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Feel the passion of Alex Dunn in our art prints.

Our art reproductions bring moments of comfort directly into your home.

Discover Artworks Now!
Alex Dunn
Passionate Customer Service
Museum Quality Art Prints
Customization Options Available
Österreichische Kunstmanufaktur Passionate Customer Service
Museum Quality Art Prints
Customization Options Available

Alex Dunn

As complex as the life of the artist Alex Dunn is, as broadly diversified is then also his work. An examination of his career is worthwhile and contributes to a direct understanding of the artistic work. Dunn was born in Glasgow, first attended Bualnaluib Primary School, a Gaelic elementary school in the Scottish Highlands. He then transferred to Fortrose Academy in northeast Inverness. He completed his schooling at the University of Aberdeen. Dunn graduated with honors. No, it was not an art degree. Dunn was studying economic history!

An explanation to his later vocation can be found in his childhood. The artist's parents were both creatively active, and even as a young boy he was exposed to extensive creative craftsmanship and theoretical art knowledge. His mother worked with clay and made ceramics. The father taught art and art history. This "private" apprenticeship, parallel to his schooling, paved the way for his later fields of activity. Dunn began painting while still in college. After graduation, he worked in a variety of fields. He was a porter in a hospital, a fisherman on Loch Maree, at times he worked as an assistant to a castle administrator. Throughout his career, his attachment to his native Scotland remains striking. So also in later activities and business relations. He joins the management of Cromartie Timber, a joinery company that uses only Scottish timber to make beams, studs and panels. Dunn also establishes his own company in the Scottish Highlands, Ardival Harps. Here, historic and traditional harps have been made since 1992. All these activities shape the artist and explain the diversity of his work. Dunn works sculpturally with wood, shows abstract compositions and experiments with geometric color figures. His visual language ranges from minimalist lines to expressive symbolism. Usually a theme develops into a series. This can be seen in the Circle sheets: "Red Circle", "Black Circle" and "Red Circle in Blue". The lines of these circles seem to wander, seem alive. One image seems to generate the next. Dunn plays with this theme, interpreting it further. The Circles then break up and form a segmental shape.

What symbolic power can be in everyday objects, show works such as "A Very Still Life", "Caught" or "Jug's Rupture". Here, geometric color surfaces and signs are varied in the background of the picture. In the foreground strikingly depicted, the black silhouettes of kitchen utensils and tools. Both interpret the respective theme of the picture. Common to all sheets is a clear color language. Primary colors form the focal point. These color areas are broken up by crystal-like networks. Dunn works for these sheet sequences with colored papers, with charcoal and colored pencils on cardboard. Alex Dunn has been and continues to be exhibited primarily in Scotland, at the Royal Scottish Academy, the Royal Glasgow Institute, at Visual Arts Scotland. He also demonstrates his loyalty to his homeland through his contributions to the Highland art community.

Alex Dunn

Nonclassified artists

As complex as the life of the artist Alex Dunn is, as broadly diversified is then also his work. An examination of his career is worthwhile and contributes to a direct understanding of the artistic work. Dunn was born in Glasgow, first attended Bualnaluib Primary School, a Gaelic elementary school in the Scottish Highlands. He then transferred to Fortrose Academy in northeast Inverness. He completed his schooling at the University of Aberdeen. Dunn graduated with honors. No, it was not an art degree. Dunn was studying economic history!

An explanation to his later vocation can be found in his childhood. The artist's parents were both creatively active, and even as a young boy he was exposed to extensive creative craftsmanship and theoretical art knowledge. His mother worked with clay and made ceramics. The father taught art and art history. This "private" apprenticeship, parallel to his schooling, paved the way for his later fields of activity. Dunn began painting while still in college. After graduation, he worked in a variety of fields. He was a porter in a hospital, a fisherman on Loch Maree, at times he worked as an assistant to a castle administrator. Throughout his career, his attachment to his native Scotland remains striking. So also in later activities and business relations. He joins the management of Cromartie Timber, a joinery company that uses only Scottish timber to make beams, studs and panels. Dunn also establishes his own company in the Scottish Highlands, Ardival Harps. Here, historic and traditional harps have been made since 1992. All these activities shape the artist and explain the diversity of his work. Dunn works sculpturally with wood, shows abstract compositions and experiments with geometric color figures. His visual language ranges from minimalist lines to expressive symbolism. Usually a theme develops into a series. This can be seen in the Circle sheets: "Red Circle", "Black Circle" and "Red Circle in Blue". The lines of these circles seem to wander, seem alive. One image seems to generate the next. Dunn plays with this theme, interpreting it further. The Circles then break up and form a segmental shape.

What symbolic power can be in everyday objects, show works such as "A Very Still Life", "Caught" or "Jug's Rupture". Here, geometric color surfaces and signs are varied in the background of the picture. In the foreground strikingly depicted, the black silhouettes of kitchen utensils and tools. Both interpret the respective theme of the picture. Common to all sheets is a clear color language. Primary colors form the focal point. These color areas are broken up by crystal-like networks. Dunn works for these sheet sequences with colored papers, with charcoal and colored pencils on cardboard. Alex Dunn has been and continues to be exhibited primarily in Scotland, at the Royal Scottish Academy, the Royal Glasgow Institute, at Visual Arts Scotland. He also demonstrates his loyalty to his homeland through his contributions to the Highland art community.

Artworks by Alex Dunn

Artworks by Alex Dunn

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Alex Dunn
Yellow, blue and red
2010 | coloured paper on card

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Alex Dunn
Into the north
2010 | graphite and coloured paper on card

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Alex Dunn
 
2010 | coloured paper on card

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Alex Dunn
 
2010 | crayon and coloured paper on card

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Alex Dunn
Dont fuck with the Culture
2013 | graphite and coloured paper on card

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Alex Dunn
 
2014 | crayon on card

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Alex Dunn
Orbis Factor (1)
2014 | graphite and coloured paper on card

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Alex Dunn
Gods Navel
2017 | crayon and acrylic on mdf

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Alex Dunn
 
2011 | graphite and pen on card

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Alex Dunn
Orbis Factor (2)
2014 | graphite and coloured paper on card

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Alex Dunn
 
2017 | crayon and coloured paper on card

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Alex Dunn
 
2012 | graphite and coloured paper on card

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Alex Dunn
Hi-vis crackle and pop
2013 | graphite and coloured paper on card

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Alex Dunn
Red maze
2012 | graphite and coloured paper on card

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Alex Dunn
 
2017 | graphite and crayon on card

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Alex Dunn
 
2010 | pen on paper

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Alex Dunn
 
Undated | pen

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Alex Dunn
 
2015 | pencil and tipex and coloured paper on card

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Alex Dunn
 
Undated | pen and pencil

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Alex Dunn
Oldshoremore (one)
2012 | graphite and coloured paper on card

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Alex Dunn
Oldshoremore (two)
2012 | graphite and coloured paper on card

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Alex Dunn
 
2017 | crayon and coloured paper on card

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Alex Dunn
 
2011 | coloured paper on card

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Alex Dunn
Does my bum look big in this?
2012 | graphite and coloured paper on card

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Alex Dunn
 
2009 | coloured paper on card

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Alex Dunn
 
Undated | pen

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Alex Dunn
 
2017 | graphite and crayon on card

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Alex Dunn
Aphrodite (blows her top)
2014 | crayon on card

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Alex Dunn
 
2015 | crayon and coloured paper on card

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Alex Dunn
 
2012 | graphite and coloured paper on card

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Alex Dunn
Kitchen scourers (two)
2012 | kitchen scourers and crayon on card

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Alex Dunn
 
2015 | crayon on card

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Alex Dunn
Window and baked beans
2010 | graphite and coloured paper on card

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Alex Dunn
 
2017 | graphite and crayon on card

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Alex Dunn
Dark square
2009 | graphite and coloured paper on card

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Alex Dunn
 
2013 | graphite and coloured paper on card

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Alex Dunn
Mostly white
2011 | coloured paper on card

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Alex Dunn
 
2013 | graphite and coloured paper on card

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Alex Dunn
 
Undated | pen and pencil

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Alex Dunn
 
2016 | graphite and crayon on card

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Alex Dunn
 
2013 | crayon on card

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Alex Dunn
Kitchen scourers (one)
2013 | kitchen scourers and enamelled wood on card

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Alex Dunn
 
2016 | graphite and crayon on card

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Alex Dunn
 
Undated | pen and pencil

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Alex Dunn
 
Undated | pen

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Alex Dunn
 
2014 | graphite and coloured paper on card

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Alex Dunn
 
Undated | pen

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Alex Dunn
 
2014 | graphite and crayon on card

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Alex Dunn
 
2017 | crayon and coloured paper on card

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Alex Dunn
 
2013 | crayon on card

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Alex Dunn
 
2013 | crayon and coloured paper on card

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Alex Dunn
Structured dusk
2013 | graphite and coloured paper on card

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Alex Dunn
Cut Left, 2023 (enamel on card)
Undated | enamel on card

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Alex Dunn
Segments, 2023 (enamel and pen o...
Undated | enamel on card

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Alex Dunn
Pilgrim on red
2013 | Glue and coloured paper on card

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Alex Dunn
 
2017 | graphite and crayon on card

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Alex Dunn
Other times have other lives to ...
2016 | graphite and crayon on card

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Alex Dunn
 
2014 | pen and crayon on card

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Alex Dunn
Cut Right, 2023 (enamel on card)
Undated | enamel on card

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Alex Dunn
Grey drawing fifty seven
2011 | pen on paper

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Alex Dunn
Circle Red on Blue, 2022 (enamel...
Undated | enamel and pen on card

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Alex Dunn
Pilgrim on black
2013 | Glue and coloured paper on card

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Alex Dunn
Yellow rectangle on Black, 2021 ...
Undated | enamel on card

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Alex Dunn
Black on Yellow, 2022 (enamel on...
Undated | enamel on card

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Alex Dunn
Red Square on Black, 2021 (ename...
Undated | enamel on card

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Alex Dunn
Cut Under, 2023 (enamel on card)
Undated | enamel on card

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Alex Dunn
Cut Right Down, 2023 (enamel on ...
Undated | enamel on card

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Alex Dunn
Pressure Blue on Red, 2023 (enam...
Undated | enamel on card

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Alex Dunn
Yellow pillars on Black, 2021 (e...
Undated | enamel on card

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Alex Dunn
Points on Circle, 2023 (enamel o...
Undated | enamel on card

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Alex Dunn
Circle Blue on Red, 2022 (enamel...
Undated | enamel paint on canvas

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Alex Dunn
Red Bits on White, 2021 (enamel ...
Undated | enamel on card

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Alex Dunn
Red Bits on Black, 2021 (enamel ...
Undated | enamel on card

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Alex Dunn
Hot or Angry or both, 2023 (enam...
Undated | enamel on card

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Alex Dunn
Circle Blue on Red Diamond, 2022...
Undated | enamel and pen on card

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology.

Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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