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Feel the passion of Edwin Austin Abbey in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Edwin Austin Abbey
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Edwin Austin Abbey

Edwin Austin Abbey

Edwin Austin Abbey, born in Philadelphia on April 1, 1852, was an artist whose career unfolds before us like a colorful painting. His artistic development began with simple illustrations for magazines such as Harper's Weekly and Scribner's Magazine. His creative line was influenced by European black and white art, and his skills grew visibly as he illustrated the works of Charles Dickens, Robert Herrick, and Oliver Goldsmith. With these works, Abbey proved that he was as skilled with a pen as other artists were with a brush.

In 1878, at the request of his employers, Abbey moved to England to illustrate the poetry of Robert Herrick. His illustrations were so successful that he eventually settled in England. In 1883, he was elected to the prestigious Royal Institute of Painters in Water-Colors. It was around this time that Abbey began to become known for his paintings as well. His watercolor "The Evil Eye" and other works such as "The Rose in October," "An Old Song," "The Visitors," and "The Jongleur" have lost none of their original magic to this day. Abbey also created wonderful pastels such as "Beatrice," "Phyllis," and "Two Noble Kinsmen," which demonstrate his extraordinary ability to master the gentle tones of this technique. Abbey first showcased his skills with oils in 1890 with his painting "A May Day Morn." His participation in the Royal Academy in London marked an important milestone in his career. Equally notable was his commission of the painting for the coronation of King Edward VII in 1901, which earned him well-deserved recognition.

The 1890s took Abbey to the Boston Public Library, where he created an impressive series of murals. The series, depicting "The Quest and Attainment of the Holy Grail," was a massive undertaking that took Abbey eleven years to complete in his English studio. It was a true masterpiece that continues to impress visitors to the library today with its ingenuity and perfect craftsmanship. An art print of one of his works from this series would certainly enhance any home or office. Another project Abbey undertook was the creation of a series of murals and artwork for the Pennsylvania State Capitol in Harrisburg, Pennsylvania. This ambitious project, begun in 1908, presented the ultimate challenge to his artistic abilities. Unfortunately, his health deteriorated at this time and he was unable to complete all of the works himself. Edwin Austin Abbey left an impressive artistic legacy. His works are exhibited in many prestigious museums, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Although Abbey is no longer with us, his presence remains in the masterpieces he left behind. He is proof that true art can transcend time and space, touching the hearts and souls of people long after the artist's death.

Edwin Austin Abbey

    Illustration   •   Wikipedia: Edwin Austin Abbey Edwin Austin Abbey

Edwin Austin Abbey, born in Philadelphia on April 1, 1852, was an artist whose career unfolds before us like a colorful painting. His artistic development began with simple illustrations for magazines such as Harper's Weekly and Scribner's Magazine. His creative line was influenced by European black and white art, and his skills grew visibly as he illustrated the works of Charles Dickens, Robert Herrick, and Oliver Goldsmith. With these works, Abbey proved that he was as skilled with a pen as other artists were with a brush.

In 1878, at the request of his employers, Abbey moved to England to illustrate the poetry of Robert Herrick. His illustrations were so successful that he eventually settled in England. In 1883, he was elected to the prestigious Royal Institute of Painters in Water-Colors. It was around this time that Abbey began to become known for his paintings as well. His watercolor "The Evil Eye" and other works such as "The Rose in October," "An Old Song," "The Visitors," and "The Jongleur" have lost none of their original magic to this day. Abbey also created wonderful pastels such as "Beatrice," "Phyllis," and "Two Noble Kinsmen," which demonstrate his extraordinary ability to master the gentle tones of this technique. Abbey first showcased his skills with oils in 1890 with his painting "A May Day Morn." His participation in the Royal Academy in London marked an important milestone in his career. Equally notable was his commission of the painting for the coronation of King Edward VII in 1901, which earned him well-deserved recognition.

The 1890s took Abbey to the Boston Public Library, where he created an impressive series of murals. The series, depicting "The Quest and Attainment of the Holy Grail," was a massive undertaking that took Abbey eleven years to complete in his English studio. It was a true masterpiece that continues to impress visitors to the library today with its ingenuity and perfect craftsmanship. An art print of one of his works from this series would certainly enhance any home or office. Another project Abbey undertook was the creation of a series of murals and artwork for the Pennsylvania State Capitol in Harrisburg, Pennsylvania. This ambitious project, begun in 1908, presented the ultimate challenge to his artistic abilities. Unfortunately, his health deteriorated at this time and he was unable to complete all of the works himself. Edwin Austin Abbey left an impressive artistic legacy. His works are exhibited in many prestigious museums, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Although Abbey is no longer with us, his presence remains in the masterpieces he left behind. He is proof that true art can transcend time and space, touching the hearts and souls of people long after the artist's death.

Artworks by Edwin Austin Abbey

Artworks by Edwin Austin Abbey

1482 artworks found
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Edwin Austin Abbey
Who Is Sylvia What Is She, That ...
1896 | oil on canvas

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Edwin Austin Abbey
Sheet of sketches: two nude fema...
Undated | Graphite and watercolor on cream wove

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Edwin Austin Abbey
Sketch of a male nude (studio dr...
Undated | Graphite, black chalk, black ink and wash

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Edwin Austin Abbey
 
Undated | Gouache, Composition board

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Edwin Austin Abbey
Brutus and the Ghost of Julius C...
Undated | colour lithograph

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Edwin Austin Abbey
Prince of Morocco:
Undated | Pen and ink on composition board

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Edwin Austin Abbey
King Lear, Act I, Scene I, Corde...
Undated | gouache over photograph

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Edwin Austin Abbey
Sketch of Continental Iron Works...
Undated | Graphite, Green wove

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Edwin Austin Abbey
 
Undated | Black chalk, graphite, Laid

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Edwin Austin Abbey
Mary, the Wife of Cleophas, stud...
Undated | Charcoal heightened with white and orange chalk on dark grey-green paper

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Edwin Austin Abbey
Goneril and Regan in King Lear A...
1902 | oil on canvas

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Edwin Austin Abbey
Bourg & Bribun Cliffs, Mull (?) ...
Undated | Watercolor, Wove

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Edwin Austin Abbey
Crusaders Sighting Jerusalem, 1901
1901 | oil on canvas

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Edwin Austin Abbey
 
Undated | Gouache, Composition board

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Edwin Austin Abbey
King Lear, Act I, Scene I, 1898.
Undated |

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Edwin Austin Abbey
Marriage Morning of Theseus and ...
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Woman holding a lap dog
Undated | Graphite, watercolor

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Edwin Austin Abbey
Seated nude female figure.
Undated | Charcoal, pastel on brown paper

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Edwin Austin Abbey
The Three Marys, c.1905-10
1905 | oil on canvas

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Edwin Austin Abbey
 
Undated | Pen and ink, graphite, Composition board

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Edwin Austin Abbey
John of Gaunt, costume sketch fo...
Undated | Watercolor, charcoal, with fabric, White wove

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Edwin Austin Abbey
Nude male figure study, life class
Undated | Graphite, Wove

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Edwin Austin Abbey
Sketch of a crippled man seated ...
Undated | graphite on wove paper

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Edwin Austin Abbey
Bianca and Lucentio, from Act II...
Undated | Pen and ink on composition board

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Edwin Austin Abbey
Lafeu:
Undated | Pen and ink on composition board

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Edwin Austin Abbey
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Edwin Austin Abbey
Men at an Anvil, study for The S...
1904 | oil on canvas

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Edwin Austin Abbey
Sketch of a woman, stooped and p...
Undated | Black chalk, Wove

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Edwin Austin Abbey
 
Undated | pen and ink

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Edwin Austin Abbey
 
Undated | Graphite and watercolor (recto); ink wash (verso)

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Edwin Austin Abbey
Fair Is My Love, 1900
19th century | oil on canvas

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Edwin Austin Abbey
Anthony (preliminary drawing for...
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Stony Ground, 1884
1884 | gouache on paper

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Edwin Austin Abbey
 
Undated | oil on canvas

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Edwin Austin Abbey
Ophelia by the brook - Act IV, S...
Undated | Watercolor, gouache, pen and ink, Composition board

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Edwin Austin Abbey
 
Undated | pen and black ink

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Edwin Austin Abbey
Brighton in the Time of Our Gran...
Undated | engraving

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Edwin Austin Abbey
Baron von Steuben drilling Ameri...
1911 | oil on canvas

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Edwin Austin Abbey
Richard, Duke of Gloucester, and...
1896 | oil on canvas

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Edwin Austin Abbey
Tomb Scene - Romeo finds Juliet,...
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Sketch of two hands, clasped in ...
Undated | Black chalk, Cream laid

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Edwin Austin Abbey
'O, Mistress mine where are you ...
Undated | colour lithograph

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Edwin Austin Abbey
Lear with Cordelia dead in his a...
Undated | pen and ink

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Edwin Austin Abbey
Lady Macbeth:
Undated | Watercolor, gouache

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Edwin Austin Abbey
Caricature of a balding man
Undated | Pen and ink, Wove paper (corners cropped)

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Edwin Austin Abbey
Woman seated on bench in a garde...
Undated | Black and white chalks, Green wove

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Edwin Austin Abbey
Portrait of an old bearded man, ...
Undated | Black chalk, Heavy white laid

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Edwin Austin Abbey
Woman seated in chair, sleeping
Undated | Graphite, watercolor, Wove

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Edwin Austin Abbey
Northumberland Men, costume sket...
Undated | Watercolor, graphite, White wove

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Edwin Austin Abbey
Sketch of a fat man, seated
Undated | Pen and ink, Brown wove

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Edwin Austin Abbey
Friar Laurence:
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Mistress Quickly:
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Sketch of an arm and hand
Undated | Black chalk, Cream laid

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Edwin Austin Abbey
Sketch of a foot
Undated | Black and white chalks, Green wove

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Edwin Austin Abbey
Trinculo and Caliban, illustrati...
Undated | Gouache on composition board

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Edwin Austin Abbey
Study for the figure of Captain ...
Undated | Pastel on grey paper

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Edwin Austin Abbey
Two sketches: sketch of two hand...
Undated | Graphite, cream wove

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Edwin Austin Abbey
Drawing for the poster publicizi...
Undated | Pen and ink and wash and transparent and opaque watercolor with graphite underdrawing, framed and glazed

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Edwin Austin Abbey
Sketch of three feet (recto); Sk...
Undated | Black and white chalks, on green laid paper

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Edwin Austin Abbey
Left profile head of man, for Co...
Undated | pastel

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Edwin Austin Abbey
Woman seated beneath a tree, rea...
Undated | Graphite, watercolor, Green-grey wove

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Edwin Austin Abbey
O Mistress Mine, where are you r...
1899 |

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Edwin Austin Abbey
Malvolio in the dungeon, illustr...
Undated | Gouache on composition board

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Edwin Austin Abbey
Portrait of an older woman (unid...
Undated | Oil, Brown wove

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Edwin Austin Abbey
Prospero and Ariel, illustration...
Undated | Pen and ink on composition board

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Edwin Austin Abbey
Sketch of an outdoor stairway (I...
Undated | Pen and ink, graphite, Wove

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Edwin Austin Abbey
Before the walls of Algiers:
Undated | pen and ink

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Edwin Austin Abbey
 
Undated | Pen and ink on composition board

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Edwin Austin Abbey
Figure study - two men carrying ...
Undated | Pen and ink, Machine laid

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Edwin Austin Abbey
A Measure, 1904
1904 | oil on canvas

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Edwin Austin Abbey
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Edwin Austin Abbey
 
Undated | Pastel on gray paper on cardboard

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Edwin Austin Abbey
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Edwin Austin Abbey
Unidentified illustration [Boy i...
Undated | pen and ink

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Edwin Austin Abbey
Study of two men, woman, and a d...
Undated | Pen and ink, Brown wove

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Edwin Austin Abbey
 
Undated | Charcoal, graphite, White wove, mounted on board

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Edwin Austin Abbey
Study for head of a Celtic woman...
Undated | Black and white chalks, Red wove

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Edwin Austin Abbey
The Banquet, illustration for Ac...
Undated | Gouache on composition board

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Edwin Austin Abbey
Turpentine Distillery, North Car...
1938 |

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Edwin Austin Abbey
Sketch of a sheep
Undated | Graphite on wove

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Edwin Austin Abbey
Sketch of one hand grasping a pole
Undated | Black and white chalks, Blue laid

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Edwin Austin Abbey
Caliban, Stephano and Trinculo (...
Undated | Pen and ink on composition board

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Edwin Austin Abbey
Study of an elderly woman in roc...
Undated | Graphite, Green wove

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Edwin Austin Abbey
Touchstone:
Undated | Pen and ink on composition board

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Edwin Austin Abbey
 
Undated | Graphite, charcoal, watercolor, and crayon, with fabric

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Edwin Austin Abbey
Ichabod Crane (gravure)
Undated | gravure

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Edwin Austin Abbey
Woman churning butter, man in Re...
Undated | Watercolor, graphite, Heavy wove

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Edwin Austin Abbey
Portrait of a woman in profile
Undated | Pastel, Red wove

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Edwin Austin Abbey
Sketch of a grove of trees
Undated | Graphite (recto); graphite, watercolor (verso0, Wove

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Edwin Austin Abbey
 
Undated | gouache and watercolor

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Edwin Austin Abbey
Hamlet:
Undated | Opaque and transparent watercolor with graphite underdrawing on superfine London white wove paper,overall adhered to two layers of 4 ply cardboard, framed and glazed( gold frame)

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Edwin Austin Abbey
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Edwin Austin Abbey
Beatrice:
Undated | Gouache on composition board

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Edwin Austin Abbey
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Edwin Austin Abbey
 
Undated | Pen and ink on composition board

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Edwin Austin Abbey
Fair is my Love, c1900, c1930.
1930 |

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Edwin Austin Abbey
Figure study for The Spirit of V...
Undated | Black chalk, green laid

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Edwin Austin Abbey
 
Undated | Pen and ink on composition board

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Edwin Austin Abbey
Study for figure of 1 pm in
Undated | Black, white and red chalks

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Edwin Austin Abbey
Who Is Sylvia What Is She, That ...
Undated |

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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