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Feel the passion of Athanasius Kircher in our art prints.

Our art reproductions bring moments of comfort directly into your home.

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Athanasius Kircher
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Museum Quality Art Prints
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Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Athanasius Kircher

Athanasius Kircher

  May 2, 1602
  Nov. 27, 1680
   •   Nonclassified artists   •   Wikipedia: Athanasius Kircher

Deep in the bowels of the city of Rome, in the heart of the ancient Collegium Romanum, unfolded the spiritual panorama of Athanasius Kircher - a German Jesuit and polymath who was born on May 2, 1602 in Geisa, in the Hochstift Fulda. Truly, Kircher was not only a man of his time, but also of its visions and miracles. Inscribed in the shadow texts of his day, Friedrich Kittler praised him as "the Pope's scientific firebrand," a preserver of knowledge and a protector of science. At the heart of the Renaissance, Kircher asserted himself with unprecedented monographs dealing with Egyptology, geology, medicine, mathematics, and music theory. His motto, In uno omnia (In One All), sums up the totality of his scientific curiosity and also reflects the spirit of our times and the perfection of reproduction of art prints as we pursue it.

At first glance, the biography of Athanasius Kircher may appear as a simple chronology of his life. But behind each date lies a far-reaching story full of science, culture and fascination. When he joined the Jesuit order on October 2, 1618, he began to study philosophy and theology, opening the first chapter of his remarkable life. His journey took him through the turbulence of the Thirty Years' War and to the halls of the Pontifical University of Avignon in France. In 1633 he was offered the opportunity to succeed Johannes Kepler, but fate had other plans and led him instead to Rome to the Collegium Romanum. Here he realized himself in a variety of disciplines and worked as a professor of mathematics, physics and oriental languages. But his insatiable curiosity also led him on research trips outside the university, for example to Sicily, where he climbed the Lipari Islands and Mount Etna.

In the second period of his life, which he devoted to science, Kircher realized a variety of works ranging from mathematics, physics and chemistry to geography, geology, astronomy, biology, medicine, music, languages, philology and history. His publications are a wealth of information and reflect his profound fascination with space, life, and the human experience. His impressive book Magnes (1641), for example, which dealt primarily with magnetism, spans a wide range and opens discussions on topics such as gravitation and even love. Perhaps his best-known work, the Oedipus Aegyptiacus (1652), is a broad study of Egyptology and comparative religion that brings to life the splendor and complexity of ancient Egypt. His contribution to scholarship and his dedication to the beauty and precision of Egyptian art and culture are aspects we value most in our own pursuit of perfection in the reproduction of fine art prints. Kircher, who died in Rome on November 27, 1680, leaves a legacy that reflects both his capacity for depth and variety in his scientific investigations and his appreciation of art. He was a man whose curiosity and passion enabled him to expand the frontiers of knowledge of his time. Today, we live on his legacy by bringing his work and love of art to life in our art prints, making his beauty and knowledge accessible to future generations.

Athanasius Kircher

Athanasius Kircher
  May 2, 1602
  Nov. 27, 1680
   •   Nonclassified artists   •   Wikipedia: Athanasius Kircher

Deep in the bowels of the city of Rome, in the heart of the ancient Collegium Romanum, unfolded the spiritual panorama of Athanasius Kircher - a German Jesuit and polymath who was born on May 2, 1602 in Geisa, in the Hochstift Fulda. Truly, Kircher was not only a man of his time, but also of its visions and miracles. Inscribed in the shadow texts of his day, Friedrich Kittler praised him as "the Pope's scientific firebrand," a preserver of knowledge and a protector of science. At the heart of the Renaissance, Kircher asserted himself with unprecedented monographs dealing with Egyptology, geology, medicine, mathematics, and music theory. His motto, In uno omnia (In One All), sums up the totality of his scientific curiosity and also reflects the spirit of our times and the perfection of reproduction of art prints as we pursue it.

At first glance, the biography of Athanasius Kircher may appear as a simple chronology of his life. But behind each date lies a far-reaching story full of science, culture and fascination. When he joined the Jesuit order on October 2, 1618, he began to study philosophy and theology, opening the first chapter of his remarkable life. His journey took him through the turbulence of the Thirty Years' War and to the halls of the Pontifical University of Avignon in France. In 1633 he was offered the opportunity to succeed Johannes Kepler, but fate had other plans and led him instead to Rome to the Collegium Romanum. Here he realized himself in a variety of disciplines and worked as a professor of mathematics, physics and oriental languages. But his insatiable curiosity also led him on research trips outside the university, for example to Sicily, where he climbed the Lipari Islands and Mount Etna.

In the second period of his life, which he devoted to science, Kircher realized a variety of works ranging from mathematics, physics and chemistry to geography, geology, astronomy, biology, medicine, music, languages, philology and history. His publications are a wealth of information and reflect his profound fascination with space, life, and the human experience. His impressive book Magnes (1641), for example, which dealt primarily with magnetism, spans a wide range and opens discussions on topics such as gravitation and even love. Perhaps his best-known work, the Oedipus Aegyptiacus (1652), is a broad study of Egyptology and comparative religion that brings to life the splendor and complexity of ancient Egypt. His contribution to scholarship and his dedication to the beauty and precision of Egyptian art and culture are aspects we value most in our own pursuit of perfection in the reproduction of fine art prints. Kircher, who died in Rome on November 27, 1680, leaves a legacy that reflects both his capacity for depth and variety in his scientific investigations and his appreciation of art. He was a man whose curiosity and passion enabled him to expand the frontiers of knowledge of his time. Today, we live on his legacy by bringing his work and love of art to life in our art prints, making his beauty and knowledge accessible to future generations.





The most popular works of Athanasius Kircher

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Map of Atlantis, from 'Mundus Su...
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The Tower of Babel, 1679 (engrav...
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A camera obscura (Magic Lantern)...
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Ars magna lucis et umbrae, 1646.
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The most popular works of Athanasius Kircher

These artworks are particularly popular with our customers.


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Athanasius Kircher
 
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Athanasius Kircher
Der Turmbau zu Babel. Rekonstruk...
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Athanasius Kircher
Map of the Garden of Eden, 1675
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Athanasius Kircher
Geographic chart of the world af...
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Athanasius Kircher
Map of the legendary island of A...
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Athanasius Kircher
Father Kircher's Catoptric Machi...
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Athanasius Kircher
Antediluvian giants, 1678.
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Athanasius Kircher
The Colossus of Rhodes (statue o...
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Athanasius Kircher
Cartographic representation of C...
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Athanasius Kircher
Magic lantern showing Death from...
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Athanasius Kircher
Pyramids of Egypt, illustration ...
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Athanasius Kircher
The Greek philosopher Archytas o...
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Athanasius Kircher
Genealogy tree of Adam, 1675.
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Athanasius Kircher
 
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Athanasius Kircher
Ars magna lucis et umbrae, 1671
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Athanasius Kircher
Archytas of Taranto (435-347 BC)...
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Athanasius Kircher
Burning mirrors of Archimedes, e...
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Athanasius Kircher
Genealogical tree of Noe d'Apres...
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Athanasius Kircher
Ars magna lucis et umbrae, 1646.
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Athanasius Kircher
Labyrinth of Dedalus to enclose ...
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Athanasius Kircher
The Sun, the Earth and the Movem...
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Athanasius Kircher
Cross-section of the earth showi...
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Athanasius Kircher
Matteo Ricci and Xu Guangqi. Fro...
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Athanasius Kircher
The Chinese Emperor and Supreme ...
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Athanasius Kircher
 
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Athanasius Kircher
Cross section of the earth crust...
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Athanasius Kircher
 
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Athanasius Kircher
The Harmony of the Birth of the ...
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Athanasius Kircher
The facial characteristics of a ...
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Athanasius Kircher
Dragon, 1678
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Athanasius Kircher
Types of snakes, from Arca Noe
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Athanasius Kircher
 
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Athanasius Kircher
Surface of the Sun showing sunsp...
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Athanasius Kircher
Mesopotamia, the Tiger and Euphr...
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Athanasius Kircher
Jesuit Johann Adam Schall von Be...
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Athanasius Kircher
 
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Athanasius Kircher
The great flood from Arca Noe
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Athanasius Kircher
Chinese fruits (Arbor polomie, C...
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Athanasius Kircher
Ars magna lucis et umbrae, 1646.
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Athanasius Kircher
View of the rocks of “” Charybde...
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Athanasius Kircher
Scene of the Deluge, 1675
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Athanasius Kircher
Table of the species, 1765.
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Athanasius Kircher
Dragon, 1678
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Athanasius Kircher
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Athanasius Kircher
Frontispiece of Arca Noe, 1675.
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Athanasius Kircher
 
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Athanasius Kircher
Cattus volans, 1667
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Athanasius Kircher
Virgin and child and a human ske...
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Athanasius Kircher
Chambre noire d'apres Athanasius...
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Athanasius Kircher
 
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Athanasius Kircher
The song emitted by certain vola...
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Athanasius Kircher
Mythical creatures, 1675.
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Athanasius Kircher
Johann Adam Schall von Bell. Fro...
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Athanasius Kircher
The great flood from Arca Noe
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Athanasius Kircher
Volcano of Vesuvius - in “” The ...
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Athanasius Kircher
Hand hydraulic water pump, 1678
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Athanasius Kircher
The Tower of Babel - La Tour de ...
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Athanasius Kircher
Interior of a Pyramid - in “” Sp...
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Athanasius Kircher
Wind pump, 1678
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Athanasius Kircher
L'Etna en 1637 - in “” The Under...
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Athanasius Kircher
Lake geology, 1678
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Athanasius Kircher
Proportions of man, 1675
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Athanasius Kircher
Human hearing and other animal s...
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Athanasius Kircher
Mythical creatures, 1678.
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Athanasius Kircher
 
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Athanasius Kircher
Small dragon, 1678
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Athanasius Kircher
Acoustic cornet invented by Atha...
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Athanasius Kircher
The maze of Cnossos designed by ...
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Athanasius Kircher
Result of the deluge, 1675
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Athanasius Kircher
Water movement, 1678.
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Athanasius Kircher
Hydraulic machine IV, 1678
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Athanasius Kircher
 
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Athanasius Kircher
Serpents, 1675.
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Athanasius Kircher
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Athanasius Kircher
Portrait of Matteo Ricci (left),...
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Athanasius Kircher
Birds, 1675.
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Athanasius Kircher
Representation of a seahorse. En...
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Athanasius Kircher
Adam Schall (left) and Matteo Ri...
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Athanasius Kircher
 
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Athanasius Kircher
 
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Athanasius Kircher
 
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Athanasius Kircher
Pyramids of the Black Pharaohs -...
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Athanasius Kircher
Mummies - in “” Sphynx mystagoga...
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Athanasius Kircher
Human figures, 1678
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Athanasius Kircher
Virgin and child, 1678
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Athanasius Kircher
An elephant rubbing against a pa...
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Athanasius Kircher
Mummies - in “” Sphynx mystagoga...
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Athanasius Kircher
Description of the ark, 1675
1675 | engraving

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Athanasius Kircher
Description of the ark, 1675
1675 | engraving

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Athanasius Kircher
The Shrine of Saint Thomas at Me...
1667 | engraving

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Athanasius Kircher
Mummies - in “” Sphynx mystagoga...
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Athanasius Kircher
Le camellia - in “” China”” by A...
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Athanasius Kircher
 
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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