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Disgruntled, with almost poutingly contorted lips, the British painter Ford Madox Brown looks at us from one of his most famous paintings. For "The Last of England"(1852-55) not only he himself was a model, but also his second wife Emma and his little daughter Catherine Emily. While the blonde girl mischievously peeps out behind a woman's back and bites into an apple, the wife looks wistfully into the distance. The boat she is sitting in is rocking on the waves, it is raining and it is cold. The white rocks of Dover slowly disappear in the distance.
To be able to show exactly this facial expression, Madox Brown let his family sit outside in bad weather. This way he was able to reproduce the painful face of his wife very realistically. And even the painter himself seems to have lost sight of the cheerfulness in English rainy weather. This striving for an almost extremely lifelike and realistic representation was something the painter had in common with the pre-Raphaelite artists who caused a furore in England in the middle of the 19th century. This group of artists, whose driving force was the painter and poet Dante Gabriel Rossetti, also wanted to remain faithful to nature in their works, to paint it in all its details. Ford Madox Ford showed this interest for a realistic and lifelike representation early on. Already in the 1840s he studied corpses at University College London in order to get to know the human body and finally to be able to paint it as it really was. Because of his realistic painting style, he is therefore compared with the German painter Adolph Menzel, who is regarded as the formative artist of realism in the 19th century. Ford Madox Brown created paintings with historical subjects, but also immortalized themes of his time on canvas. As he himself was very socially committed, some of his works also deal with contemporary social problems and concerns.
Ford Madox Brown and Dante Gabriel Rossetti were close friends for many years. His eldest daughter Emma Lucy, from his first marriage, even lived with the Rossetti family for a while and eventually married Dante's brother. Artistically, however, Ford Madox Brown and Dante Gabriel Rossetti were not always in agreement. In 1848 Rossetti was Ford Madox Brown's pupil for a short time and took painting lessons from him. In the end, however, the free-spirited Rossetti could not make friends with the old academic teaching methods that Madox Brown advocated. As head of the Pre-Raphaelites, Rossetti rejected precisely this academic painting. This was perhaps one reason for Ford Madox Brown not to join this group of artists. He wanted to remain independent, not be tied to a manifesto, and paint what he wanted and how he wanted. But Madox Brown took over the use of vibrant, bright colors from the Pre-Raphaelites.
Disgruntled, with almost poutingly contorted lips, the British painter Ford Madox Brown looks at us from one of his most famous paintings. For "The Last of England"(1852-55) not only he himself was a model, but also his second wife Emma and his little daughter Catherine Emily. While the blonde girl mischievously peeps out behind a woman's back and bites into an apple, the wife looks wistfully into the distance. The boat she is sitting in is rocking on the waves, it is raining and it is cold. The white rocks of Dover slowly disappear in the distance.
To be able to show exactly this facial expression, Madox Brown let his family sit outside in bad weather. This way he was able to reproduce the painful face of his wife very realistically. And even the painter himself seems to have lost sight of the cheerfulness in English rainy weather. This striving for an almost extremely lifelike and realistic representation was something the painter had in common with the pre-Raphaelite artists who caused a furore in England in the middle of the 19th century. This group of artists, whose driving force was the painter and poet Dante Gabriel Rossetti, also wanted to remain faithful to nature in their works, to paint it in all its details. Ford Madox Ford showed this interest for a realistic and lifelike representation early on. Already in the 1840s he studied corpses at University College London in order to get to know the human body and finally to be able to paint it as it really was. Because of his realistic painting style, he is therefore compared with the German painter Adolph Menzel, who is regarded as the formative artist of realism in the 19th century. Ford Madox Brown created paintings with historical subjects, but also immortalized themes of his time on canvas. As he himself was very socially committed, some of his works also deal with contemporary social problems and concerns.
Ford Madox Brown and Dante Gabriel Rossetti were close friends for many years. His eldest daughter Emma Lucy, from his first marriage, even lived with the Rossetti family for a while and eventually married Dante's brother. Artistically, however, Ford Madox Brown and Dante Gabriel Rossetti were not always in agreement. In 1848 Rossetti was Ford Madox Brown's pupil for a short time and took painting lessons from him. In the end, however, the free-spirited Rossetti could not make friends with the old academic teaching methods that Madox Brown advocated. As head of the Pre-Raphaelites, Rossetti rejected precisely this academic painting. This was perhaps one reason for Ford Madox Brown not to join this group of artists. He wanted to remain independent, not be tied to a manifesto, and paint what he wanted and how he wanted. But Madox Brown took over the use of vibrant, bright colors from the Pre-Raphaelites.
 - (MeisterDrucke-306356).jpg "Romeo and Juliet by Ford Madox Brown")
.jpg "Cartoon for a Stained Glass Window of Eve, 1862 by Ford Madox Brown")
_-_(MeisterDrucke-320541).jpg "The Stages of Cruelty by Ford Madox Brown")
_-_(MeisterDrucke-1466865).jpg "Study for")
.jpg "The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave by Ford Madox Brown")
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.jpg "Work by Ford Madox Brown")
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.jpg "Jesus Washing Peter")
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.jpg "The Last of England by Ford Madox Brown")
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 - (MeisterDrucke-84080).jpg "John Kay, Inventor of the Fly Shuttle by Ford Madox Brown")
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.jpg "Romeo and Juliet by Ford Madox Brown")
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.jpg "Male Nude by Ford Madox Brown")
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.jpg "John Kay Inventor of the Fly Shuttle AD 1753 by Ford Madox Brown")
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.jpg "The Seeds and Fruit of English Poetry, 1845 by Ford Madox Brown")
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 - (MeisterDrucke-8666).jpg "Portrait- Head Study of Daniel Casey (Three-quarter View) by Ford Madox Brown")
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.jpg "Take your Son, Sir by Ford Madox Brown")
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.jpg "Beata Beatrix by Dante Gabriel Rossetti")
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.jpg "The Stages of Cruelty by Ford Madox Brown")
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.jpg "The Pretty Baa-Lambs by Ford Madox Brown")
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.jpg "The Last Look at England by Ford Madox Brown")
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.jpg "The Opening of the Bridgewater Canal, illustration from")
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.jpg "The Irish Girl by Ford Madox Brown")
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 - (MeisterDrucke-294847).jpg "Jacob and Joseph")
 - (MeisterDrucke-294847).jpg)
_-_(MeisterDrucke-381166).jpg "Archangel Michael by Ford Madox Brown")
_-_(MeisterDrucke-381166).jpg)
.jpg "The Death of Sir Tristan, from")
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.jpg "Male Nude by Ford Madox Brown")
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.jpg "Haydee Discovering the Body of Don Juan by Ford Madox Brown")
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 - (MeisterDrucke-8763).jpg "Portrait- Head Study of Daniel Casey (Full-Face) by Ford Madox Brown")
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.jpg "The Seeds and Fruits of English Poetry, 1845-1853 by Ford Madox Brown")
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.jpg "An English Autumn Afternoon, 1852-1853 by Ford Madox Brown")
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.jpg "Cordelia and King Lear by Ford Madox Brown")
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.jpg "The Hayfield by Ford Madox Brown")
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.jpg "Work by Ford Madox Brown")
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.jpg "Academic Nude Study, Half-Length with Moustache and Arms Folded, 1849 by Ford Madox Brown")
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.jpg "Cartoon for a Stained Glass Window of Eve by Philip Webb")
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 - (MeisterDrucke-306356).jpg)
.jpg "King Lear by Ford Madox Brown")
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.jpg "Work by Ford Madox Brown")
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.jpg "Cordelia")
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.jpg "The First Translation of the Bible into English by Ford Madox Brown")
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.jpg "The Dream of Sardanapalus by Ford Madox Brown")
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 - (MeisterDrucke-186073).jpg "Death of Sir Tristram, 1863 by Ford Madox Brown")
 - (MeisterDrucke-186073).jpg)
.jpg "Byron")
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.jpg "Work, 1863 by Ford Madox Brown")
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.jpg "The First Translation of the Bible into English by Ford Madox Brown")
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.jpg "Work by Ford Madox Brown")
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.jpg "Waiting- an English Fireside of 1854-55 by Ford Madox Brown")
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_-_(MeisterDrucke-1471596).jpg "Study for the painting")
_-_(MeisterDrucke-1471596).jpg)
.jpg "Cordelia Led Away from Goneril and Regan, illustration from")
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.jpg "Work by Ford Madox Brown")
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.jpg "The Body of Harold Brought Before William the Conqueror by Ford Madox Brown")
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.jpg "View from Shorn Ridgway, Kent by Ford Madox Brown")
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.jpg "Elijah Restoring the Widow")
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.jpg "Chaucer, Seeds and Fruits / Brown by Ford Madox Brown")
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.jpg "The Pretty Baa-Lambs, 1852 by Ford Madox Brown")
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.jpg "Work: Workman with Carnation in his Mouth by Ford Madox Brown")
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.jpg "The Last of England by Ford Madox Brown")
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.jpg "Walton-on-the-Naze by Ford Madox Brown")
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.jpg "Geoffrey Chaucer at the Court of King Edward III of England by Ford Madox Brown")
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.jpg "The Last of England, 1852-55 by Ford Madox Brown")
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.jpg "Portrait of William Shakespeare by Ford Madox Brown")
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_-_(MeisterDrucke-1465808).jpg "First Rough Sketch For")
_-_(MeisterDrucke-1465808).jpg)
.jpg "Finding of Don Juan by Haidee by Ford Madox Brown")
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.jpg "Wycliffe Reading his Translation of the Bible by Ford Madox Brown")
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_-_(MeisterDrucke-1472718).jpg "Study for the Painting")
_-_(MeisterDrucke-1472718).jpg)
.jpg "The Traveller by Ford Madox Brown")
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_-_(MeisterDrucke-546950).jpg "Ascension by Ford Madox Brown")
_-_(MeisterDrucke-546950).jpg)
_1849_(oil_on_canvas)_-_(MeisterDrucke-1466467).jpg "Portrait of William Shakespeare (1564-1616) 1849 by Ford Madox Brown")
_1849_(oil_on_canvas)_-_(MeisterDrucke-1466467).jpg)
.jpg "Self Portrait by Ford Madox Brown")
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.jpg "Sketch for")
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_-_(MeisterDrucke-381169).jpg "Archangel Uriel by Ford Madox Brown")
_-_(MeisterDrucke-381169).jpg)
.jpg "Millie Smith by Ford Madox Brown")
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.jpg "Cordelia")
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.jpg "The Finding of Don Juan by Haidee by Ford Madox Brown")
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.jpg "Romeo and Juliet by Ford Madox Brown")
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_-_(MeisterDrucke-897672).jpg "The Ascension by Ford Madox Brown")
_-_(MeisterDrucke-897672).jpg)
.jpg "The Finding of Don Juan by Haidée by Ford Madox Brown")
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.jpg "Chaucer at the Court of Edward III by Ford Madox Brown")
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.jpg "The Establishment of the Flemish Weavers in Manchester in 1363 by Ford Madox Brown")
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.jpg "Dalton Collecting Marsh Fire Gas by Ford Madox Brown")
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.jpg "Dalton Collecting Marsh Gas, Illustration from")
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.jpg "Study of a Greyhound by Ford Madox Brown")
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.jpg "Chaucer at the Court of Edward III by Ford Madox Brown")
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.jpg "An English Autumn Afternoon by Ford Madox Brown")
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_-_(MeisterDrucke-320541).jpg)
.jpg "Manfred in the Chamois Hunters Hut by Ford Madox Brown")
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_1844_(oil_on_canvas)_-_(MeisterDrucke-1466870).jpg "Family Group (The Bromley Family) 1844 by Ford Madox Brown")
_1844_(oil_on_canvas)_-_(MeisterDrucke-1466870).jpg)
.jpg "Elijah Restoring the Widow")
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.jpg "The Last of England by Ford Madox Brown")
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.jpg "The Nosegay by Ford Madox Brown")
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 by Lamplight 1856 (panel) - (MeisterDrucke-107707).jpg "Portrait of William Michael Rossetti (1829-1919) by Lamplight, 1856 by Ford Madox Brown")
 by Lamplight 1856 (panel) - (MeisterDrucke-107707).jpg)
.jpg "The Opening of the Bridgewater Canal AD 1761 by Ford Madox Brown")
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_-_(MeisterDrucke-898926).jpg "The Death of Sir Tristram by Ford Madox Brown")
_-_(MeisterDrucke-898926).jpg)
 1869 (pastel) - (MeisterDrucke-167402).jpg "Emma Madox Brown (1829-90) 1869 by Ford Madox Brown")
 1869 (pastel) - (MeisterDrucke-167402).jpg)
.jpg "The Coat of Many Colours by Ford Madox Brown")
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.jpg "Christ Sees the Disciples Labouring at the Oar by Ford Madox Brown")
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.jpg "The Last of England by Ford Madox Brown")
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_-_(MeisterDrucke-1466865).jpg)
.jpg "Chaucer at the Court of Edward III by Ford Madox Brown")
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.jpg "The Entombment by Ford Madox Brown")
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.jpg "The Last of England by Ford Madox Brown")
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.jpg "Portrait of Miss Iza Duffus Hardy by Ford Madox Brown")
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_-_(MeisterDrucke-560257).jpg "King Rene")
_-_(MeisterDrucke-560257).jpg)
.jpg "The Romans Building a Fort at Mancenion AD 80 by Ford Madox Brown")
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