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George Cruikshank
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Museum Quality Art Prints
Individual Customization Options

George Cruikshank

United Kingdom of Great Britain and Northern Ireland · 1792–1878 · Caricatures, Comics · 1055 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
George Cruikshank
1792–1878
BornAugust 27, 1792 (London)
DiedFebruary 1, 1878 (London) at the age of 85
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsCaricatures, Comics
Professioncaricaturist, illustrator, photographer, painter, draftsperson
Family
TeacherIsaac Cruikshank
Notable worksThe Good-Natured Dadda, Man and Boy (1857), The Cow Jumps over the Moon (1858), Plate VIII, The Bottle Has Done Its Work (1847), Plate V, Cold, Misery, and Want Destroy Their Youngest Child (1847)
MuseumsArt Institute of Chicago, Yale Center for British Art, Minneapolis Institute of Art, Los Angeles County Museum of Art (LACMA), Cleveland Museum of Art
George Cruikshank

George Cruikshank

George Cruikshank was a successful British caricaturist and illustrator. Cruikshank's father Isaac was one of the leading British cartoonists. George Cruikshank discovered his interest in art and illustration quite early. At the tender age of 12 he made his first illustrations. At that time these were still quite small projects, for example for penny dreadfuls, greeting cards, street ballads and lottery tickets. Later George Cruikshank learned the artistic tools of the trade as an apprentice and assistant to his father. At the age of 31 he focused more on book illustrations. Among his successful book illustrations is the illustration of an edition of Grimm's fairy tales. He achieved particular popularity through the illustration of numerous works by Charles Dickens, including Oliver Twist. At times, the artist even played in Dickens' amateur theater group. There was an intense controversy about the creation of Dickens' work in 1871. Cruishank wrote a letter to The Times. ...stating that much of the plot was originally written by Cruishank. Dickens denied that he was not the author of the work. Cruishank was not the first illustrator to cast doubt on Dickens' sole authorship. Shortly afterwards, the friendship that once bound the two of them deteriorated.

The origins of his career as an artist were to be found in his often socially critical caricatures. With drawings about typical English life he gained popularity. In 1819 he illustrated the satire "The political house that Jack built" by William Hone. The "Peterloo Massacre" of August 16, 1819 was the subject of his first major work "Pierce Egans Life in London", which helped him to his breakthrough as an artist. His later political pressures openly attacked the English royal house and leading British politicians. The royal house tried to stop his work by offering him a bribe of 100 pounds if he would stop making caricatures of members of the British Crown in the future. James Gillray was one of the most successful British cartoonists. After his death in 1815, George Cruikshank was socially considered a worthy successor. His father's alcohol-related death in the year was a difficult, if not traumatic experience for Cruikshank. He struggled with it for many years. Probably for this reason he joined a movement in 1847 that advocated the renunciation of alcohol. His personal experience also influenced his artistic work. The tracts "The bottle" and "The drunkards children" became a great success because of his illustrations. Today the private life of the artist is regarded as extremely piquant. 1827 - 1849 he was married to Mary Ann Walker. After her death he married Eliza Widdison two years later. He was not faithful to his wife. With his mistress Adelaide Attree he had eleven illegitimate children. Attree was a former maid to the artist. However, this fact only became known after his death. George Cruikshank died in 1878 in his home town London.

Artworks by George Cruikshank

1055 artworks found
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George Cruikshank
The last chance, from 'The Adven...
Undated | engraving

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George Cruikshank
Oliver amazed at the Dodger's mo...
1838 | colour lithograph

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George Cruikshank
Oliver Twist, c1838.
1838 |

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George Cruikshank
The King of Rome, 1814 - cartoon...
1814 |

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George Cruikshank
Mr Bumble and Mrs Corney taking ...
Undated | engraving

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George Cruikshank
Rose Maylie and Oliver, from 'Th...
1838 | engraving

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George Cruikshank
Rats being killed, 'Life in Lond...
1823 | colour lithograph

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George Cruikshank
Oliver is collected and cared fo...
1878 | engraving

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George Cruikshank
London Going out of Town or 'The...
1829 | hand-coloured engraving

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George Cruikshank
Death or Liberty! Or Britannia u...
1819 | hand coloured engraving

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George Cruikshank
Oliver Twist received by old Fag...
1878 | engraving

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George Cruikshank
Squire Western's Rage with Tom J...
1853 | engraving

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George Cruikshank
Execution of Guy Fawkes, pub. 1...
Undated | engraving

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George Cruikshank
Brewer's Drayman from The Gentle...
1827 | hand coloured engraving

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George Cruikshank
Oliver surprised and wounded dur...
1878 | engraving

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George Cruikshank
Mr Bumble and Mrs Corney taking ...
1901 | engraving

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George Cruikshank
Nancy and Sikes kidnap Oliver in...
1878 | engraving

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George Cruikshank
Oliver recovering from the fever...
1838 | engraving

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George Cruikshank
Rumping - Kicking and Kissing - ...
1822 |

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George Cruikshank
Fagin in his death sentence cell...
Undated | engraving

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George Cruikshank
In London, Jack Dawkins called t...
1878 | engraving

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George Cruikshank
 
1839 |

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George Cruikshank
The British Beehive, 1867
1867 | lithograph

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George Cruikshank
Jack visits his mother in Bethle...
1839 | etching

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George Cruikshank
The Last Shilling, from 'Songs, ...
1841 | hand coloured engraving

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George Cruikshank
A Visit to Cockney Farm - Viewin...
1835 | hand coloured engraving

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George Cruikshank
Jonathan Wild throwing Sir Rowla...
1839 | hand coloured engraving

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George Cruikshank
The Spirit moving the Quakers up...
1819 | hand coloured engraving

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George Cruikshank
Mrs Ellison's Rage upon Finding ...
1853 | engraving

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George Cruikshank
Oliver waxes the Fox's shoes whi...
1878 | engraving

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George Cruikshank
Freedom & Purity of Election!!! ...
1820 | hand-coloured etching on wove paper

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George Cruikshank
Flight of Buonaparte from the fi...
1816 | coloured engraving

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George Cruikshank
Oliver plucks up a spirit, from ...
1838 | engraving

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George Cruikshank
Monsieur Bumble and Madame Corne...
1878 | engraving

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George Cruikshank
The Logierian system, or unveili...
1818 | hand coloured engraving

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George Cruikshank
Oliver Twist at Mrs Maylie's doo...
1838 | engraving

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George Cruikshank
Irish Decency ! ! ! no. 2
1819 | Hand-colored etching on wove paper

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George Cruikshank
Captain Bath making Posset, from...
1853 | engraving

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George Cruikshank
Booth discovered in the Hamper, ...
1853 | engraving

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George Cruikshank
Monsieur Bumble observes Noe Cla...
1878 | engraving

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George Cruikshank
Crossing The Line, from Greenwic...
1825 | hand coloured engraving

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George Cruikshank
Jack Sheppard gets drunk and ord...
1839 | hand colour etching

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George Cruikshank
Inconveniences of a Crowded Draw...
1835 | hand coloured etching

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George Cruikshank
Amelia's Unexpected Visit, from ...
1853 | engraving

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George Cruikshank
Every Dog has his Day, or Black ...
1818 |

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George Cruikshank
Oliver pleaded with the children...
1878 | engraving

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George Cruikshank
Paddy M'Shane's Seven Ages, pub....
1807 | hand coloured engraving

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George Cruikshank
Home in Shadow, illustration fro...
1852 | engraving

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George Cruikshank
A Visit to Cockney Farm - Viewin...
Undated |

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George Cruikshank
Oliver's reception by Fagin and ...
1838 | engraving

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George Cruikshank
Oliver claimed by his affectiona...
1838 | engraving

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George Cruikshank
The Battle of Waterloo, from ‘An...
1817 | coloured aquatint

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George Cruikshank
Sailors Carousing, or a peep in ...
1825 | coloured etching

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George Cruikshank
Illustration for “” Oliver Twist...
1878 | illustration

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George Cruikshank
Mr Fagin and his pupil recoverin...
1838 | engraving

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George Cruikshank
 
Undated | Etching, hand-colored on moderately thick, slightly textured, beige wove paper

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George Cruikshank
Hackney Coachman, from 'The Gent...
1827 | hand coloured engraving

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George Cruikshank
Elliston (Manager of the Surrey ...
1811 | hand coloured engraving

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George Cruikshank
A Curious Junto of Slandering El...
1835 | hand-coloured engraving

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George Cruikshank
Squire Western Seizing Jones at ...
1853 | engraving

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George Cruikshank
Dustman, from The Gentlemans Poc...
1827 | hand coloured engraving

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George Cruikshank
The Portrait, illustration from ...
1839 | hand colour etching

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George Cruikshank
The Jew and Morris Bolter begin ...
1838 | engraving

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George Cruikshank
'Death or Liberty! or, Britannia...
1819 | coloured etching

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George Cruikshank
Oliver is designed to request ex...
1878 | engraving

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George Cruikshank
Le Café d'enfer - in “Life in Pa...
Undated | lithograph

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George Cruikshank
Jack Sheppard visits his Mother ...
1839 | hand colour etching

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George Cruikshank
Master Bates explains a professi...
1838 | engraving

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George Cruikshank
Awkward Situation of Lady Bellas...
1853 | engraving

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George Cruikshank
The Death of the Property Tax!! ...
1816 | hand coloured engraving

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George Cruikshank
Punch being hit from behind by t...
1827 | hand coloured engraving

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George Cruikshank
 
Undated | etching and engraving with publishers hand coloring on laid paper

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George Cruikshank
Oliver asking for more, from 'Th...
1838 | engraving

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George Cruikshank
'Monstrosities' of 1824, 1835 (h...
1835 | hand-coloured engraving

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George Cruikshank
Illustration for “” Oliver Twist...
1878 | illustration

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George Cruikshank
Illustration for “” Oliver Twist...
1878 |

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George Cruikshank
"Puzzled Which to Choose!!, or T...
1818 | etching with publishers colouring

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George Cruikshank
Jack in Newgate Ward having port...
1839 | etching

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George Cruikshank
Illustration for "Oliver Twist"
1895 | engraving

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George Cruikshank
Sikes attempting to abandon his ...
1878 | engraving

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George Cruikshank
A fight in a cellar of the city ...
Undated | lithograph

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George Cruikshank
The Afterpiece (sic) to the Trag...
1815 | Etching on wove paper

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George Cruikshank
Captain Dalgetty at Ardenvohr, i...
1843 | lithograph

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George Cruikshank
Tars Carousing, from 'Songs, Nav...
1841 | hand coloured engraving

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George Cruikshank
Sykes attempting to destroy his ...
1901 | engraving

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George Cruikshank
Oliver introduced to the respect...
1838 | engraving

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George Cruikshank
Fagin in the condemned cell, fro...
1838 | engraving

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George Cruikshank
 
1815 | hand-coloured etching on wove paper

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George Cruikshank
Dr. Losberne showing Oliver to B...
1878 | engraving

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George Cruikshank
A Group at Bath, 1796 (hand-colo...
1796 | hand-coloured aquatint

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George Cruikshank
Jack escapes from the cage at Wi...
1839 | etching

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George Cruikshank
A Swarm of English Bees Hiving i...
1816 | coloured etching

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George Cruikshank
Grandpapa's Story, or The Witche...
1887 | lithograph

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About the artist

George Cruikshank
George Cruikshank
1792–1878
BornAugust 27, 1792 (London)
DiedFebruary 1, 1878 (London) at the age of 85
NationalityUnited Kingdom of Great Britain and Northern Ireland
EpochsCaricatures, Comics
Professioncaricaturist, illustrator, photographer, painter, draftsperson
Family
TeacherIsaac Cruikshank
Notable worksThe Good-Natured Dadda, Man and Boy (1857), The Cow Jumps over the Moon (1858), Plate VIII, The Bottle Has Done Its Work (1847), Plate V, Cold, Misery, and Want Destroy Their Youngest Child (1847)
MuseumsArt Institute of Chicago, Yale Center for British Art, Minneapolis Institute of Art, Los Angeles County Museum of Art (LACMA), Cleveland Museum of Art

George Cruikshank was a successful British caricaturist and illustrator. Cruikshank's father Isaac was one of the leading British cartoonists. George Cruikshank discovered his interest in art and illustration quite early. At the tender age of 12 he made his first illustrations. At that time these were still quite small projects, for example for penny dreadfuls, greeting cards, street ballads and lottery tickets. Later George Cruikshank learned the artistic tools of the trade as an apprentice and assistant to his father. At the age of 31 he focused more on book illustrations. Among his successful book illustrations is the illustration of an edition of Grimm's fairy tales. He achieved particular popularity through the illustration of numerous works by Charles Dickens, including Oliver Twist. At times, the artist even played in Dickens' amateur theater group. There was an intense controversy about the creation of Dickens' work in 1871. Cruishank wrote a letter to The Times. ...stating that much of the plot was originally written by Cruishank. Dickens denied that he was not the author of the work. Cruishank was not the first illustrator to cast doubt on Dickens' sole authorship. Shortly afterwards, the friendship that once bound the two of them deteriorated.

The origins of his career as an artist were to be found in his often socially critical caricatures. With drawings about typical English life he gained popularity. In 1819 he illustrated the satire "The political house that Jack built" by William Hone. The "Peterloo Massacre" of August 16, 1819 was the subject of his first major work "Pierce Egans Life in London", which helped him to his breakthrough as an artist. His later political pressures openly attacked the English royal house and leading British politicians. The royal house tried to stop his work by offering him a bribe of 100 pounds if he would stop making caricatures of members of the British Crown in the future. James Gillray was one of the most successful British cartoonists. After his death in 1815, George Cruikshank was socially considered a worthy successor. His father's alcohol-related death in the year was a difficult, if not traumatic experience for Cruikshank. He struggled with it for many years. Probably for this reason he joined a movement in 1847 that advocated the renunciation of alcohol. His personal experience also influenced his artistic work. The tracts "The bottle" and "The drunkards children" became a great success because of his illustrations. Today the private life of the artist is regarded as extremely piquant. 1827 - 1849 he was married to Mary Ann Walker. After her death he married Eliza Widdison two years later. He was not faithful to his wife. With his mistress Adelaide Attree he had eleven illegitimate children. Attree was a former maid to the artist. However, this fact only became known after his death. George Cruikshank died in 1878 in his home town London.



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+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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