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Feel the passion of Edmund Joseph Sullivan in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Edmund Joseph Sullivan
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

Edmund Joseph Sullivan

1869   -   1933
Illustration

One could have expected a completely different career from Edmund Joseph Sullivan. Although his father was himself an artist and director of the Hastings School of Arts, Edmund initially received an education in a Jesuit boarding school. His artistic education took place first at home and only later under his father. It would not have been surprising, therefore, if he had taken a different path in life or had followed his father's example as an artist. But it was to come differently.

Sullivan was more interested in the trends of the time, graphic design and book illustration. He lost his first job as an illustrator at the Daily Graphic two years later because his illustrations were too artistic! After a period as a freelancer, he found the right environment at Pall Mall Budget Magazine, where a new editor gathered dedicated artists at the pulse of the times around him. This circle of colleagues remained an important environment for Sullivan throughout his life, from which he recruited many of his commissions. This circle included his later wife Frances Louise Williams, Aubrey Beardsley, S. Hatrick and Joseph Pennell. Sullivan was soon a sought-after book illustrator.

Sullivan's artistic development can be traced through the milestones of his work. In general, his style can be characterized as a mixture of the English illustration style since 1860 and influences of Art Nouveau, with a tendency towards a romantic flair that is missing, for example, in the works of his colleague Beardsley. If one goes by his most important commissions, one can discern a preference for the obscure to the violent and the female body. For Thomas Carlyle, for example, he illustrated his "Sartor Resartus", H.G.'s "Stories of the Days to Come", set in 2090. Wells, for a selection of Tennyson's poems entitled "A Dream of Fair Women", for John Bunyan's "The Pilgrim's Progress" with its mixture of Christian themes and Nordic mythology, again for Carlyle his "French Revolution", for Fitzgerlad's translation of "Rubā'īyāt" by the Persian astronomer and poet Omar Chayyām and for "The Kaiser's Garland", a collection directed against the First World War and Kaiser Wilhelm II. Such themes gave room for originality and experimentation. Sullivan created expressive illustrations that testify to a strong imagination and a deep understanding of the text, full of symbolism and feeling.

Demand for such illustrations in black and white diminished after the war and Sullivan decided to pursue his career essentially as a teacher. From 1908 he taught lithography and illustration at Goldsmiths College School of Arts, and he became involved in arts and crafts at various institutes. He left theoretical treatises in "The Art of Illustration" in 1921 and "Line" in 1922, and Sullivan died in his London home on April 17, 1933.

Edmund Joseph Sullivan

1869   -   1933
Illustration

One could have expected a completely different career from Edmund Joseph Sullivan. Although his father was himself an artist and director of the Hastings School of Arts, Edmund initially received an education in a Jesuit boarding school. His artistic education took place first at home and only later under his father. It would not have been surprising, therefore, if he had taken a different path in life or had followed his father's example as an artist. But it was to come differently.

Sullivan was more interested in the trends of the time, graphic design and book illustration. He lost his first job as an illustrator at the Daily Graphic two years later because his illustrations were too artistic! After a period as a freelancer, he found the right environment at Pall Mall Budget Magazine, where a new editor gathered dedicated artists at the pulse of the times around him. This circle of colleagues remained an important environment for Sullivan throughout his life, from which he recruited many of his commissions. This circle included his later wife Frances Louise Williams, Aubrey Beardsley, S. Hatrick and Joseph Pennell. Sullivan was soon a sought-after book illustrator.

Sullivan's artistic development can be traced through the milestones of his work. In general, his style can be characterized as a mixture of the English illustration style since 1860 and influences of Art Nouveau, with a tendency towards a romantic flair that is missing, for example, in the works of his colleague Beardsley. If one goes by his most important commissions, one can discern a preference for the obscure to the violent and the female body. For Thomas Carlyle, for example, he illustrated his "Sartor Resartus", H.G.'s "Stories of the Days to Come", set in 2090. Wells, for a selection of Tennyson's poems entitled "A Dream of Fair Women", for John Bunyan's "The Pilgrim's Progress" with its mixture of Christian themes and Nordic mythology, again for Carlyle his "French Revolution", for Fitzgerlad's translation of "Rubā'īyāt" by the Persian astronomer and poet Omar Chayyām and for "The Kaiser's Garland", a collection directed against the First World War and Kaiser Wilhelm II. Such themes gave room for originality and experimentation. Sullivan created expressive illustrations that testify to a strong imagination and a deep understanding of the text, full of symbolism and feeling.

Demand for such illustrations in black and white diminished after the war and Sullivan decided to pursue his career essentially as a teacher. From 1908 he taught lithography and illustration at Goldsmiths College School of Arts, and he became involved in arts and crafts at various institutes. He left theoretical treatises in "The Art of Illustration" in 1921 and "Line" in 1922, and Sullivan died in his London home on April 17, 1933.

Artworks by Edmund Joseph Sullivan

Artworks by Edmund Joseph Sullivan

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Edmund Joseph Sullivan
Illustration for The Rubaiyat of...
19th century |

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Edmund Joseph Sullivan
Mr Hyde assassine Sir Danvers Ca...
Undated | drawing

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Edmund Joseph Sullivan
Scene from The Strange Case of D...
1927 | engraving/engraving

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Edmund Joseph Sullivan
Robert Browning: Porphyria's Lov...
Undated | colour lithograph

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Edmund Joseph Sullivan
Mr Hyde returns home after a nig...
Undated | drawing

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Edmund Joseph Sullivan
Robert Browning: My Last Duchess...
Undated | colour lithograph

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Edmund Joseph Sullivan
Scene from The Strange Case of D...
1927 | engraving/engraving

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Edmund Joseph Sullivan
Dr jekyll closes the letter wher...
Undated | drawing

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Edmund Joseph Sullivan
Robert Browning: "Childe Roland ...
Undated | colour lithograph

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Edmund Joseph Sullivan
The Belgian Bed, illustration fr...
1916 | lithograph

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Edmund Joseph Sullivan
Scene from The Strange Case of D...
1927 | engraving/engraving

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Edmund Joseph Sullivan
The Giant Michel and the Dwarf W...
1916 | lithograph

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Edmund Joseph Sullivan
Illustration for Dr Jekyll and M...
Undated | lithograph

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Edmund Joseph Sullivan
A Deal with the Devil ('By Priva...
1916 | lithograph

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Edmund Joseph Sullivan
Illustration for Dr Jekyll and M...
Undated | lithograph

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Edmund Joseph Sullivan
 
Undated | colour lithograph

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Edmund Joseph Sullivan
Scene from The Strange Case of D...
1927 | engraving/engraving

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Edmund Joseph Sullivan
Scene from The Strange Case of D...
1927 | engraving/engraving

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Edmund Joseph Sullivan
Prima Ballerina Assoluta to the ...
1916 | lithograph

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Edmund Joseph Sullivan
Dr Lanyon opens his door and dis...
Undated | drawing

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Edmund Joseph Sullivan
Can't you see I'm coming, illust...
1916 | lithograph

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Edmund Joseph Sullivan
The Black Mass No. 1 (The Celebr...
1916 | lithograph

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Edmund Joseph Sullivan
The Prisoner of War, illustratio...
1916 | lithograph

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Edmund Joseph Sullivan
Kultur - toad eater to Kaiser Co...
1916 | lithograph

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Edmund Joseph Sullivan
Dr jekyll in terror during his c...
Undated | engraving

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Edmund Joseph Sullivan
Scene from The Strange Case of D...
1927 | engraving/engraving

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Edmund Joseph Sullivan
The writing on the wall, illustr...
1916 | lithograph

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Edmund Joseph Sullivan
The Devil's Own Game (Cards on t...
1916 | lithograph

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Edmund Joseph Sullivan
 
Undated | colour lithograph

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Edmund Joseph Sullivan
Abou Ben Adhem and the angel, fr...
Undated | colour lithograph

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Edmund Joseph Sullivan
The Scientist at Work (litho)
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Edmund Joseph Sullivan
The Black Mass No. 2 (The Celebr...
1916 | lithograph

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Edmund Joseph Sullivan
Robert Browning: Bishop Blougram...
Undated | colour lithograph

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Edmund Joseph Sullivan
Crocodile Tears, illustration fr...
1916 | lithograph

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Edmund Joseph Sullivan
The Return of the Conqueror, ill...
1916 | lithograph

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Edmund Joseph Sullivan
The Jackdaw of Rheims, the Cardi...
1916 | lithograph

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Edmund Joseph Sullivan
Dr jekyll desperately seeking th...
Undated | engraving

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Edmund Joseph Sullivan
Front cover of 'The Strange Case...
Undated | lithograph

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Edmund Joseph Sullivan
The features seemed to melt and ...
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Edmund Joseph Sullivan
Robert Browning: The Flower"s Name
Undated | colour lithograph

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Edmund Joseph Sullivan
Illustration for Dr Jekyll and M...
Undated | lithograph

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Edmund Joseph Sullivan
Jack, the Giant Killer (dedicate...
1916 | lithograph

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Edmund Joseph Sullivan
Abou Ben Adhem and the angel, fr...
Undated | colour lithograph

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Edmund Joseph Sullivan
Imperialismus (extinct), illustr...
1916 | lithograph

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Edmund Joseph Sullivan
The Hymn of Hate (A little bit o...
1916 | lithograph

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Edmund Joseph Sullivan
More cruel than Death, illustrat...
1916 | lithograph

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Edmund Joseph Sullivan
The Path of Glory, illustration ...
1916 | lithograph

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Edmund Joseph Sullivan
Mephistopheles and Faust, 1923.
1923 | etching

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Edmund Joseph Sullivan
When the Pigs begin to Fly (Die ...
1916 | lithograph

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Edmund Joseph Sullivan
Die Wacht am Rhein, illustration...
1916 | lithograph

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Edmund Joseph Sullivan
Le Roi SAmuse, 1910, 1924
1924 | etching

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Edmund Joseph Sullivan
The King of Clubs (The Kaiser's ...
1916 | lithograph

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Edmund Joseph Sullivan
The wine of Circe and the Prussi...
1916 | lithograph

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Edmund Joseph Sullivan
Deutschland Uber Alles, illustra...
1916 | lithograph

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Edmund Joseph Sullivan
Herr Michel ADC, to the Crown Pr...
1916 | lithograph

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Edmund Joseph Sullivan
Don Quixote. Pen Sketch from Lin...
1923 | pen

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Edmund Joseph Sullivan
Ave Kaiser, Imperator Moriture, ...
1916 | lithograph

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Edmund Joseph Sullivan
The Gentle German, illustration ...
1916 | lithograph

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Edmund Joseph Sullivan
Socrates before his judges (litho)
Undated | lithograph

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Edmund Joseph Sullivan
Scene from The Strange Case of D...
1927 | engraving/engraving

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Edmund Joseph Sullivan
The Ragpicker (Le Chiffonier), i...
1916 | lithograph

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Edmund Joseph Sullivan
Scene from The Strange Case of D...
1927 | engraving/engraving

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Edmund Joseph Sullivan
Mr Hyde after taking the antidot...
Undated | drawing

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Edmund Joseph Sullivan
The Reign of Justice, 1917 (lith...
1917 | lithograph

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Edmund Joseph Sullivan
Veritable liqueur Circ, illustra...
1916 | lithograph

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Edmund Joseph Sullivan
Marriage de Convenience, illustr...
1916 | lithograph

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Edmund Joseph Sullivan
We Come Up Through Many Slaverie...
1918 | pen

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Edmund Joseph Sullivan
William Shakespeare holding the ...
Undated | lithograph

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Edmund Joseph Sullivan
A wild, grimy figure of a man .....
Undated | colour lithograph

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Edmund Joseph Sullivan
Personificatie van gerechtigheid...
Undated | paper

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Edmund Joseph Sullivan
The Spirit of Empire, drawing fo...
Undated | lithograph

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Edmund Joseph Sullivan
A Bride of Christ (A violation o...
1916 | lithograph

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Edmund Joseph Sullivan
The Partian Shot, illustration f...
1916 | lithograph

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Edmund Joseph Sullivan
Old Bones must go outside…, 1900
19th century | pen and ink on paper

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Edmund Joseph Sullivan
The Winter's Tale, Act V, Sc 3 (...
Undated | lithograph

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Edmund Joseph Sullivan
Dancing Partners, illustration f...
1916 | lithograph

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Edmund Joseph Sullivan
The Pipe Lighter (The Guarantee ...
1916 | lithograph

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Edmund Joseph Sullivan
The Blessed Sacrament of 'Kultur...
1916 | lithograph

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Edmund Joseph Sullivan
All"s Well that Ends Well, Act I...
Undated | lithograph

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Edmund Joseph Sullivan
The Taming of the Shrew, Act III...
Undated | lithograph

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Edmund Joseph Sullivan
The Hope of the Hohenzollern ('T...
1916 | lithograph

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Edmund Joseph Sullivan
The Red Niagara, illustration fr...
1916 | lithograph

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Edmund Joseph Sullivan
Cello Solo (etching)
Undated | etching

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Edmund Joseph Sullivan
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Edmund Joseph Sullivan
Theres night and day, brother, b...
Undated | colour lithograph

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Edmund Joseph Sullivan
The Symbol Shop, c1898, 1924
1924 | engraving

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Edmund Joseph Sullivan
Ich Selbst und Gott, illustratio...
1916 | lithograph

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Edmund Joseph Sullivan
The Comedy of Errors, Act V, Sc ...
Undated | lithograph

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Edmund Joseph Sullivan
The Life of King Henry V (litho)
Undated | lithograph

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Edmund Joseph Sullivan
The Happy Man Found, 1918, 1918
1918 | pen

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Edmund Joseph Sullivan
The Crucifixion of Belgium, illu...
1916 | lithograph

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Edmund Joseph Sullivan
The Bar of the Gate
Undated | colour lithograph

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Edmund Joseph Sullivan
The Decking of 'Kultur', illustr...
1916 | lithograph

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Edmund Joseph Sullivan
As I read over the lives of thes...
Undated | colour lithograph

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Edmund Joseph Sullivan
The Tragedy of King Richard III,...
Undated | lithograph

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Edmund Joseph Sullivan
Robert Browning: A Pretty Woman ...
Undated | colour lithograph

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Edmund Joseph Sullivan
Lady Flora
Undated | watercolour on paper

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Edmund Joseph Sullivan
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Edmund Joseph Sullivan
Pour les Beaux Yeux du Kaiser, i...
1916 | lithograph

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Edmund Joseph Sullivan
I am willing to encourage merit,...
Undated | colour lithograph

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+43 4257 29415
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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