de Engelse binnenla...
Undated | paper

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George Cruikshank
London Street Fight, early 19th ...
Undated |

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George Cruikshank
Escape No. 1, from 'Jack Sheppar...
1839 | engraving

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George Cruikshank
Oliver's reception by Fagin and ...
1901 | engraving

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George Cruikshank
The Ingoldsby Legends
Undated | engraving

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George Cruikshank
The Bottle, Plate VI, Fearful qu...
1847 | engraving

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George Cruikshank
 
Undated | engraving

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George Cruikshank
 
19th century | etching

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George Cruikshank
Overvol salon Inconveniences of...
Undated | paper

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George Cruikshank
Twee aangeklede apen houden een ...
Undated | paper

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George Cruikshank
The Piccadily Nuisance, pub. 193...
1835 | hand coloured engraving

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George Cruikshank
The Point of Honor, published 18...
1825 | colour engraving

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George Cruikshank
Edmund Kean (1787-1833) as Iago,...
1893 | engraving

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George Cruikshank
The Night before the Execution (...
Undated | engraving

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George Cruikshank
The Stag, The Bull, and The Bear...
Undated | engraving

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George Cruikshank
Dr. Losberne showing Oliver to B...
Undated | engraving

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George Cruikshank
The last cabdriver
Undated | engraving

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George Cruikshank
St. Swithin Patron Saint of Umbr...
1829 | etching

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George Cruikshank
Princess Elizabeth confronted wi...
1840 | engraving

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George Cruikshank
Les Savoyards, 1818.
1818 | engraving

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George Cruikshank
The Head Ache, February 12, 1819...
Undated |

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George Cruikshank
Pickpocket captured by police, e...
Undated | engraving

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George Cruikshank
Fagin, Charley Bates, Kikes and ...
Undated | engraving

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George Cruikshank
Spotprent op prinses Caroline, 1...
Undated | paper

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George Cruikshank
Pretty Bob, Poor Bob, Bandy Bob,...
1819 | engraving

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George Cruikshank
Sir Thomas Wyatt (c.1521-54) Att...
Undated | engraving

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George Cruikshank
Herne's Oak from 'The Merry Wive...
Undated | oil on canvas

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George Cruikshank
Awkward Situation of Lady Bellas...
1853 | engraving

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George Cruikshank
Les Graces, Inconveniences in Qu...
1817 | Etching, hand-dyed on wool paper

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George Cruikshank
A Charity Ball - dancing for the...
Undated | engraving

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George Cruikshank
Hyde Park Corner in 1822, c1870
1870 |

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George Cruikshank
A Day of Fashion, In the Morning...
Undated | engraving

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George Cruikshank
Tom and Jerry 'Masquerading It' ...
1821 | colour etching

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Page 1 / 13



George Cruikshank

George Cruikshank

  September 27, 1792
  February 1, 1878
   •   Caricatures, Comics   •   Wikipedia: George Cruikshank

George Cruikshank was a successful British caricaturist and illustrator. Cruikshank's father Isaac was one of the leading British cartoonists. George Cruikshank discovered his interest in art and illustration quite early. At the tender age of 12 he made his first illustrations. At that time these were still quite small projects, for example for penny dreadfuls, greeting cards, street ballads and lottery tickets. Later George Cruikshank learned the artistic tools of the trade as an apprentice and assistant to his father. At the age of 31 he focused more on book illustrations. Among his successful book illustrations is the illustration of an edition of Grimm's fairy tales. He achieved particular popularity through the illustration of numerous works by Charles Dickens, including Oliver Twist. At times, the artist even played in Dickens' amateur theater group. There was an intense controversy about the creation of Dickens' work in 1871. Cruishank wrote a letter to The Times. ...stating that much of the plot was originally written by Cruishank. Dickens denied that he was not the author of the work. Cruishank was not the first illustrator to cast doubt on Dickens' sole authorship. Shortly afterwards, the friendship that once bound the two of them deteriorated.

The origins of his career as an artist were to be found in his often socially critical caricatures. With drawings about typical English life he gained popularity. In 1819 he illustrated the satire "The political house that Jack built" by William Hone. The "Peterloo Massacre" of August 16, 1819 was the subject of his first major work "Pierce Egans Life in London", which helped him to his breakthrough as an artist. His later political pressures openly attacked the English royal house and leading British politicians. The royal house tried to stop his work by offering him a bribe of 100 pounds if he would stop making caricatures of members of the British Crown in the future. James Gillray was one of the most successful British cartoonists. After his death in 1815, George Cruikshank was socially considered a worthy successor. His father's alcohol-related death in the year was a difficult, if not traumatic experience for Cruikshank. He struggled with it for many years. Probably for this reason he joined a movement in 1847 that advocated the renunciation of alcohol. His personal experience also influenced his artistic work. The tracts "The bottle" and "The drunkards children" became a great success because of his illustrations. Today the private life of the artist is regarded as extremely piquant. 1827 - 1849 he was married to Mary Ann Walker. After her death he married Eliza Widdison two years later. He was not faithful to his wife. With his mistress Adelaide Attree he had eleven illegitimate children. Attree was a former maid to the artist. However, this fact only became known after his death. George Cruikshank died in 1878 in his home town London.

George Cruikshank

George Cruikshank
  September 27, 1792
  February 1, 1878
   •   Caricatures, Comics   •   Wikipedia: George Cruikshank

George Cruikshank was a successful British caricaturist and illustrator. Cruikshank's father Isaac was one of the leading British cartoonists. George Cruikshank discovered his interest in art and illustration quite early. At the tender age of 12 he made his first illustrations. At that time these were still quite small projects, for example for penny dreadfuls, greeting cards, street ballads and lottery tickets. Later George Cruikshank learned the artistic tools of the trade as an apprentice and assistant to his father. At the age of 31 he focused more on book illustrations. Among his successful book illustrations is the illustration of an edition of Grimm's fairy tales. He achieved particular popularity through the illustration of numerous works by Charles Dickens, including Oliver Twist. At times, the artist even played in Dickens' amateur theater group. There was an intense controversy about the creation of Dickens' work in 1871. Cruishank wrote a letter to The Times. ...stating that much of the plot was originally written by Cruishank. Dickens denied that he was not the author of the work. Cruishank was not the first illustrator to cast doubt on Dickens' sole authorship. Shortly afterwards, the friendship that once bound the two of them deteriorated.

The origins of his career as an artist were to be found in his often socially critical caricatures. With drawings about typical English life he gained popularity. In 1819 he illustrated the satire "The political house that Jack built" by William Hone. The "Peterloo Massacre" of August 16, 1819 was the subject of his first major work "Pierce Egans Life in London", which helped him to his breakthrough as an artist. His later political pressures openly attacked the English royal house and leading British politicians. The royal house tried to stop his work by offering him a bribe of 100 pounds if he would stop making caricatures of members of the British Crown in the future. James Gillray was one of the most successful British cartoonists. After his death in 1815, George Cruikshank was socially considered a worthy successor. His father's alcohol-related death in the year was a difficult, if not traumatic experience for Cruikshank. He struggled with it for many years. Probably for this reason he joined a movement in 1847 that advocated the renunciation of alcohol. His personal experience also influenced his artistic work. The tracts "The bottle" and "The drunkards children" became a great success because of his illustrations. Today the private life of the artist is regarded as extremely piquant. 1827 - 1849 he was married to Mary Ann Walker. After her death he married Eliza Widdison two years later. He was not faithful to his wife. With his mistress Adelaide Attree he had eleven illegitimate children. Attree was a former maid to the artist. However, this fact only became known after his death. George Cruikshank died in 1878 in his home town London.





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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
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Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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