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The painter Eduard Theodor Grützner and later Ritter von Grützner is one of the most important Munich genre painters of the second half of the 19th century. In history, he is considered a "monk painter", as he focused on monastic life in his paintings. In the artworks of Eduard Theodor Grützner, it was often noticeable that he always depicted monastic life very cheerfully and exuberantly, often capturing the ascetic cardinals with unsympathetic facial features. Despite the fact that only a few paintings of still life by Eduard Theodor Grützner exist, he was particularly fond of this type of artwork and painted them passionately.
The talent of the painter Eduard Theodor Grützner was recognized at an early age and was encouraged by both the church and the nobility. As the youngest child of a poor peasant family, he painted on everything he could get his hands on and thus made many villagers happy with his animal and human drawings at a young age. Through the village priest and the architect Hirschberg Eduard Theodor Grützner got the opportunity to attend higher schools and to be trained as an artist. He met various artists such as Hermann Dyck, Hermann Anschütz and Carl Theodor von Piloty and was taught by them both in painting and on subjects such as the ideals of beauty in antiquity. This was short-lived, however, as Eduard Theodor Grützner soon moved into his own studio in Munich and created his own paintings. Eduard Theodor Grützner was not only an enthusiastic painter but also a passionate collector. He began collecting minerals and butterflies in his youth. Due to his enthusiasm for collecting, he drew a copy of the "Lehrbuch der Krystallkunde" of the mineralogist Carl Rammelsberg already at the age of 14. Eduard Theodor Grützner collected special pieces from the early Renaissance and German late Gothic periods. This was also reflected in his painting. Due to his great passion for collecting, he painted portraits of mineralogists and geologists, whom he admired for their work. In his old age, Eduard Theodor Grützner preferred to collect works of art from the Far East and learned the Japanese language. He occupied himself a lot with Chinese philosophy and let this flow into his painting. He worked Buddha figures or Chinese vases into his works of art. He emphasized especially in his larger compositions his collectibles from the Far East, from his own antique collection.
The painter Eduard Theodor Grützner enjoyed a great reputation among his fellow painters and from the nobility. Thus, the painter and writer Friedrich Pecht announced in a magazine that Eduard Theodor Grützner was awarded the title of professor by the Prince Regent himself. Furthermore, Eduard Theodor Grützner received the Knight's Cross of St. Michael and was elevated to personal nobility in 1916 due to the award of the Order of Merit of the Bavarian Crown.
The painter Eduard Theodor Grützner and later Ritter von Grützner is one of the most important Munich genre painters of the second half of the 19th century. In history, he is considered a "monk painter", as he focused on monastic life in his paintings. In the artworks of Eduard Theodor Grützner, it was often noticeable that he always depicted monastic life very cheerfully and exuberantly, often capturing the ascetic cardinals with unsympathetic facial features. Despite the fact that only a few paintings of still life by Eduard Theodor Grützner exist, he was particularly fond of this type of artwork and painted them passionately.
The talent of the painter Eduard Theodor Grützner was recognized at an early age and was encouraged by both the church and the nobility. As the youngest child of a poor peasant family, he painted on everything he could get his hands on and thus made many villagers happy with his animal and human drawings at a young age. Through the village priest and the architect Hirschberg Eduard Theodor Grützner got the opportunity to attend higher schools and to be trained as an artist. He met various artists such as Hermann Dyck, Hermann Anschütz and Carl Theodor von Piloty and was taught by them both in painting and on subjects such as the ideals of beauty in antiquity. This was short-lived, however, as Eduard Theodor Grützner soon moved into his own studio in Munich and created his own paintings. Eduard Theodor Grützner was not only an enthusiastic painter but also a passionate collector. He began collecting minerals and butterflies in his youth. Due to his enthusiasm for collecting, he drew a copy of the "Lehrbuch der Krystallkunde" of the mineralogist Carl Rammelsberg already at the age of 14. Eduard Theodor Grützner collected special pieces from the early Renaissance and German late Gothic periods. This was also reflected in his painting. Due to his great passion for collecting, he painted portraits of mineralogists and geologists, whom he admired for their work. In his old age, Eduard Theodor Grützner preferred to collect works of art from the Far East and learned the Japanese language. He occupied himself a lot with Chinese philosophy and let this flow into his painting. He worked Buddha figures or Chinese vases into his works of art. He emphasized especially in his larger compositions his collectibles from the Far East, from his own antique collection.
The painter Eduard Theodor Grützner enjoyed a great reputation among his fellow painters and from the nobility. Thus, the painter and writer Friedrich Pecht announced in a magazine that Eduard Theodor Grützner was awarded the title of professor by the Prince Regent himself. Furthermore, Eduard Theodor Grützner received the Knight's Cross of St. Michael and was elevated to personal nobility in 1916 due to the award of the Order of Merit of the Bavarian Crown.
.jpg "Monastic Produce by Eduard von Grutzner")
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.jpg "A Good Draught by Eduard von Grutzner")
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.jpg "Reading Monk with Wine Glass by Eduard von Grutzner")
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_prueft_-_(MeisterDrucke-823319).jpg "Cardinal Examining a Bouquet of White Wine (in a Venetian Glass) by Eduard von Grutzner")
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.jpg "The Innkeeper by Eduard von Grutzner")
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.jpg "A Vintage Year by Eduard von Grutzner")
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.jpg "Middle-aged warrior toasting with a hermit in a tavern. Painting by Eduard von Grutzner (1846-1925) 1878 by Eduard von Grutzner")
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.jpg "The Backhand by Eduard von Grutzner")
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.jpg "Before Vespers by Eduard von Grutzner")
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.jpg "A Quiet Smoke, 1895 by Eduard von Grutzner")
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.jpg "The Sunday Hunter by Eduard von Grutzner")
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.jpg "Eduard Grützner in the Study Room by Eduard von Grutzner")
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.jpg "In a Monastery Garden by Eduard von Grutzner")
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_(preteur_sur_gage)-_Peinture_de_Eduard_von_Gruetzn_-_(MeisterDrucke-1325333).jpg "The Collector by Eduard von Grutzner")
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.jpg "Christmas in the Theatre, Mephisto Behind the Scenes by Eduard von Grutzner")
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.jpg "Easter Recreations by Eduard von Grutzner")
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.jpg "The Broken Handle, 1900 by Eduard von Grutzner")
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.jpg "Good Brew, 1905 by Eduard von Grutzner")
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.jpg "Sir John Falstaff, 1876 by Eduard von Grutzner")
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_-_(MeisterDrucke-1370451).jpg "Men Around a Table in a Cellar by Karl Vaditz")
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.jpg "Shylock, 1897 by Eduard von Grutzner")
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.jpg "Johann Strauss the Younger by Eduard von Grutzner")
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.jpg "A Bibliophile by Eduard von Grutzner")
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_-_(MeisterDrucke-118826).jpg "Henry V rejects Falstaff by Eduard von Grutzner")
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.jpg "I Don")
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.jpg "Armory in Polling by Eduard von Grutzner")
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.jpg "The Sunday Hunter 1880 by Eduard von Grutzner")
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.jpg "Grützner Benedictine Monk with Wine at Breakfast by Eduard von Grutzner")
.jpg "Snack by Eduard von Grutzner")
.jpg "The Wine Tasting in the Cellar by Eduard von Grutzner")
.jpg "Monk at the Wine Tasting by Eduard von Grutzner")